he really existed. Finnegan would die unseen in his monstrous closet, and I never the wiser. This way, for one victorious moment, I will know. Fear for me. Envy me. Pray for me. Sorry to abandon you without farewells. Dear friend, carry on.
I folded the letter and wept.
No more was ever heard of him.
Some say Sir Robert killed himself, an actor in his own melodrama, and that one day we shall unearth his brooding, lost, and Gothic body and that it was he who killed the children and that his preoccupation with doors and hinges, and more doors, led him, crazed, to study this one species of spider, and wildly plan and build the most amazing door in history, an insane burrow into which he popped to die, before my eyes, thus hoping to perpetuate the incredible Finnegan.
But I have found no burrow. I do not believe a man could construct such a pit, even given Sir Robert's overwhelming passion for doors.
I can only ask, would a man murder, draw his victims' blood, build an earthen vault? For what motive? Create the
Somewhere, Finnegan and Sir Robert lie clasped in a velvet-lined unmarked crypt, deep under. Whether one is the paranoiac alter ego of the other, I cannot say. But the murders have ceased, the rabbits once more rush in Chatham Forest, and its bushes teem with butterflies and birds. It is another spring, and the children run again through a loud glade, no longer silent.
Finnegan and Sir Robert,
That Woman on the Lawn
1996 year
Very late at night he heard the weeping on the lawn in front of his house. It was the sound of a woman crying. By its sound he knew it was not a girl or a mature woman, but the crying of someone eighteen or nineteen years old. It went on, then faded and stopped, and again started up, now moving this way or that on the late- summer wind.
He lay in bed listening to it until it made his eyes fill with tears. He turned over, shut his eyes, let the tears fall, but could not stop the sound. Why should a young woman be weeping long after midnight out there?
He sat up and the weeping stopped.
At the window, he looked down. The lawn was empty but covered with dew. There was a trail of footsteps across the lawn to the middle where someone had stood turning, and another trail going off toward the garden around the house.
The moon stood full in the sky and filled the lawn with its light, but there was no more sadness and only the footprints there.
He stepped back from the window, suddenly chilled, and went down to heat and drink a cup of chocolate.
He did not think of the weeping again until dusk the next day, and even then thought that it must be some woman from a house nearby, unhappy with life, perhaps locked out and in need of a place to let her sadness go.
Yet . . .?
As the twilight deepened, coming home he found himself hurrying from the bus, at a steady pace which astonished him. Why, why all this?
Idiot, he thought. A woman unseen weeps under your window, and here at sunset the next day, you almost run.
Yes, he thought, but her
Was it beautiful, then?
No. Only familiar.
Where had he heard such a voice before, wordless in crying?
Who could he ask, living in an empty house from which his parents had vanished long ago?
He turned in at his front lawn and stood still, his eyes shadowed.
What had he expected? That whoever she was would be waiting here? Was he that lonely that a single voice long after midnight roused all his senses?
No. Simply put: he must know who the crying woman was.
And he was certain she would return tonight as he slept.
He went to bed at eleven, and awoke at three, panicked that he had missed a miracle. Lightning had destroyed a nearby town or an earthquake had shaken half the world to dust, and he had slept through it!
Fool! he thought, and slung back the covers and moved to the window, to see that indeed he had overslept.
For there on the lawn were the delicate footprints.
And he hadn't even
He would have gone out to kneel in the grass, but at that moment a police car motored slowly by, looking at nothing and the night.
How could he run to prowl, to probe, to touch the grass if that car came by again? What doing? Picking clover blossoms? Weeding dandelions? What, what?
His bones cracked with indecision. He would go down, he would not.
Already the memory of that terrible weeping faded the more he tried to make it clear. If he missed her one more night, the memory itself might be gone.
Behind him, in his room, the alarm clock rang. Damn! he thought. What time
The wind shifted. The tree just outside the window whispered and stirred.
He opened his eyes and leaned forward. From far off, coming near, and now down below, the quiet sound of a woman weeping.
She had come back to his lawn and was not forever lost. Be very quiet, he thought.
And the sounds she made came up on the wind through the blowing curtains into his room.
Careful now. Careful but quick.
He moved to the window and looked down.
In the middle of the lawn she stood and wept, her hair long and dark on her shoulders, her face bright with tears.
And there was something in the way her hands trembled at her sides, the way her hair moved quietly in the wind, that shook him so that he almost fell.
He knew her and yet did
Turn your head, he thought.
Almost as if hearing this, the young woman sank to her knees to half kneel on the grass, letting the wind comb her hair, head down and weeping so steadily and bitterly that he wanted to cry out: Oh, no! It kills my heart!
And as if she had heard, quite suddenly her head lifted, her weeping grew less as she looked up at the moon, so that he saw her face.
And it was indeed a face seen somewhere once, but
A tear fell. She blinked.
It was like the blinking of a camera and a picture taken.
«God save me!» he whispered. «No!»
He whirled and stumbled toward the closet to seize down an avalanche of boxes and albums. In the dark he scrabbled, then pulled on the closet light, tossed aside six albums until finally, dragging another forth and riffling
