luck elsewhere.
Beauty found a candle to light her way and followed the faithful spaniel up the staircase, past the study, past her suite, through a house echoing with desertion up a little back staircase dedicated to mice and spiders, stumbling, ripping the hem of her dress in her haste.
What a modest bedroom! An attic, with a sloping roof, they might have given the chambermaid if the Beast had employed staff. A night light on the mantelpiece, no curtains at the windows, no carpet on the floor and a narrow, iron bedstead on which he lay, sadly diminished, his bulk scarcely disturbing the faded patchwork quilt, his mane a greyish rat's nest and his eyes closed. On the stick-backed chair where his clothes had been thrown, the roses she had sent him were thrust into the jug from the washstand but they were all dead.
The spaniel jumped up on the bed and burrowed her way under the scanty covers, softly keening.
'Oh, Beast,' said Beauty. 'I have come home.'
His eyelids flickered. How was it she had never noticed before that his agate eyes were equipped with lids, like those of a man? Was it because she had only looked at her own face, reflected there?
'I'm dying, Beauty,' he said in a cracked whisper of his former purr. 'Since you left me, I have been sick. I could not go hunting, I found I had not the stomach to kill the gentle beasts, I could not eat. I am sick and I must die; but I shall die happy because you have come to say good-bye to me.'
She flung herself upon him, so that the iron bedstead groaned, and covered his poor paws with her kisses.
'Don't die, Beast! If you'll have me, I'll never leave you.' When her lips touched the meat-hook claws, they drew back into their pads and she saw how he had always kept his fists clenched but now, painfully, tentatively, at last began to stretch his fingers. Her tears fell on his face like snow and, under their soft transformation, the bones showed through the pelt, the flesh through the wide, tawny brow. And then it was no longer a lion in her arms but a man, a man with an unkempt mane of hair and, how strange, a broken nose, such as the noses of retired boxers, that gave him a distant, heroic resemblance to the handsomest of all the beasts.
'Do you know,' said Mr Lyon, 'I think I might be able to manage a little breakfast today, Beauty, if you would eat something with me.'
Mr and Mrs Lyon walk in the garden; the old spaniel drowses on the grass, in a drift of fallen petals.
The Tiger's Bride
My father lost me to The Beast at cards.
There's a special madness strikes travellers from the North when they reach the lovely land where the lemon trees grow. We come from countries of cold weather; at home, we are at war with nature but here, ah! you think you've come to the blessed plot where the lion lies down with the lamb. Everything flowers; no harsh wind stirs the voluptuous air. The sun spills fruit for you. And the deathly, sensual lethargy of the sweet South infects the starved brain; it gasps: 'Luxury! more luxury!' But then the snow comes, you cannot escape it, it followed us from Russia as if it ran behind our carriage, and in this dark, bitter city has caught up with us at last, flocking against the windowpanes to mock my father's expectations of perpetual pleasure as the veins in his forehead stand out and throb, his hands shake as he deals the Devil's picture books.
The candles dropped hot, acrid gouts of wax on my bare shoulders. I watched with the furious cynicism peculiar to women whom circumstances force mutely to witness folly, while my father, fired in his desperation by more and yet more draughts of the firewater they call 'grappa', rids himself of the last scraps of my inheritance. When we left Russia, we owned black earth, blue forest with bear and wild boar, serfs, cornfields, farmyards, my beloved horses, white nights of cool summer, the fireworks of the northern lights. What a burden all those possessions must have been to him, because he laughs as if with glee as he beggars himself; he is in such a passion to donate all to The Beast.
Everyone who comes to this city must play a hand with the
The hour was late. The chill damp of this place creeps into the stones, into your bones, into the spongy pith of the lungs; it insinuated itself with a shiver into our parlour, where Milord came to play in the privacy essential to him. Who could refuse the invitation his valet brought to our lodging? Not my profligate father, certainly; the mirror above the table gave me back his frenzy, my impassivity, the withering candles, the emptying bottles, the coloured tide of the cards as they rose and fell, the still mask that concealed all the features of The Beast but for the yellow eyes that strayed, now and then, from his unfurled hand towards myself.
'La Bestia!' said our landlady, gingerly fingering an envelope with his huge crest of a tiger rampant on it, something of fear, something of wonder in her face. And I could not ask her why they called the master of the place, 'La Bestia'--was it to do with that heraldic signature?--because her tongue was so thickened by the phlegmy, bronchitic speech of the region I scarcely managed to make out a thing she said except, when she saw me: 'Che bella!'
Since I could toddle, always the pretty one, with my glossy, nut-brown curls, my rosy cheeks. And born on Christmas Day--her 'Christmas rose', my English nurse called me. The peasants said: 'The living image of her mother,' crossing themselves out of respect for the dead. My mother did not blossom long; bartered for her dowry to such a feckless sprig of the Russian nobility that she soon died of his gaming, his whoring, his agonizing repentances. And The Beast gave me the rose from his own impeccable if outmoded buttonhole when he arrived, the valet brushing the snow off his black cloak. This white rose, unnatural, out of season, that now my nervous fingers ripped, petal by petal, apart as my father magnificently concluded the career he had made of catastrophe.
This is a melancholy, introspective region; a sunless, featureless landscape, the sullen river sweating fog, the shorn, hunkering willows. And a cruel city; the sombre piazza, a place uniquely suited to public executions, under the heeding shadow of that malign barn of a church. They used to hang condemned men in cages from the city walls; unkindness comes naturally to them, their eyes are set too close together, they have thin lips. Poor food, pasta soaked in oil, boiled beef with sauce of bitter herbs. A funereal hush about the place, the inhabitants huddled up against the cold so you can hardly see their faces. And they lie to you and cheat you, innkeepers, coachmen, everybody. God, how they fleeced us!
The treacherous South, where you think there is no winter but forget you take it with you.
My senses were increasingly troubled by the fuddling perfume of Milord, far too potent a reek of purplish civet at such close quarters in so small a room. He must bathe himself in scent, soak his shirts and underlinen in it; what can he smell of, that needs so much camouflage?
I never saw a man so big look so two-dimensional, in spite of the quaint elegance of The Beast, in the old- fashioned tailcoat that might, from its looks, have been bought in those distant years before he imposed seclusion on himself; he does not feel he need keep up with the times. There is a crude clumsiness about his outlines, that are on the ungainly, giant side; and he has an odd air of self-imposed restraint, as if fighting a battle with himself to remain upright when he would far rather drop down on all fours. He throws .our human aspirations to the godlike sadly awry, poor fellow; only from a distance would you think The Beast not much different from any other man, although he wears a mask with a man's face painted most beautifully on it. Oh, yes, a beautiful face; but one with too much formal symmetry of feature to be entirely human: one profile of his mask is the mirror image of the other, too perfect, uncanny. He wears a wig, too, false hair tied at the nape with a bow, a wig of the kind you see in old- fashioned portraits. A chaste silk stock stuck with a pearl hides his throat. And gloves of blond kid that are yet so huge and clumsy they do not seem to cover hands.
He is a carnival figure made of papier mache and crepe hair; and yet he has the Devil's knack at cards.
His masked voice echoes as from a great distance as he stoops over his hand and he has such a growling impediment in his speech that only his valet, who understands him, can interpret for him, as if his master were the clumsy doll and he the ventriloquist.
