Dark Terrors 3: The Gollancz Book of Horror

He got his arms around the hollow body, pulled it closer. He cupped the cold rubbery buttocks, entwined his legs with the thrusting bones of its thighs. When its jaws released his throat, he pressed his face against the voracious swollen one, pushed his tongue between the blackened lips and felt the teeth rip it out. His mouth filled with blood and rot. He swallowed, gagged, swallowed again.

A head rolled out from under the bed, pushing itself by frantic motions of jaw and tongue. The severed ends of the neck muscles twitched, trying to help it along. Its nose and left eyebrow were pierced with silver rings, its empty eyesockets crusted with blood and greasy black make-up. It reached Justin and bit deep into one of his thighs. He kicked once, in surprise, then bent his leg so that the teeth could more easily get at the soft muscle of his groin. He felt his flesh peeling away.

The upper half of a body was pulling itself out of the closet. Its black-lacquered nails dug into the carpet. Ropes of intestine trailed behind it, coming apart, leaving a trail of shit and ichor on the rug. This one had been, possibly, a Mexican boy. Now its skin was the colour of decaying eggplant, and very few teeth were left in its gaping mouth. Dimly Justin remembered extracting them with a pair of pliers after the rigor mortis had slackened.

It tore Justin’s belly open with its hands and sank its face into his guts. He arched his back, felt its fingers plunging I deep, its mouth lapping at the very core of him.

The small pleasures of his life — reading, listening to the music of another time, choking the life out of boys and playing with their abandoned shells — were nothing compared to this. He wanted it to go on for ever.

But, eventually, he died.

The corpse from the bathtub chewed at Justin’s throat and chest. Half-chewed pieces of Justin slid down its gullet, into the great scooped-out hollow of its abdomen, out on to the floor. The corpse from the closet sucked up the liquor and partly digested meat it found in Justin’s stomach.

The head bit into Justin’s scrotum and gulped the savoury mass of the testicles like a pair of tender oysters.

They seemed to know when to stop feeding, to refrain from pulling him completely apart, to leave enough of him. When he came back, Justin knew exactly what to do.

After all, he had been doing it long before most of the others.

Suko stumbled out of the bedroom and slammed the door behind him. Something was rolling around and around in the refrigerator, banging against the inside of the door. He almost went over to open it, only caught himself at the last second. He wasn’t thinking very clearly. His head felt wrong somehow, his brain caught in a downward spiral. He did not understand what he had just seen. But he knew he had to get out of the apartment.

No problem, a voice yammered in his head. Stay cool. Chill out. Don’t have a cow, man. He barely knew the meaning of the words. The American voice seemed to be receding down a long black tunnel; already it was so tiny and faint he could hardly hear it. He realized he was thinking in Thai for the first time in years. Even his native language was strange, a flurry of quick sharp syllables like little whirling razorblades slicing into the meat of his brain.

He fumbled with the complicated series of locks, yanked the door open and nearly fell into the hall. How had he entered the building?. Up a metal staircase, through a door at the end of the long dark hall. He reached it and let himself out. The hot October night seared his lungs. He could smell every poisonous particle of exhaust blanketing the city, every atom of shit and filth and blood baked on to the streets. Not like the ripe wet kiss of Bangkok, but so arid, so mercilessly dry. He felt his way down the fire escape and around the corner of the building.

The empty street seemed a mile wide. There was no sidewalk, only a steep curb and a long grey boulevard stretching away towards some other part of the city. There were no cars; he could hear no traffic anywhere. Even with his head feeling so strange, Suko knew something was wrong. LA streets were often empty of people, but always there were cars.

Far away at the next intersection, he made out a small group of figures straggling in his direction, bathed in a traffic light’s red glow. For a long moment he watched them come, trying to be sure they were really there, wondering what he should do. Then he started towards them. The blond man had done something awful to his head; he needed help. Maybe the figures would be able to help him.

But when he got closer, he saw that they were like the things he had seen in the bedroom. One had a long fatty slash wound across its bare torso. One had been gouged in the face with something jagged; its nose was cleaved in half and an eyeball hung out of the socket, leaking yolky fluid. One had no wounds, but looked as if it had starved to death; its nude body was all bone-ends and wasted hollows, its genitals shrivelled into the pelvic cavity, its blue-white skin covered with huge black and purple lesions.

When they saw him, the things opened their mouths and widened their nostrils, catching his scent. It was too late to get away. He couldn’t run, didn’t think he would even be able to stand up much longer. He stumbled forward and gave himself to them.

The little group closed around Suko, keeping him on his feet, supporting him as best they could. Gouged Eyeball caught him and steadied him. Slash Wound mouthed his shoulder as if in comfort, but did not bite. Lesions nudged him, urged him on. Suko realized they were herding him. They recognized him as one of their own, separated from the flock somehow. They were welcoming him back in.

Miserably, Suko wondered what would happen when they met someone alive.

Then the hunger flared in his belly, and he knew.

* * *

Poppy Z. Brite has worked as an artist’s model, a mouse caretaker, a stripper and, since 1991, a full-time writer. Her three novels are Lost Souls, Drawing Blood and Exquisite Corpse. Short stories and articles have been published in numerous markets, including Rage, Swamp, The Village Voice, Revelations (aka Millennium) and The Best New Horror series. She is the editor of the vampire anthologies Love In Vein and Love in Vein II and her major biography, Courtney Love: The Real Story, was recently published. ‘The greatest horror of “Self-Made Man”,’ reveals the author, ‘is that it was written for Book of the Dead 3, an anthology that went through a series of delays, scandals, intrigues and near-lawsuits before sinking under the weight of editorial and publishing idiocy. As for the story itself, it was written when I was midway through my novel Exquisite Corpse, and I just had to get some of the Jeffrey Dahmer-mania out of my system before I could go on. Readers have said my characters in the novel are too influenced by Dahmer — wait ‘til they get a load of this baby.’

The Price NEIL GAIMAN

Tramps and vagabonds have marks they make on gateposts and trees and doors, letting others of their kind know a little about the people who live at the houses and farms they pass on their travels. I think cats must leave similar signs; how else to explain the cats who turn up at our door through the year, hungry and flea-ridden and abandoned?

We take them in. We get rid of the fleas and the ticks, feed them and take them to the vet. We pay for them to get their shots, and, indignity upon indignity, we have them neutered or spayed.

And they stay with us, for a few months, or for a year, or for ever.

Most of them arrive in summer. We live in the country, just the right distance out of town for the city- dwellers to abandon their cats near us.