The Fall. Book II of The Strain Trilogy

front, because of his size. The weapon bag was at his feet. Angel and the others were in another vehicle.

The radio was on, the sports talk host having racked some music in order to give his voice or maybe his bladder a break. Fet realized, as Gus cut hard up onto the sidewalk in order to avoid a knot of abandoned vehicles, that the song was Elton John’s “Don’t Let the Sun Go Down on Me.”

He snapped off the radio, saying, “That’s not funny.”

They pulled up fast, at the foot of a building overlooking Central Park, exactly the sort of place where Fet always imagined a vampire would reside. Seen from the sidewalk below, it was outlined against the smoky sky like a gothic tower.

Fet entered the front door with Setrakian at his side, both men carrying their swords. Angel trailed them, Gus whistling a tune next to him.

The lobby of rich brown wallpaper was dimly lit and empty. Gus had a key that operated the passenger elevator, a small cage of green iron, its lift cables visible, Victorian styling inside and out.

The top-floor hallway was under construction, or at least left to appear that way. Gus laid his weapons down atop a table-like length of scaffolding. “Everybody disarm here,” he said.

Fet looked at Setrakian. Setrakian made no move to relinquish his staff, so Fet kept a tight hold on his sword.

“Fine, have it your way,” said Gus.

Angel remained behind as Gus led them inside the only door, up three steps into a dark anteroom. There was the usual light tincture of ammonia and earth, and a sensation of heat not artificially manufactured. Gus parted a heavy curtain, revealing a wide room with three windows overlooking the park.

Silhouetted before each window were three beings, hairless, unclothed, standing as still as the building itself, arranged like statues standing guard over the canyon of Central Park.

Fet raised his silver sword, the blade angling upward like the needle of a gauge measuring the presence of evil. All at once, he felt his hand struck, the sword handle springing loose from his grip. His other arm, the one gripping the weapon bag, jumped at the shoulder, suddenly lighter.

The bag handles had been cut. He turned his head in time to see his blade enter the side wall, piercing it deeply, quivering, the bag of weapons dangling from it.

He then felt a knife at the side of his throat. Not a silver blade, but instead the point of a long iron spike.

A face, next to him — so pale, it glowed. Its eyes bore the deep red of vampiric possession, its mouth curled into a toothless scowl. Its swollen throat pulsed, not with blood flow but anticipation.

“Hey…” said Fet, his voice disappearing into nothingness.

He was done for. The speed with which these ones moved was incredible. So much faster than the animals outside.

But the three beings at the windows — they had not moved.

Setrakian.

The voice, appearing within his mind, was accompanied by a numbing sensation that had the effect of clouding his thoughts.

Fet tried to look over at the old professor. He still held his staff, the interior blade sheathed. Another hunter stood at his side, holding a similar spike to his temple.

Gus walked past them. He said, “They’re with me.”

They are silver-armed. A hunter’s voice — not as debilitating as the other.

Setrakian said, “I come not to destroy you. Not this time.”

You would never get so close.

“But I have been close in the past, and you know it. Let us not rehash old battles. I wish to set all that aside for the time being. I have placed myself at your mercy for a reason. I want to deal.”

To deal? What could you possibly have to offer?

“The book. And the Master.”

Fet felt the vampire goon ease off his neck just a few millimeters, the point of the spike still in contact with his flesh but no longer poking at his throat.

The beings at the windows never moved, the commanding voice in his head unwavering.

And what is it you want in return?

Setrakian said, “The world.”

Nora spotted the dark figures siphoning passengers in the aft car. She kicked at the back of the knee of the man in front of her, pulling her mother and Zack past him, shouldering aside a woman in a business suit and sneakers in order to exit the derailed train.

Somehow, she got her mother down the long step without dropping her. Nora looked forward to where the front car had left the track, angled tight against the tunnel wall, and realized she had to go the other way.

She had departed the claustrophobia of the stuck train for the claustrophobia of an under-river tunnel.

Nora unzipped the side compartment on her travel duffel and pulled out her Luma lamp. She powered it on, the battery humming to life, the UVC bulb crackling indigo, burning hot.

The tracks lit up before her. Vampire discharge was everywhere, fluorescent guano, covering the floor and sprayed on the walls. Evidently, they had been crossing this way to the mainland for days, and by the thousands. It was the perfect environment for them: dark, dirty, and concealed from surface eyes.

Others disembarked behind them, a few using mobile phone screens to light their way. “Oh, my God!” one shrieked.

Nora turned and saw, by the light of the passengers’ phones, the train wheels goopy with white vampire blood. Gobs of pale skin and the black gristle of crushed bones hung from the undercarriage. Nora wondered if they were run down accidentally — or had they thrown themselves in the path of the charging train?

Thrown themselves seemed most likely. And if so — then what for?

Nora thought she knew. With the image of Kelly still bright in her mind, Nora threw one arm around Zack, taking her mother by the hand and running for the rear of the train.

New Jersey was a long walk away, and they were not alone here.

They heard screaming aboard the train now. Passengers being mauled by pale creatures marauding through the cars. Nora tried to keep Zack from looking up and seeing the faces pressed against the windows, regurgitating saliva and blood.

Nora got to the end of the train, rounding it — stepping over crushed vampire corpses on the tracks, using her UV light to kill any lurking blood worms — and starting up the other side, where there was a clear path toward the front car.

Tunnels carry and distort noises. Nora wasn’t sure what she was hearing, but its presence put an extra scare into her. She exhorted the people following them to stop a moment and be quiet and still.

She heard a noise like scuttling, only many times repeated and magnified through the tunnel. Coming behind them, in the same direction the train had been traveling. A horde of footsteps.

The light from the cell phone screens and Nora’s UV lamp had very little range. Something was coming at them out of the dark void, and Nora corralled Zack and her mother and started running the other way.

The hunter pulled back from Fet’s side, his spike still poised at Fet’s neck. Setrakian had started to tell the Ancients about Eldritch Palmer’s association with the Master.

We know already. He came to us some time ago, petitioning us for immortality.

“And you refused him. So he went across the street.”

He did not meet our criteria. Eternity is a beautiful gift, entrance into an immortal aristocracy. We are rigorously selective.

The voice reverberating inside Fet’s head sounded like a scolding parent’s multiplied a thousandfold. He looked at the hunter next to him and wondered: some long-dead European king? Alexander the Great? Howard Hughes?

No — not these hunters. Fet guessed he was an elite soldier in his former life. Plucked off a battlefield, perhaps during a special-ops mission. Drafted by the ultimate selective service. But who knew which army? What era? Vietnam? Normandy? Thermopylae?