reason and wits once they have looked upon it. My chaplain begs me to say more but I shan't satisfy him!]
The inside of Royston Manor was equally grim: it usually stood empty, being used by the court as a place to rest during royal progresses and then left in the tender care of an old steward and a bustling, aged retainer. The steward answered Agrippa's insistent knocking and took us into the main hallway. The house was built in a square, with a broad staircase sweeping up into the darkness. At the top were two galleries, one to the left, the other to the right, which turned again to form a perfect square. On each gallery were chambers and our group was directed into these, servants being left to sleep in the hall, buttery or stables behind the manor house. Sconce torches were fixed in the wall but only a few of these were lit. Now and again we came across the signs and secret symbols of the Templar Order: huge black crosses, thinly covered with whitewash, whilst the arms and escutcheons of long dead knights still hung high on the walls.
The chambers themselves were bleak, containing truckle beds, a few pieces of furniture, a table and a bowl and jug for washing. The windows were mere arrow-slits now blocked by wooden shutters; the air was so damp with a pervasive chill that Queen Margaret insisted fires be lit in her rooms before she retired for the night. A cold meal was hastily served, a few words exchanged, and everyone speedily retired as Catesby insisted that on the morrow we would rise early as there was a great deal of business to be done.
Now it is important for me to tell the story correctly. At first there was a period of confusion as porters, cursing and sweating, brought up bags, chests and coffers. Ruthven was placed in the chamber next to ours and came upstairs just after us. I heard him lock the chamber door and, a few minutes later, the mewing of his cat scratching at the wood for admittance. I went out into the gallery, Ruthven's door opened, the Scotsman came out, picked up the cat, smiled at me and went inside. I heard the key turn. I was going to knock for I was still intrigued by him but Benjamin called me so I let the matter rest.
We retired to bed but I couldn't sleep. I felt restless, uneasy in that haunted, creaking manor house. My terrors would have increased if I had known how once again Murder was stalking us, in that Godforsaken place.
Chapter 5
We were up early next morning. A heavy mist had fallen, drowning the countryside in its white vapour and making Royston Manor even more sinister. We breakfasted in the dingy Great Hall. Queen Margaret came in, leaning heavily on Catesby's arm. The desultory conversation faded. Catesby looked around.
'Where's Ruthven? I ordered everyone to rise early.' He glanced across at me. 'Shallot, be so courteous as to tell Master Ruthven we await him here.'
Carey heard this as he marched in, his bad temper apparent.
'Yes, go and tell him. Hurry up!' he snapped.
Now I would have stood my ground, I wasn't a dog to be sent running hither and thither, but Benjamin added his plea with his eyes.
'Melford, go with him,' Catesby added.
We went back up the staircase and I hammered on the door. There was no answer though I heard the faint mewing of the cat. We tried the door but it was locked.
'Is anything wrong?' Carey called from the hall below.
'No answer,' Melford shouted back. 'Was Ruthven seen this morning?'
Carey hurried up, then Catesby, followed by Moodie and a worried servant.
'Try the door again,' Carey ordered.
Benjamin joined us. We knocked, shouted and pushed. Catesby instructed us to take a bench leaning against the far wall and, though the space was narrow, we began to pound at the door like besiegers breaking into a castle. The old steward came hurrying up, huffing and puffing, but Carey snarled at him so he slunk away. One final shove and the buckled door flew back on its leather hinges.
I'll describe things as they were: Ruthven was slumped across the desk, his head on his arm, his face a whitish-blue, mouth open, eyes staring but sightless. In the far corner, the cat cowered as if it knew it was in the presence of death. On the table near Ruthven stood an empty pewter goblet. Carey lifted the body carefully.
'Dead,' he muttered. 'Dead as a stone! Place him on the bed.'
We carried him across, arranging the cold, lifeless form, trying to impose some dignity for already rigor mortis had set in. The look on the dead man's face was ghastly, as if some phantom of the night had stopped his heart. I wondered where the soul had gone. Was it still with us? Do the souls of the dead stand behind some invisible mirror, watching us who cannot see them?
'Look!' Moodie suddenly yelled.
He pointed to the bolster at the top of the bed where a small, white rose lay like some gift waiting to be presented. We all stood staring at the flower as if it were responsible for Ruthven's death.
'What's the matter?' Agrippa, accompanied by Scawsby, stood in the doorway. Melford pointed to the corpse on the bed and the flower still lying there. Scawsby hurried over, full of his own importance. The fool failed to realise the significance of the white rose, but instead peered down at Ruthven.
'A seizure!' he announced. 'Quite common in a man of choleric humour.'
Melford snorted, mocking him. Agrippa smiled, going up beside the doctor and picking up the white rose.
'I think not, good physician,' he whispered. 'Master Ruthven was murdered and the assassin left his token.' He twirled the rose between his fingers as he looked around. 'The murderer is here in Royston. The question is, who?'
We just stared back. The last time I had seen a white rose had been in that filthy room in the Tower. My master stared at the flower curiously before bending over Ruthven's corpse. He examined the eyes, tongue and nails of the dead man minutely, taking deep sniffs at the gaping mouth.
'Master Ruthven was poisoned,' he declared. 'But how?' He walked over and picked up the pewter goblet, sniffing at it carefully. 'Nothing,' he murmured, 'but the faint tinge of claret. Who brought this up?'
Agrippa shrugged. 'Ruthven did so himself. I saw him as he left the table last night.'
'I smell no potion,' Benjamin replied. He turned to 'Scawsby. 'Master Physician,' he asked tactfully, 'you would agree?'
Scawsby took the wine cup and held it under his long, arrogant nose.
'Nothing,' he answered.
Agrippa took the cup from him, rubbed his finger around it to collect the dregs and, despite the gasps of Moodie and Carey, licked it noisily.
'Correct, Master Daunbey, no poison.'
'Are you an authority on poisons, Master Daunbey?' Melford asked sharply.
'No,' Benjamin replied tartly. 'But as Physician Scawsby will testify, as Clerk to the Justices I have viewed enough corpses and have some knowledge of…'
His voice trailed away as Doctor Agrippa spread his hands.
'Yet,' Agrippa interrupted briskly, 'Ruthven was poisoned, even though he ate and drank only what we all did yesterday evening. So, did anyone else visit him in his room?'
A chorus of denials greeted his question and, because of my sleepless night, I could confirm these. I had heard no human footfalls in the corridor.
Carey stepped forward. 'So Ruthven locks himself in his chamber, he visits no one and no one visits him, but the next morning he is found poisoned and a white rose discovered lying on the bed.'
'Just like Selkirk,' Agrippa added flatly.
'Are there any secret passages?' Moodie squeaked.
Catesby glanced despairingly at the ceiling; still, the old steward was summoned and questioned. The man was frightened, unable to tear his eyes away from Ruthven's corpse, but he shook his head.
'No tunnels,' he declared roundly. 'No passageways or trap doors, but there are ghosts,' he said defiantly. 'The monk knights still walk the corridors.'
Melford sneered in derision.
'Did Master Ruthven go down to the kitchen or buttery or ask for any victuals to be sent up?' asked
