His offhand manner got to Rye and she said, “Check them out? How? You said you doubted if there’d be any prints. So what are you going to do with them? Call in the police clairvoyant?”
“That’s been tried too, but I don’t think we’ll be getting out the Ouija board for this one,” grinned Bowler.
He’s enjoying this, thought Rye. Thinks he’s making a better impression on me as cocky cop than shy ornithologist. Time to disabuse him with a withering put-down.
But before the withering could commence, Dick Dee spoke.
“I think DC Bowler plans to check whether any information given in the Dialogues is (a) true and (b) not obtainable from newspaper reports,” he said. “As for example the AA man’s holiday habits or the origins of the bazouki.”
“Right. Sharp thinking, Mr. Dee,” said Bowler.
Meaning, you’ve thought along the same lines as me therefore maybe you’re brighter than you look, parsed Rye.
“Thank you,” said Dee. “I took the liberty of enquiring about that also when I talked to the Gazette. No, the reports which we have drawn your attention to were the only items touching on the two deaths. And, in case you’re worried, I was careful not to alert them to a possible police interest. We have a local interest computer reference programme and they’re used to such crosschecking.”
He smiled at Bowler, not a smart-ass grin but a pleasant all-friends-together smile at which it was impossible to take offence, but offence was what the young DC felt like taking, except that he guessed it wouldn’t be a smart move in his campaign to impress Rye Pomona.
In addition, a good cop didn’t spurn help from any source, especially when that source was likely to be more clued up about something than the good cop’s self.
“This funny drawing at the start of the First Dialogue. Any thoughts on that?” he asked.
“Yes, I have been wondering about that,” said Dee. “And something did come to mind. I was going to tell you, Rye. Take a look at this.”
He went to the office and returned with a large folio which he set on the table. He began turning the pages, revealing a series of, to Bowler’s eyes, weird and wonderful designs, often in rich and vibrant colours.
“I need to be able to read Celtic scripts for some research I’m doing,” he explained. “And that’s made me aware of the huge range of illuminated initials their scribes used. This is what the Dialogue illustration reminded me of. Oh, here, look at this one. The Dialogue version has no colour of course and is greatly simplified, but basically they have much in common.”
“You’re right,” said Rye. “It’s obvious now you’ve pointed it out.”
“Yeah,” said Bowler. “Obvious. What is it, then?”
“It’s the letters I N P. This particular illumination is taken from an Irish manuscript of the eighth century and it’s the opening of the Gospel according to St. John. In principio erat verbum et verbum erat apud deum et deus erat verbum. All the letters of which seem to have tumbled into that little pile under the P.”
“And what do they mean, exactly?” said Hat, adding the last word to suggest, falsely, that it was merely detail he wanted adding to his own rough translation.
“In the beginning was the Word and the Word was with God and God was the Word, or the Word was God, as the Authorized Version has it. An interesting way for our dialogist to introduce himself, don’t you think? Words, words, words, much in love with words.”
“Oh yes,” said Rye taking the folder from Hat and staring hard from the ornate illumination to the black and white sketch. “But maybe it means something else. As well as the words.”
“That struck me too. It’s clearly illustrative. That could be the humpback bridge with the unfortunate AA man in the water…”
“And there’s a bird, though it doesn’t look much like a pheasant
…and are those things with horns meant to be cows?”
Hat, feeling he was being sidelined, retrieved the folder from her hands and said, “Let’s wait till we see if there’s been a crime committed before we start looking for clues, shall we? And if there has been, don’t worry, we’ll soon have this word-lover banged up. Pity they’ve shut Alcatraz.”
“Alcatraz?” they said in simultaneous puzzlement.
“Yes, then he could be the Wordman of Alcatraz.”
If it had fallen any flatter it would have been a map.
He said, “It was a movie…on telly the other night…there was this guy, Burt Lancaster, who killed somebody and got locked up…”
“Yes, I recall the film,” said Dee. “Well, well, the Wordman. Very droll, Mr. Bowler.”
Again, it didn’t sound like a put-down, but Hat felt put down.
“Yeah, well, thanks for your input, we’ll bear it in mind,” he said, trying to regain the professional high ground.
“My pleasure,” said Dee. “Well, back to the grind.”
He sat down at the table, picked up another story and started to read. Rye followed his example. Bowler remained standing, gradually deflating from cocky cop to would-be wooer.
There are more ways of withering than a blast of hot words, thought Rye gleefully.
Dee glanced up and said, “I’m sorry, Mr. Bowler, was there something else?”
“Just something I was asking Rye, Miss Pomona.”
“About the…Wordman?”
Hat shook his head.
“Ah, a library enquiry then. Concerning your ornithological studies, I’ve no doubt. Rye, are you able to help?”
“Not straightaway,” said Rye. “It’s something I’ll need to think about, Mr. Bowler…”
“Hat,” he said.
“Sorry?”
“My friends call me Hat.”
“How very paronomasiac of them,” she said, glancing at Dee, who smiled and murmured, “One might even say paronomaniac.”
“Yeah, well, what about it?” said Hat, his irritation at what felt like the intimacy of mockery making him abrupt.
“Tell you what,” said Rye. “Leave it with me. Perhaps we can talk again when you come back to tell us what you’ve found out about the accuracy or otherwise of the Dialogues. That suit you, Mr. Bowler? Hat?”
He frowned for a moment then the smile broke through.
“OK. That’s fine. I’ll get back to you. Meanwhile I’d keep this to yourselves. Not that there’s like to be anything in it, but better safe than sorry. See you.”
He turned and walked away. He moved well, with a cat-like grace. Perhaps that explained his interest in birds.
She glanced at Dee. He gave her a conspiratorial smile. Then he dropped his gaze to the sheets before him and shook his head ruefully.
“Truth really is so much more interesting than fiction, isn’t it?” he said.
She looked down at her next story.
The writing was familiar, large and spiky and purple.
It began Last night I had another wet dream…
“You could be right,” she said.
6
DETECTIVE CONSTABLE BOWLER’S considered professional opinion of the suspicions roused by the two Dialogues was that they were a load of crap, but if taking them seriously was a way to Rye Pomona’s heart and/or bed, then it was pursed lip and furrowed brow time. But only in her sight. Once out of the library, he did a little jig
