“A FEW YEARS after the crucifixion of Our Lord,” he began, “when men were beginning to embrace His teaching, the priests became angry and fearful, and started persecuting the faithful. Mary Magdalen, so privileged that she was the first to hear of Christ’s resurrection, was hounded and spat on, as were the group of women she had gathered around her. A plot was hatched to kill them all, but an angel came to her in her sleep and warned her. ‘Rise up, Mary,’ the angel said, ‘and leave quickly. Gather your friends and depart.’

“Mary did as she was told, gathering half a dozen companions, and went to the shore. Waiting for them was a miraculous boat, empty of sailors, its sails of silk and its hull of pearl. The moment they got in, the sails unfurled and the boat slipped into the water, just as their enemies ran up to stop them.

“The voyage lasted weeks, but no one was afraid. When it rained they did not get wet, when there was a storm the boat scarcely rocked. Angels brought them food and water every day, and kept them cool in the sun by carrying a great silken awning over them. When the time came, the boat turned inshore, even though the wind was blowing strongly in the opposite direction, and came to rest on the beach of a strange land. Again an angel spoke to Mary and said they were to travel throughout the land and tell everyone of Christ’s coming. But some were afraid, and refused to leave Mary’s side, knowing that she was beloved. Only Sophia obeyed, bidding farewell to Mary and converting town after town so that everywhere she went became Christian, tearing down temples and building churches in their place.

“Many miracles attended her; on one occasion a great nobleman called Manlius who had been blind for years came to her.

“ ‘You say God is love and cares for all His creation, yet I am blind,’ he said. ‘How can that be?’

“Sophia took him to one side and instructed him, then passed her hands over his eyes, and instantly his sight was restored. He fell at her feet in gratitude, and the crowd was so amazed that they all did the same. This man spent the rest of his life preaching, and established himself at Vaison, converting the whole area around. He, too, became a saint.

“One day, when Sophia was preaching in a town, the people, incited by the priests, began to shout and threaten her; they took her to jail and sentenced her to death. But her work was not yet done, and an angel appeared to the man she had cured and told him of her plight. Straightaway he was transported to the spot and held up his arms; the guards all fell asleep and the jail doors opened. He then escorted her away from the town, and they walked until they came to a hill. When she died she was buried there, and so many wonderful things happened at her grave that all realized she was a saint. So they built a chapel, and came on pilgrimage.”

JULIEN WAS NO HISTORIAN of the church and, indeed, was rather impatient with the manifest confusions and contradictions that were so much part of its identity. Nonetheless, he read this account of Olivier’s with fascination when he found it amongst Ceccani’s papers, in the same dusty bundle as the Dream, not least because of the correspondences with the other manuscripts he discovered at the same time. It would have taken someone very much slower than he not to have noticed that the philosophical discourse by Manlius Hippomanes used its Greek personification, Sophia, as a guide. Nor that Manlius was Bishop of Vaison while the shrine to Saint Sophia lay only two days’ walk to the southwest.

Initially, though, he did not pursue it, not really knowing how to do so. And, in any case, he was distracted by some of the other fragments in the same folder, one of which appealed more to his youthful sense of drama and flair. To begin with he was mainly interested in the mention of Gersonides, as he sat in the Vatican archive one spring, dressed in suit and tie and waistcoat, sweating in the heat, taking endless notes in his neat, precise hand. He never hurried, never skipped a page, but wrote methodically and steadily. It was his technique not to think too much about what he was transcribing; he had discovered that this made him careless.

Rather, he emptied his mind entirely and copied, storing up impressions that he refused to dwell on during his working day. The pleasure of analysis he kept for later, for the evenings when he returned to the École and, after eating with his fellows, went for a walk or for a quiet drink in the Piazza Navona. Here he would sit, watch the world go by, and let his mind wander over all his day’s reading.

Shortly after his discovery, he was taken to dinner by Julia’s father. Julien was pleased by the invitation; he was intrigued by the older man and he was, in any case, kept on a tight financial leash by his bourse and the supplement given to him by his own father, an allowance that was generous by his standards but pitifully small when set against Julien’s Romanized tastes. For he began there the interest in art that was to become a passion for the rest of his life. He spent every lira—a drawing here, a painting, a print—and on several occasions he visited the monte di pietà to pledge his watch or his ring to get the cash he needed for another purchase. Every couple of months, more or less, another letter went to Vaison, and his father grumbled, criticized, moralized, then sent the money required, just in time for him to recover the articles he had pawned. Julien never felt any gratitude for the generosity, although he knew he ought to do so.

In Rome also he discovered those more sensual pleasures to which his inner turbulence made him all too susceptible. The series of mistresses he acquired began in Rome and did not end for some fifteen years. Unlike his pictures, he took few pains to retain them once the initial pleasure had faded. He discovered he could be charming, was generous with his time and his money, listened well, but could not be held, always moving on before the slightest hint of disappointment or true intimacy could taint the pleasure.

He wondered about this in only the most superficial fashion. His parents had not been happy; he did not wish to experience the same unhappiness. He met no one who could tempt him. His work and his paintings held his attention more securely. For the most part, these affairs were conducted with decorum; Julien perfected a style of courtly pursuit, loved lavishing expensive dinners and presents and holidays—none of which he could truly afford— on the women he had chosen for his attentions. Even more, he was meticulous in the little details, always noticing clothes, perfumes, the way their hair was set. Nor was this merely a strategy; he could not help noticing such things, and took the greatest pleasure in being in the company of beautiful women.

Throughout these pointless dalliances he was aware of a sense of avoiding something important, and his constant pursuits had less of the sensual and more of the desperate about them. For every time he was charmed or fascinated or smitten, he was made aware once more of part of him that was detached and that stood aside in disdain. He had no idea what he was looking for, except that he always knew that he had once nearly discovered it; that on the hills outside Jerusalem he had come close to unlocking a secret so deeply buried he might well have lived out his entire life without even suspecting its existence. It was why he was more than a little afraid of Julia.

Instead he occupied himself with those whom he could never be close to, or who could never be close to him, diversions high or low who had no interest in either his work or his pleasures. He invariably pursued those who were unattainable, married, or unlikely to regard him as anything other than a temporary entertainment. At one time he spent several months with a woman slightly younger than himself who worked in one of the great department stores that Rome was at last acquiring. When he bade a final farewell, he could not recall a single conversation he had ever had with her, not one remark that had struck him. Afterward he seduced the wife of a notary a decade or so older than he was, listened carefully to her sadnesses and concerns, enjoyed her company, and took an odd pleasure at the necessary secrecy and subterfuge that enlivened an otherwise empty involvement. It was not insensitivity or cruelty that meant that, some months afterward, he could barely remember her name; both were of the moment, and their moment had passed.

He knew, of course, that not loving them was part of the attraction; Julia was the only one to whom he had ever responded in that manner and with her he had held back. But in contrast to all the others, she remained in his thoughts almost daily; he dreamed of her and could recall every word she had ever said to him. Even more, he could imagine whole conversations he had never had, but knew what she would say nonetheless.

He welcomed the arrival in Rome of her father, for he brought news of Julia, and also provided a good dinner and sympathized with his passions for paintings and ruins. The conversations they had were delightful and fitted in perfectly with the Roman life that Julien had fashioned for himself. Indeed, the sojourn in Rome ruined him. He went there as a bright star, destined for a glittering career; he left it almost a dilettante, unwilling to settle down, determined that the drudgery of teaching would never claim his soul. Rome has destroyed many a character; in the period 1924 to 1927, it claimed Julien’s as well.

An alternative explanation: During this period the impact of the war finally swept over him, and accounted for the sleepless nights, the distraction, the refusal of what was expected. He became dissatisfied and as eager to embrace new experiences as, in the previous few years, he had shunned them entirely. But the frivolity masked the continued seriousness that showed up in his work; the sheer volume of notes he took in this period, squeezed in

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