Weaver, Harriet Shaw, 1003
Weber, Max, 725
Weidmann, Jerome, 902
Weldon, Fay, 943, 1013 -14; Down Among the Women, 1014; on English culture, 940 -41; The Fat Woman's Joke, 1014; Female Friends, 1014; Letters to Alice, 941; Praxis, 939; The Life and Loves of a She-Devil, 941, 944, 948, 950 — 52, 956; narrative style of, 944, 947 — 48, 950 -52; Praxis, 1014; Puffball, 1014; 'Upstairs, Downstairs,' 941; on women, 956, 964
Wells, Herbert George (H. G.), 302, 684, 706, 750, 902, 906, 999; Ann Veronica, 662, 1014; degeneracy theory in works of, 619 -20; Experiment in Autobiography, 660 — 61, 673; The History of Mr. Polly, 1014; The Invisible Man, 1014; The Island of Dr. Moreau, 577, 1014; Joan and Peter, 664; Kipps, 1014; Mr. Britling Sees It Through, 661, 664; The New Machiavelli, 1014; The Outline of History, 661- 62, 669; as realist, 659, 664- 74; success of, 662- 63; The Time Machine, 577, 619 -20, 661, 1014; Tono-Bungay, 577, 664 -74, 679, 1014; The War of the Worlds, 577, 1014; The Wonderful Visit, 1014; The World of William Clissold, 1014
Welsh, Alexander, 308, 310, 391
West, Jane, 328, 342; The Advantages of Education, 339
Westminster Review, 433, 471, 473
West, Rebecca: The Birds Fall Down, 1014; The Fountain Overflows, 1014; Harriet Hume, 1014The Judge, 1014; The Return of the Soldier, 1014; The Strange Necessity, 1014; The Thinking Reed, 1014
Whigs, 109, 122, 169 -70, 1012
White, Edmund: The Darker Proof, 986
White, Hayden, 304
White, T. H., 588
Whitman, Walt, 725
Whores. See Prostitutes and prostitution
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Wilde, Alan, 763
Wilde, Oscar, 404, 577, 582, 587; The Picture of Dorian Gray, 618 — 19
Wilford, Florence, 496
William III (William of Orange), King of England, 64
Williams, Helen Maria, 331 — 32; Julia, 337 — 39
Williams, Raymond, 216, 536
Williamson, Henry, 63
Wilson, Angus, 748, 895 — 98; AngloSaxon Attitudes, 913, 917, 1014; As If By Magic, 914, 1014; on Bloomsbury Group, 911 — 12; Émile Zola, 911;
Wilson, Edmund, 605, 631, 899
Winterston, Jeanette:
Wissenfarth, Joseph, 244
Witches and witchcraft, 317, 322 — 24
Wodehouse, P. G., 878
Wolfenden Commission, 913
Wolff, Cynthia Griffin, 228
Wollstonecraft, Mary, 17, 210, 218, 264, 294, 332, 337, 342, 346, 349 — 50, 999, 1001, 1009 — 10; Maria, or
Woman (magazine), 660, 991
Woman in White, The, 368
Women, 59, 74, 112 — 13, 195, 434, 614, 693, 790, 815, 950, 999; in Brontë's works, 363 — 65, 372 — 73; competition among, 960 -65; in Dickens's works, 392 — 94; emotions of, 250, 259, 791 — 93; equality of, 254 — 55, 339 — 40; in Gaskell's works, 525 — 27; as Gothic novel writers, 224 -32; identities of, 208 -15, 494 — 95; Lawrence's views of, 718 — 20; and magic, 322- 23; nature of, 60–61; novel reading by, 2–3, 62–63; as novel writers, xvi, 199–201, 203 — 7, 215 — 18, 327 — 29; role of, 178, 371 -73; romance and, 202 -3; and sensation novels, 496 -98, 501; sexuality of, 54–59, 176 — 77, 202, 205, 218, 721 -23; social agendas of, 330 — 31; in society, 354 -55, 366 — 67; solitary, 955 -60; victimization of, 52, 223, 225, 231 -32, 265- 66
Wood, Anthony U+00EO, 949
Wood, Mrs. Henry, 480, 496; East Lynne, 494
Woolf, Leonard, 1015
Woolf, Virginia Stephen, xix, 199, 352, 365, 470, 582, 587, 659, 715, 732, 749, 829, 844, 898, 915, 918, 941; Amis on, 902 -3; Between the Acts, 796, 814 -17, 912, 1015; 'The Captain's Death Bed,' 572; character development by, 796–817; on family life, 794 — 96, 807 — 8; Jacob's Room, 789, 797–801, 806, 1015; 'Mr. Bennett and Mrs. Brown,' 686; Mrs. Dalloway, 686, 789, 800–806, 813, 905, 912, 955, 1015; Night and Day, 789, 1015; Orlando, 789- 90, 1015;
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Woolf, Virginia Stephen (continued) The Pargiters, 790 — 91, 793 — 94, 797, 912; perspectives in work of, 789 — 90; rejection of, 895 — 96; A Room of One's Own, 660, 790 -91, 1015; Snow on, 904, 906; on society and individual, 790- 92; Three Guineas, 744, 790, 797, 1015; To the Lighthouse, 686, 789, 797, 805 — 9, 814, 927, 955, 1015; The Voyage Out, 789 -90, 1015; The Waves, 743, 789, 794, 810 — 14, 912, 1015; Wilson on, 911 — 12; on women, 793 -94, 814, 955; The Years, 744, 789 -96, 803, 814, 1015
Wordsworth, William, 342 — 44, 439; on children, 582, 592 — 93
Work, James, 172
Work: women's, 206, 209 — 10
Working class, 411, 510, 521 — 22, 718, 726, 999; identity of, 387 — 88; 611 -12; political causes, 383 — 84; as theme, 613 -14, 617, 623 — 24
World War I, 561, 642, 794; impacts of, xi — xii, 677, 740, 757 — 61, 796, 839, 867 — 68, 920 -22; as theme, 797- 98
World War II, 740- 41, 796- 97, 847, 943 -44; as setting, 875, 886 — 87, 941
Wren, Christopher, 870
Wyllie, John, 904
Yeats, William Butler, 577
Young, Edward: Conjectures on Original Composition, 87
Zola, Émile, 611, 616; L'Argent, 609; Au bonheur des dames, 613; Germinal, 609, 613; influence of, 612 — 15, 618; Nana, 627 — 28; L'Oeuvre, 609; La roman expérimental, 609; RougonMacquart novels, 609 - 10, 628; La terre, 609; Thérèse Raquin, 613
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Примечания
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