CHAPTER I
She thought, shall I leave that?
Nah. Maria will only chop it. She'll think I'm trying to be clever. Too clever for Offa's Dyke Radio, God forbid.
Fay marked it up with a white Chinagraph pencil, sliced and cut just over a foot of tape with a razorblade cutter, spliced the ends, ran the tape again.
Laughter.
Pause.
Fay marked the tape. Fast forwarded until she heard her say, 'OK, Take Two', made another white mark after that and picked up the razorblade.
Shame really. Never as good second time around. All the spontaneity gone. 'Whoops' had been the best she could manage the second time, when the forked hazel twig had flipped up dramatically, almost turning a somersault in her hands, near dislodging the microphone from under her arm.
'Whoops'… not good enough. She started to splice the ends of the tape together, wondering if she had time to go into a field with the Uher and do a quick, 'Gosh, wow, good heaven I never expected that,' and splice it in at the appropriate point.
The phone rang.
'Yes, what?' The damn roll of editing tape was stuck to her hands and now the receiver.
'Fay Morrison?'
'Yes, sorry, you caught me…'
'This is James Barlow in the newsroom.'
'
'Offa's Dyke Radio, Fay.' No, not really like Guy. Too young. A cynical, world-weary twenty-two or thereabouts. James Barlow, she hadn't dealt with him before.
'Sorry, I was editing a piece. I've got tape stuck to my fingers.'
'Fay, Maria says she commissioned a package from you about Henry Kettle, the water-diviner chap.'
'Dowser, yes.'
'Pardon?'
'Water-diviner, James, is not an adequate term for what he does. He divines all kinds of things. Electric cables, foundations of old buildings, dead bodies…'
'Yeah, well, he obviously wasn't much good at divining stone walls. Have you done the piece?'
'That's what I'm…'
'Cause, if you could let us have it this morning…'
'It's not for News,' Fay explained. 'It's a soft piece for Maria. For Alan Thingy's show. Six and a half minutes of me learning how to dowse.' Fay ripped the tape from the receiver and threw the roll on the editing table. 'What did you mean about stone walls?'
'Tut-tut. Don't you have police contacts, down there, Fay? Henry Kettle drove into one last night. Splat.'
The room seemed to shift as if it was on trestles like the editing table. The table and the Revox suddenly looked so incongruous here – the room out of the 1960s, grey-tiled fireplace, G-plan chairs, lumpy settee with satin covers. Still Grace Legge's room, still in mourning.
'What?' Fay said.
'Must've been well pissed,' said James Barlow, with relish, 'straight across a bloody field and into this massive wall. Splat, actually they're speculating, did he have a heart attack? So we're putting together a little piece on him, and your stuff…'
'Excuse me, James, but is he…?'
'… would go quite nicely. We'll stitch it together here, but you'll still get paid, obviously. Yes, he is. Oh, yes. Very much so, I'm told. Splat, you know?'
'Yes,' Fay said numbly.
'Can you send it from the Unattended, say by eleven?'
'Yes.'
'Send the lot, we'll chop out a suitable clip. Bye now.'
Fay switched the machine back on. Now it no longer mattered, Take Two didn't sound quite so naff.