Crybbe aka Curfew

and therefore did not require a reply on the lines of, 'I'm fine, Mr. Preece, Ow're you?' or, 'Quite honestly, Mr. Preece, since you ask, I'm becoming moderately pissed off with trying to communicate with the dead.'

Brain-dead, anyway, most of them in this town. Nobody ever seemed to get excited. Or to question anything. Nobody ever organized petitions to the council demanding children's playgrounds or leisure centres. Women never giggled together on street corners.

Fay stopped in the street, then, and had what amounted to a panic attack.

She saw the spools on the great tape-deck of life, and the one on the right was fat with tape and the one on the left was down to its last half inch. Another quarter of a century had wound past her eyes, and she saw a sprightly, red-faced little woman in sensible clothes returning from the Crybbe Unattended, another masterpiece gone down the line for the youngsters in the newsroom to chuckle over. Poor old Fay, all those years looking after her dad, feeding him by hand, constantly washing his underpants… Think we'd better send young Jason over to check this one out?

And the buildings in the town hunched a little deeper into their foundations and nodded their mottled roofs.

'Ow're you, they creaked. 'Ow're you.

Fay came out of the passageway shivering in the sun, tingling with an electric depression, and she thought she was hearing howling, and she thought that was in her head, too along with the insistent, urgent question: how am I going to persuade him to turn his back on this dismal, accepting little town, where Grace Legge has left him her cottage, her cats and a burden of guilt dating back twenty years? How can I reach him before he becomes impervious to rational argument?

Then she realized the howling was real. A dog, not too far away. A real snout-upturned, ears-back, baying-at- the-moon job.

Fay stopped. Even in the middle of a sunny morning it was a most unearthly sound.

She'd been about to turn away from the town centre into the huddle of streets where Grace's house was. Curious, she followed the howling instead and almost walked into the big blue back of Police Sergeant Wynford Wiley.

He was standing facing the police station and a woman, who was hissing at him. Who was half his size, sharp- faced, red-faced, sixtyish, back arched like a cornered cat.

'What you want me to do?' Wynford was yelling, face like an Edam cheese. 'Shoot 'im, is it?'

'I don't care what you do,' the woman screeched. 'But I'm telling you this… I don't like it.' She looked wildly and irrationally distressed. She was vibrating. 'You'll get it stopped!'

The dog howled again, an eerie spiral. The woman seized the policeman's arm as if she wanted to tear it off. Fay had never seen anyone so close to hysteria in Crybbe, where emotions were private, like bank accounts.

'Whose dog is it?' Fay said.

They both turned and stared at her and she thought, Sure, I know, none of my business, I'm from Off.

The ululation came again, and the sky seemed to shimmer in sympathy.

'I said, whose dog is it?'

CHAPTER IV

FROM A wicker basket in the pantry Mrs Preece took the fattest onion she could find. She crumbled away its brittle outer layer until the onion was pale green and moist in the palm of her hand.

She sat the onion in a saucer.

'Stuff and nonsense,' commented Jimmy Preece, the Mayor of Crybbe. The sort of thing most of the local men would say in such situations.

With a certain ceremony, as if it were a steaming Christmas pudding, Mrs Preece carried the onion on its saucer into the parlour, Jimmy following her.

She placed it on top of the television set. She said nothing. 'A funny woman, you are,' Jimmy Preece said gruffly, but not without affection.

Mrs Preece made no reply, her mouth set in a thin line, white hair pulled back and coiled tight.

They both heard the click of the garden gate, and Jimmy went to the window and peered through the gap in his delphiniums.

Mrs Preece spoke, 'Is it him?'

Jimmy Preece nodded.

'I'm going to the shop,' Mrs Preece said. 'I'll go out the back way. Likely he'll have gone when I gets back.'

What she meant was she wouldn't come back until he was good and gone.

Jocasta Newsome, a spiky lady, said in a parched and bitter voice, 'It isn't working, is it? Even you have to admit that now.'

'I don't know what you mean.' Her husband was pretending he didn't care. He was making a picture-frame in pine, the ends carefully locked into a wood-vice to form a corner. The truth was he cared desperately, about lots of things.

'You,' Jocasta said. 'Me. It. Everything.' She was wearing a black woollen dress and a heavy golden shawl fastened with a Celtic brooch at her shoulder.

'Go away.' Hereward started flicking sawdust from his tidy beard, 'if all you can be is negative, go away.'

On the workbench between them lay the immediate cause of this particular confrontation: the electricity bill. He'd let sawdust go all over that deliberately. 'We'll query it,' Hereward had stated masterfully. 'Yes,' Jocasta had replied, 'but what if it's correct? How long can we go on paying bills like that?'

The worst of it was, they couldn't even rely on a constant supply. He'd never known so many power cuts. 'One of the problems of living in a rural area, I'm afraid,' the electricity official had told him smugly, when he complained. 'Strong winds bring down the power lines, thunder and lightning, cows rubbing themselves against the posts, birds flying into…'

'I'm trying to run a business here!'

'So are the farmers, Mr, ah, Newsome. But they've seen the problems at first hand, up on the hills. So they, you see, they realize what we're up against.'

Oh yes, very clever. What he was saying to Hereward, recognizing his accent, was: 'You people, you come here expecting everything to be as smooth as Surrey. If you really want to be accepted in the countryside you'd better keep your head down and your mouth shut, got it?

Hereward growled and Jocasta, thinking he was growling at her, looked across at him in his new blue overalls, standing by his new wooden vice, and there was a glaze of contempt over her sulky eyes.

'The rural craftsman,' she observed acidly. 'At his bench. You're really rather pathetic.'

'I'm trying to rescue the situation,' Hereward snarled through clamped teeth, 'you stupid bitch.'

Jocasta looked away, walked out, slammed the studio door.

And in the vice, the newly constructed corner of Hereward's first frame fell symbolically apart.

Hereward sank to his knees.

Very deliberately, he picked up the two lengths of moulded wood and set about realigning them. He would not be beaten. He would not give up.

And he would not let her disdain get to him. If they couldn't sell enough original works of art they would, for a limited period, sell a number of selected prints at reasonable prices. And the prices would be kept reasonable because he would make the frames himself. Dammit, he did know what he was doing.

And he had recognized that there would be problems getting a new gallery accepted in a lesser known area. Obviously, places like Crybbe had fewer tourists – all right, far fewer. But those who came were the right sort of tourists. The intelligent, childless couples who didn't need beaches, and the cultured newly-retired people with time to construct the quality of life they'd always promised themselves.