clothes-line as he always did on the street. She'd have to get him a lead tomorrow.

Now there was a point. Fay steered Arnold past Middle Marches Crafts and the worn sign of the Crybbe Pottery, which her dad said was about to close down. There was a hardware shop round the corner.

Hereward Newsome was emerging from The Gallery. 'Oh, hi, Fay. Out on a story?'.

'You're working late.'

'We're rearranging the main gallery. Making more picture space. Time to expand, I think, now the town's taking off.'

'Is it?'

'God, yes, you must have noticed that. Lots of new faces about. Whatever you think of Max Goff, he's going to put this place on the map at last. I've been talking to the marketing director of the Marches Development Board – they're terribly excited. I should have a word with him sometime, they're very keen to talk about it.'

'I will. Thanks. Hereward, look, you haven't got a dog, have you?'

'Mmm? No. Jocasta had it in mind to buy a Rottweiler once – she gets a little nervous at night. Be good deal more nervous with a Rottweiler around, I said. Hah. Managed to talk her out of that one, thank God.'

'Do you know anybody who has got one?'

'A Rottweiler?'

'No, any sort of dog.'

'Er… God, is that the time? No, it's not something I tend to notice, who has what kind of dog. Look, pop in sometime; there's a chap – artist – called Emmanuel Walters. Going to be very fashionable. You might like to do an interview with him about the exhibition we're planning. Couple of days before we open, would that be possible? Give you a ring, OK?'

She nodded and smiled wanly, and Hereward Newsome walked rapidly away along the shadowed street, long strides, shoulders back, confident.

Fay dragged Arnold round the corner to the hardware shop. Like all the other shops in Crybbe, there was never a light left on at night, but at least it had two big windows – through which, in turn, she peered, looking for one of those circular stands you always saw in shops like this, a carousel of dog leads, chains and collars.

There wasn't one.

No, of course there wasn't. Wouldn't be, would there? Nor would there be cans of dog food or bags of Bonios.

The streets were empty and silent. As they would be, coming up to curfew time, everybody paying lip-service to a tradition which had been meaningless for centuries. She was starting to work it out, why there was this artificial kind of tension in the air: nobody came out of anywhere for about three minutes either side of the curfew.

Except for the newcomers.

'Fay. Excuse me.'

Like Murray Beech.

Walking across the road from the church, one hand raised, collar gleaming in the dusk.

'Could I have a word?'

When he reached her, she was quite shocked at how gaunt he appeared. The normally neatly chiselled face looked suddenly jagged, the eyes seemed to glare. Maybe it was the light.

Fay reined Arnold in. There was a sense of unreality, of her and the dog and the vicar in a glass case in the town centre, public exhibits. And all the curtains parting behind the darkened windows.

Sod this. Sod it!

'Murray,' she said quite loudly, very deliberately, 'just answer me one question.'

He looked apprehensive. (In Crybbe, every question was a threat.)

Fay said, 'Do you know anybody with a dog?' The words resounded around the square.

The vicar stared at her and his head jerked back, as if she'd got him penned up in a corner with her microphone at his throat.

'Anybody,' Fay persisted. 'Any kind of dog. Anybody in Crybbe?'

'Look, it was about that I…'

'Because I've been scouring the gutters for dog turds and I can't find any.'

'You…'

'Not one. Not a single bloody dog turd. Surprise you that, does it? No dog turds in the streets of Crybbe?'

Fay became aware that she was coiling and uncoiling the clothes-line around her fingers, entwining them until the plastic flex bit into the skin. She must look as mad as Murray did. She felt her face was aflame and her hair standing on end. She felt she was burning up in the centre of Crybbe, spontaneous emotional combustion in the tense minutes before the curfew's clang.

'No dog turds, Murray. No dog leads in the shops. No…' The sensation of going publicly insane brought tears to her eyes. 'No rubber bones…'

Murray pulled himself together. Or perhaps, Fay thought, in comparison with me it just looks as though he's together.

'Go home. Fay,' he said.

'Yes,' Fay said, 'I will.'

With Arnold tight to her legs, she turned away and began to walk back in the direction she'd come along the silent street. It was nearly dark now, but there were no lights in any of the houses.

Because people would be watching at the windows. The woman, the vicar and the dog. A tableau. A little public drama.

She turned back. 'It's true, though, isn't it? Apart from Arnold here, there aren't any dogs in Crybbe.'

'I don't know,' Murray said. It was obvious the idea had never occurred to him. 'But… well, it's hardly likely, is it?' She couldn't see his face any more, only his white collar, luminous like a cyclist's armband.

'Oh yes,' Fay said, 'it's likely. Anything's likely in this town.'

'Yes, well… I'll just. -. I'll just say what I've been asked to say before… before you go.'

There came a heavy metallic creak from the church tower. The bell swinging back.

and… Clangggg!

It had never sounded so Loud. The peal hit the street like a flash of hard, yellow light.

Arnold sat down in the road and his head went back.

Fay saw him and fell on her knees with both hands around his snout. As the first peal died, Murray Beech said, 'I've been asked… to tell you to keep the dog off the streets.'

'What?'

'Especially at… curfew time. People don't… they don't like it.'

Rage rippled through Fay. She looked up into the vicar's angular, desperate face.

'What?'

Her hands unclasped. She came slowly to her feet.

She watched as Arnold swallowed, shook his head once and then quivered with the vibration from the tower as the great bell swung back.

Clangggg!

Arnold's first howl seemed to rise and meet the peal in the air above the square with an awful chemistry.

'Who?' Fay said quietly.

'Go home!' the vicar hissed urgently. 'Take the thing away.'

'Who told you to tell me?'

There was a shiver in the night, the creak of the bell hauled back.

Fay shrieked, 'Who told you, you bastard?'

The bell pealed again, like sheet-lightning. Arnold howled. The old buildings seemed to clutch each other in the shadows.

And she was hearing the muffled clatter of his footsteps before she was aware that Murray Beech was running away across the square, as if Hell was about to be let loose in Crybbe.

Вы читаете Crybbe aka Curfew
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