Then she heard the wailing. A sound which clutched at her like pleading fingers.
Dad?
'Stay there,' she hissed. 'Stay.'
Wailing. The only word for it. Not the sound of a man in physical pain, not illness, not injury.
She moved quietly into the hallway. The office door, two yards away, was ajar. Little was visible through the gap; the curtains were drawn, as they might be, she thought, in a room where a corpse is laid out.
Her movements stiff with dread, Fay removed her shoes, padded to the door, and peeped in.
In the office, in the dead woman's sitting-room, the drawn curtains screening him from the street. Canon Alex Peters was sobbing his old heart out.
He was on his knees, bent over the slender wooden arm of the fireside chair in which Grace Legge had seemed to materialize. His head was bowed in his arms and his ample shoulders trembled like a clifftop before an avalanche.
Fay just stood there. She ought to know what to do, how to react, but she didn't. She'd never known her dad cry before.
When he'd displayed emotions, they were always healthy, masculine emotions. Bluff, strong, kindly stuff.
In fact, not emotions at all really. Because, most of the time Alex, like many clergymen, was an actor in a lot of little one-man playlets put on for the sick, the bereaved and the hopeless.
He'd be mortified if he thought she'd seen him like this.
Fay crept back across the hall. It was so unbearably sad. So sad and so crazy.
So unhealthy.
So desperately wrong.
She moved silently back into the kitchen and attached Arnold's clothes-line to his collar. 'Let's go for a walk,' she whispered. 'Come back in an hour and make a lot of noise.'
As she slowly turned the back-door handle, a trailing moan echoed from the office.
'I will,' Alex sobbed. 'I'll get rid of her. I'll make her go.'
His quavering voice rose and swelled and seemed to fill the whole house. A voice that, if heard in church, would freeze a congregation to its pews, cried out, 'Just – please – don't hurt her!'
Fay walked away from this, quickly.
CHAPTER II
This really was a rope dangling from the steepest part of the roof. Powys could just about reach its frayed end. 'Careful,' Rachel warned. 'You'll fall into the pit.'
The rope felt dry and stiff. 'This is a touch of black humour?'
'Well, it's obviously not the original rope, J.M. Somebody probably put it there to hold on to, while doing repairs or something. Creepy up here, though, isn't it?'
The attic was vast. There were small stabs of blinding daylight here and there, signifying holes in the roof or missing slates. Underfoot, jagged gaps through which you could see the boarded floor of the room beneath.
'I don't know why I brought you up here, really.' Rachel said, 'I usually avoid this bit –
She was spotlit by two thin beams from roof-gaps. He remembered her standing next to him, naked, in the window last night, pale, slim, silvery. She'd brought a small flashlight, and he shone it to the upper extremity of the rope, where it was tied around a beam.
'How many poor bastards did the Hanging Sheriff dispose of up here?'
'Hard to say, he was only sheriff for a year. But you could be hanged for most things in those days. Stealing cattle or sheep, picking your nose in church…'
That's how Wort got his rocks off, do you think? Watching people dangle?'
Rachel wrinkled her nose in distaste. 'They say he was obsessed with what you might call the mechanics of mortality, what happens the moment the spirit leaves the body. Him and his friend, John Dee.'
'Not the John Dee?'
'The guy who was Elizabeth I's astrologer. His old family home's along the valley.'
'Of course it is,' said Powys, remembering. 'It's a farm now. I went over there when 1 was doing
'Well, he must have been into hanging, too.' Rachel said. 'If he was a mate of Michael Wort's.'
A jet of wind flew across the attic with a thin whine like a distant baby crying. The rope started to sway, very slowly.
Powys said, 'He was certainly into magic, but back in the sixteenth century magic and science were filed in the same drawer.'
He put out a hand to stop the rope swinging. He didn't like this rope with its dangling strands – somehow more disturbing than if there'd been an actual noose on the end. A sense of something recently severed.
'Anyway,' said Rachel, 'the last hanging up here was Wort's own. There was some sort of peasants' revolt in the town, and one night they all gathered outside wielding flaming torches and threatening to burn the place down unless he came out.'
'We know you're in there…' Powys said flippantly, still holding the rope, not feeling at all flippant.
'So he shuffled up here and topped himself. That's one story. Another says there was a secret tunnel linking this place with Crybbe church and he escaped.'
'Where was he buried?'
'I don't know,' Rachel said. 'I never really thought about it. Probably at some crossroads with a stake through his heart, wouldn't you think? Naturally, they say he haunts the place – or rather his dog does.'
'This place?'
The town. The outskirts. The quiet lanes at sunset. Over the years, according to Max, people have claimed to come face to face with this big black dog with glowing eyes. And then they die, of course. Like in
Powys took his hand away from the rope, and it began to swing again, very gently.
'Rachel, luv,' he said, 'can you hear voices?'
'Shit.' Rachel moved to the stairs. 'Nobody was supposed to be here for another hour.'
She went swiftly down the steps, Powys following, not wanting to be left alone up here, where Rachel believed the only danger was the unstable floor. Blessed are the sceptics. For they shall be oblivious of the numinous layers, largely unaffected by the dreary density of places, unbowed by the dead-weight of ancient horror.
While people like me, he thought, would no more come up here alone than pop into a working abattoir to shelter from the rain.
Only a short way down the stairs, Rachel disappeared.
Powys shone the torch down the twisting stone steps. The beam just reached to the great oak door at the bottom.
'Rachel!' He felt panic in his throat, like sandpaper. There was a creak to his left; he spun round and the beam found a shadowed alcove he hadn't noticed on the way up here.
Suddenly, white light blasted him and he hid his eyes behind an arm.
'This,' Rachel said, from somewhere, 'is the only part of the house I really like.'
'What's known as a prospect chamber.'
The window directly facing them, almost floor to ceiling, was without glass. In fact, it wasn't really a window, simply a gap between two ivy-matted gables. A rusting iron bar was
cemented into the gap at chest-height.
The prospect chamber was tiny, too small for any furniture. But it had a view.
Powys's eyes widened.
He saw they were directly above the cobbled forecourt. Then there were the two gateposts and then the straight road through the wood. Over the tops of the trees he could see the weathercock on the church tower.