The following Sunday, from the moment he arrived, John Henry would have felt at home. Mrs. Wright’s parlor, with its velvet draperies and little nests of mahogany tables and gilt mirrors and cabinets for curios and porcelain figurines, was very like that of his Aunt Mary Anne’s back in Jonesboro before the war. Even more evocative: Alice Wright’s household, like his Aunt Permelia’s, was densely populated by a lively gang of children, homemade and fostered, mixed thoroughly and well.
Before they sat down to dinner, John Henry would have teased Belle’s brothers and sisters, and drawn out the Eberhardt girls. He’d have treated young Wilfred like an old friend, inquiring after that tooth, which had indeed come out on Friday. And though the dentist’s dinner conversation would have captivated Alice and impressed Bob, John Henry’s eyes would have found Belle’s when they shared a small, skeptical reaction to her father’s
After their meal, there would have been music, for Mrs. Wright had ordered in a fine new rosewood piano from St. Louis that spring. Belle would certainly have noticed how frequently Dr. Holliday’s glance fell upon the instrument. “None of us can play,” she’d have confided quietly. “I suspect Mother bought it to annoy Mrs. Hoover.”
“Why not just hang a sign in the parlor?” John Henry would have whispered. “It could say, ‘Dodge is not as savage as it seems.’ ”
“More economical,” Belle would have agreed, straight-faced. “And we wouldn’t have to dust it.”
Seeing the young people standing side by side at the piano, Mrs. Wright would have asked, “Dr. Holliday, do you play?” And John Henry would have turned to reply, “Yes, ma’am. Yes, ma’am, I do.”
“Nice to know somebody can,” Bob would have muttered—the first crack in his carapace of resolute pleasantness, for he suspected that Alice had bought that damn thing to annoy him, not Margaret Hoover. “Sit down! Sit down!” he’d have cried heartily. “Give us a tune then, Doc.”
It wouldn’t have taken much persuasion. He hadn’t played in nearly a year, but he often found his hands resting on a table, silently fingering the piece that was running through his mind, and that constituted a sort of mental practice. Settling himself at the keyboard, he’d have checked the tuning—and made the boys shout with envy and admiration—by ripping though the dazzling arpeggio that introduced the
He’d have begun with the Fantasie Impromptu to show off for the children and because he’d been thinking of Chopin since Father von Angensperg’s visit. Next, for the grown-ups, a shift in mood and tempo: the B-flat Minor Nocturne, with its slow, watery, tidal movement, like dawn on the Georgia coast. To keep the boys interested, he’d follow with the Polonaise in F-sharp Minor, which began with a bang but floated toward a lovely quiet conclusion that always seemed to lead him—lost by then, no longer aware of anything but the music—into the Waltz in A Minor, graceful and willowy and almost unbearably sad …
Moved and amazed, Belle and her mother would have exchanged glances, each slightly shaken by how sure she was. For the first time in months and months, they’d have been united in a shared conviction.
In her bed that night, Belle—already girlishly in love—would have remembered every word Dr. Holliday had said and imagined all that remained unspoken. Over the next few weeks, she’d become increasingly aware of how much he yearned for a home, a family, quiet companionship, and gentle affection. That deepening understanding would have placed the two of them on a more equal footing, despite the differences in their backgrounds and their ages.
When they were alone after Doc paid a call, Bob and Alice Wright would’ve talked about the younger couple. In doing so, they’d have rediscovered a little of the intimacy that had been missing for so long, for no matter what their adolescent daughter thought, there was indeed a time when they were in love, and each silently regretted the accumulation of resentment and grievance that had come between them. Bob’s visits to Bessie Earp’s establishment would have become less frequent. Dinner invitations to Captain Grier might well have ceased.
When the time came, Bob and Alice would have given their blessing to Belle and her young man wholeheartedly. The wedding would certainly have been the most splendid in Dodge City’s short history, with local guests from both sides of Front Street and a few Kansas congressmen in attendance as well, along with relatives from Missouri and Georgia.
A year or so later, at the advanced age of seventeen, Belle would have made Bob and Alice grandparents at long last. But while there is every reason to imagine that Dr. and Mrs. John Holliday would have enjoyed a few genuinely good years together, their happiness could not have lasted long, for Belle had lived all her short days amid soldiers, buffalo hunters, railroad laborers, drovers, hookers, and drunks, among whom consumption was as ordinary as venereal disease and as untreatable as measles, whooping cough, and typhoid. Her enviable alabaster skin and delicate, slender beauty at fifteen were in fact the earliest signs of the tuberculosis that would carry her off at twenty-one. Had she and John Henry married, Dodge Citians would have shaken their heads and spoken sadly about the double tragedy when—two years after Belle’s passing—Doc Holliday was laid to rest beside his wife in Prairie Grove Cemetery, not far from Johnnie Sanders’ grave.
The couple’s small orphaned children would remember their handsome young parents only vaguely. A generation later, John Henry Holliday and Isabelle Wright Holliday would exist only as entries in an obscure genealogy: an unremarkable Kansas dentist and the wife who had—like many women of their time—preceded her husband in death.
So. There you are. Nothing could have changed the commonplace calamity that would end those two lives— together or apart—no matter what they did or didn’t do in 1878. The Fates had seen to that.
On the whole, however, things might have turned out better if James Earp hadn’t intervened in something that was none of his affair. He meant no harm, of course. Helpful people never do. James and Bessie were happy; it was natural for him to think that Doc and Kate could be happy, too.
This much is sure. If Kate hadn’t gone back to Doc Holliday on the afternoon of June 10, 1878, you never would have heard of him. You wouldn’t know the names of Wyatt Earp or any of his brothers. The Clantons and McLaurys would be utterly forgotten, and Tombstone would be nothing more than an Arizona ghost town with an ironic name.
Too late now.
Unaware of the road he did not take, John Henry Holliday had instead returned to his hotel room after office hours that day, undressed to his linen, piled up a few pillows, and lay down, moving carefully so as not to upset his chest. Not quite ready for sleep, he leafed through a new dental supply catalog and was pleased to note that the barber chair he’d bought was far less expensive than the new Morrison Dentist’s Model with the reclining mechanism. Turning the page, he saw an advertisement for a motor-driven dental drill that his cousin Robert had recently recommended and was startled by its price.
Bless his heart, he thought. Robert must be doing well.
John Henry himself was still using a foot-pedal model, but it occurred to him then that if he hired little Wilfred Eberhardt to work the drive, it would provide the boy with a small income and save his own energy for the skilled labor.
He laid the catalog aside and, for a time, simply appreciated the quiet in his room. He was alone but not lonely. Kate’s absence was a relief, he decided, not a deprivation. He was, he believed, no longer prone to the paralyzing bouts of homesickness that used to overwhelm him, when the yearning for all he had lost was so powerful that his only defense was to hold himself still until the sorrow washed through him and left him empty again.
The heat was building under the roof of the hotel, but the air was dry and not so hard on him as the murderous swelter of a Southern summer. He closed his eyes and listened to the strangely lulling concert that Dodge in daylight produced. The brassy bellow of cattle, the timpani of hooves. A cello section of bees buzzing in the hotel eaves. The steady percussion of hammers: carpenters shingling the roof of a little house going up on a brand-new street extending north from Front.
… The rolling thunder of artillery, the pop and crackle of small-arms fire. Wilson’s voice: “A’lanna’s burnin’, Mr. John! They’re in Jonesboro—” And Chainey’s: “They’ll come here next, Mr. John!” But Mamma is too sick to
