the sound of the waves, a gull swooping low? It could be anything, it would be something. But right now Henry was sitting on his heels poking holes in the wet sand with a stick. The yellow light held him in an embrace. His face was serious and beautiful.
She felt a hand on her hair and looked up. It was Kit, smiling down at her. She had almost forgotten he was there.
Once, Miranda asked Kit why he didn't return to his apartment in the city or move into his Aunt Charlotte's big house.
'I know this place is adorable and picturesque and all,' she said, looking around at the boathouse. There were three rooms, all painted a glossy nautical white — a living room containing two Adirondack chairs, a rag rug, a tiny two-burner stove, and a half-size refrigerator; a small bedroom with a maple dresser and a brass bed from the time when people were apparently shorter and thinner; and an even smaller room with an ornate and old-fashioned crib. 'But it's all sort of built for hobbits.'
'Or Henry.'
'But even little Henry needs screens. What do you do, pull out a mosquito net at night? Do you have a fan? Do you have heat? It's not winterized, is it? I hope you have hot water. You do, don't you?'
Kit laughed and nodded.
'But seriously, wouldn't you two be more comfortable in that big rambling mansion?...
'Aunt Charlotte would like nothing better, believe me, and I love Aunt Charlotte to death, and I'm really happy to stick around for a while to help her out with a few things before Henry and I go back to New York, but live with her? In the same house? No, thank you. And don't worry, my little homemaker. We not only have hot water, we have heat, don't we, Henry?'
That night when she returned home, Miranda told her mother and sister about this conversation.
'No screens? Feh,' said Betty.
Miranda imagined Aunt Charlotte as someone like Big Edie from
'I lean more toward Miss Havisham,' said Annie.
But they were never able to discover which one was closer, for none of them, not even Miranda, could ever think up a reason to meet the reclusive Miss Maybank, and Kit never offered to introduce the old lady.
On the days Kit needed to go into the city, he left Henry with Miranda.
'Now, don't let your friend take advantage of you,' Betty said, thinking of the talk show she'd seen about grandmothers stuck raising the toddlers of young, irresponsible parents. She was not technically Henry's grandmother, and she liked the little tyke well enough, but if there was one thing she had learned from the many therapists adorning television's daytime couches, it was the need for boundaries. She had grown up thinking one was supposed to transcend boundaries in life, but it appeared she had been wrong.
Miranda laughed. 'No, no,' she said. 'This is just what the doctor ordered.'
And it did seem to do her good, the days spent on the beach searching for shells and sticks, digging saggy tunnels and building uneven, lumpy mounds. Her life in the city, her love affairs, even her work, seemed to fade. The agony of failure rose up and clutched at her still, but less often, with less force. She woke in the morning eager to get out of bed, to bathe with the lavender soap that Henry said smelled like tea. She and Henry had tea parties, just like the ones she had had as a child, with the exception of the fireplace ladies, who were invited, Miranda told Henry, but could not attend due to a previous engagement. She told him all about the fireplace ladies. He nodded sagely and poured his tea, which was really apple juice, on the floor, watching the puddles with scholarly absorption. When she gave him bubble baths, he took the plastic measuring cups and bowls provided for him and imitated her ritual of tea preparation. She was touched, to a degree that surprised her.
Sometimes she would sit Henry atop the ceremonial cannons at the beach and listen to him talk. He would tell long tales about a fox named Higbee.
'And then?' she would say, not paying attention, closing her eyes against the dying autumn sun and the sharp wind, her arms around Henry's waist, her shoulder against his leg. The joy of not listening — why had she never tried it before? Henry's voice was like music, a pretty little piccolo, the chant of a boy in his own boys' choir. No wonder people had children, she thought. A child replaced art and work and culture. A child, so small, so loud, took up all the time, all the energy, all the love. It was so easy: just give in, just let your life be ruled by this simple and tender embodiment of need. No choices, no decisions except those that related to one person, one little demanding Napoleonic person. She felt relief flood through her body: being with Henry was so clear-cut, so obvious, so essential, so undeniable and absolute.
When the stories got too boring even to ignore, Miranda took Henry down and they walked slowly home, stopping to examine the offerings of low tide — mussels, the abandoned, upturned armature of a horseshoe crab, a white pebble, a tangle of russet seaweed, a smell of salt and brine and smooth, sparkling muck.
One evening, Annie caught sight of Kit on the train coming home from the city, pushing the strands of boyish hair back from his face, smiling a rather dazzling smile. Seated in the back of the train car, she watched him walk past her, down the aisle, and she saw heads swivel to look at him, one, then another, as he passed by. He actually turns heads, she thought, amused. Annie could understand it. He was a magnificent creature to look at, a peach ripening on a branch. Annie caught herself noticing his strong young arms beneath his shirt. Even his wrists looked young and manly to her. For years, Annie had been aware of the physical beauty of her sons' friends. They would come and stay during college vacations and sleep piled in their rooms like a pack of dogs, then wander into the kitchen shirtless and sleepy, their hair tousled, their torsos long and smooth as ancient Greeks'. They would blink and stretch and eat, unconscious of their beauty, of the limber physical eloquence of youth. Annie had anesthetized any simmering physical response as quickly and thoroughly as possible. But you could admire them. In fact, how could you help but admire them?
Remembering those shaggy morning parades of boyish beauty, Annie found it natural to fall into a state of admiration for the handsome young Kit, and would have felt no unease if Miranda had done the same. But Miranda's reaction to Kit was not what Annie expected. First of all, Miranda rarely spoke of him, never extravagantly extolled the virtues that would later be cataloged as vices. Nor did she call him on the phone at short, regular intervals. She did not buy him absurdly expensive presents. She did not loudly announce her intense happiness, at last!, to salesgirls and crossing guards and the man behind the meat counter at the grocery store. This one time, Miranda did not fall impetuously in love, announcing that here at last was the one and only man for her. She did not spend every waking minute with him for four weeks and then weep her eyes out when she discovered that he was a fundamentalist, a lush, a Republican, whatever it was that rose up and disappointed her. This time, Miranda, depressed and disoriented by the collapse of her life of the past couple of hard-earned decades, had apparently not had the energy to throw herself into one of her accustomed ferocious love affairs. Her relationship with Kit was different, more even, more peaceful, more plain. Miranda seemed happy, which made Annie happy. But there was something worrisome, too. For who'd ever heard of a temperate Miranda? Without her cloak of extravagance, Miranda seemed so unprotected. She had let down her guard: her gaudy, frenetic, romantic guard. Which meant, Annie thought with dread, that anything could happen now.
10
The first time Kit and Miranda made love, it was late in the afternoon, two days after they met. Henry was asleep in his crib. The light was golden, saturated, and the white curtains on the windows fluttered noisily in the breeze that swept in from the water. Miranda felt the same arms around her, the Adonis arms, the hero arms that had lifted her from the tossing sea. She laughed out loud, thinking what a fool she was to cast her soggy rescue in such epic terms. When she laughed, Kit told her she was beautiful, that he had found her floating in the ocean and that he would keep her, finders keepers, it was only fair. She allowed herself to disappear, to dissolve into his arms. It was a conscious, almost frenzied release. This was another kind of freedom, this letting go. All responsibility, all aspiration, all disappointment, all of life before that moment was left far, far behind. He undressed her, and she felt her jeans and her sweater, her bra, each bit of clothing slip over her skin. He undressed himself, too, slowly, sure