'He survived that arrow in his back-he survived the surgery to remove it. I should think he could survive a fever.' But even as he said it, he knew that it was not true. A raging infection was generally fatal. 'May I see him?'

'Yes, of course. Sister will show you to the room.' She rang the little bell on her desk, and a young nurse stepped through the door.

Rutledge thanked Matron and followed the young woman down the passage. Hensley was in the same private room as before, and Rutledge wondered if Chief Superintendent Bowles had ordered it. People sometimes rambled in fevers, and words spoken could never be taken back. The constable was lying under a sheet, half on his side, half on his back. He looked very ill indeed, his flushed cheeks sunken, his body somehow reduced in power and size. Rutledge went up to the bed and touched the arm lying on top of the sheet. It was searing to the touch, as if a fire burned beneath the skin, invisible to the naked eye. Hensley stirred, opening his eyes to stare blankly around the room, then shutting them again. Rutledge said quietly, 'Constable. Inspector Rutledge here. Can you hear me?' There was no reaction. He called his name again, and this time Hensley opened bloodshot eyes, trying to focus them. 'Who is it?' His voice was husky, as if his throat was dry. The young sister came forward and held a straw to his lips, telling him firmly to drink from the glass. Rutledge could see him drink thirstily, and then pull back, as if the water didn't sit well on his stomach. 'Thank you, Sister,' he said, dismissing her. When she'd gone out of the room, it took Rutledge several minutes to bring the constable back to a level where his voice reached the man. He tried to lift his head, and then turned a little. 'Inspector Rutledge. Sir.' 'Constable Hensley. Do you believe it could have been Mary Ellison who shot you?' There was a slight motion of his head. Negative. 'It's possible she killed her husband, her daughter, and her granddaughter.' The pain-ridden eyes considered him. 'I won't be there to see her hang, then. I'd have liked that.'

'I still haven't found this man Sandridge. But I came across your money. You weren't paid enough to take the blame for what happened to Edgerton. I think it's time you told the truth. You don't want to die with it on your conscience.'

Hamish, in his mind, said, 'You mustna' badger the man!'

But Rutledge responded, 'Time is short.'

Hensley was feebly shaking his head. 'Old Bowels looks after his own.'

'But if you die, and Sandridge is still out there, he might be persuaded to talk. Is that what you want? Bowles will blacken your name, to save himself.'

'It wasn't a great deal of money. I didn't know then that Edgerton would die. I'd have asked for more.'

'Did you give a share of it to Bowles? Is that why he closed his eyes to what you'd done and let Sandridge go free?'

'He set me to watch over Sandridge. And I did. He's a dead man, any way you look at it.'

'He'll hang, you're right, if he's taken into custody. Do you want to hang with him?'

'I won't live to hang.' He turned a little, those fever- bright eyes on Rutledge's face. 'You don't give a damn about me. It's Bowles you want.'

'Why did you agree to look the other way?'

'Barstow told me either I helped or he'd see I was blamed. I was afraid of him.'

'I don't believe you. Not of a man like Barstow.'

'You didn't know him. He wanted his revenge, and he was going to get it. And who'd take my word over his, anyway? There was a German waiter we'd brought in, Old Bowels and I. He wasn't a spy. But the newspapers got hold of the story, and German fever was high. We held on to him for a bit, a warning to others, so to speak. I don't know how Barstow found out. A lucky guess, maybe, or he had someone inside the Yard. He said if Sandridge was taken, he'd let it be known we'd made a mistake on the waiter.' He lay there, his arrogance gone. 'Did you share the money with Bowles?' But Hensley had nothing more to say. 'Who is Sandridge? Is he in Dudlington? Or Lethering- ton? Is it Keating?' 'You lied to me about Mrs. Ellison, didn't you?' he asked finally. 'Why would she kill her own flesh and blood?' 'If I knew that, I'd be ready to leave Dudlington,' Rutledge told him. 'No, you wouldn't. You want it all. Who killed Emma, where Sandridge is, and whether or not Bowles was involved.' 'Emma deserves to be found. She deserves to have her killer tried and convicted. She was only seventeen, for God's sake!' 'I lie here, and sometimes I can't tell what's true and what I dream. I can see Emma's face sometimes, and she's pointing a finger at me. I don't know why. I did her no harm.' 'Not for want of trying,' Rutledge said. 'She was that pretty! You never saw her.' 'You were twice her age, and instead of protecting her, you hounded her like all the rest.' 'She's in the wood,' Hensley said. 'I'd stake my life on that.' He gave a gasping cough that was intended to be a laugh. 'I did stake my life on it, I suppose. But you'll find her in that wood, mark my words.' He began to cough and choke, and Rutledge wheeled to the door to find the young sister just outside. Dr. Williams came then and gave Hensley something to make him quiet again. Rutledge stood by the bed, listening to the ragged breathing, and waited, but Hensley had gone where Rutledge couldn't follow.

33

It was some time before Sergeant Thompson brought Rutledge a report on the contents of the chutney. 'It's preliminary,' he said. 'I'm to tell you that, sir. But Dr. Pell says you should know. He thinks it's arsenic. You did say you were in a hurry for the answer.' 'How much arsenic?' 'Enough to kill a man. Or a woman. A good spoonful of the chutney might do it.' His mind brought him an image of the rector spreading a lavish spoonful of jam on his bread, and he thought, If Towson hadn't disliked chutney, he'd be dead by now. Or the Timmons girl and her family. 'I'd like a search warrant to go into the house of the woman who made up this pot. I've a strong suspicion that there are two bodies in her cellar. The sooner we retrieve them, the better.' Thompson said, 'What if you're wrong, sir?' Hamish interjected, 'Aye, what if?'

'I don't think I am. Will you ask Inspector Kelmore for the warrant, or shall I?'

'I'll see to it, sir.' Thompson walked out of the small room Rutledge had been given while waiting for the test results. It was late when the warrant was issued and Rutledge could leave.

It was nearly midnight when he reached Dudlington, and he was hungry, wishing now he'd stopped for his dinner on the road. In the dining room under a napkin, he found a plate of roast ham sandwiches. Mrs. Melford had been kind to leave them, he thought, and he went through to the kitchen to make himself a pot of tea.

He had poured it, sweetened it, and was looking for the tin of milk when he realized what Hamish had been telling him for the last ten minutes.

'Ye canna' be sure Mrs. Melford made them-or who filled the sugar bowl. You canna' be sure.'

Rutledge set down the cup of tea and pushed away the sandwiches.

He had been in Northampton for most of the day. The house was open, and anyone could have left the plate of sandwiches or added something to his sugar bowl.

He sat there for a moment longer, and then went to bed hungry. Rutledge woke to a hand on his shoulder, gently shaking him.

For an instant he thought it was Hamish, and a half- stifled cry was wrenched from him as he froze, trying to shrink inside himself and away from the prodding fingers. And even as he realized it wasn't Hamish, but a human agency, he was unprepared for the voice in his ear.

'Inspector Rutledge-Ian!'

It was Mrs. Channing's voice, low and strained.

He was fully awake by that time and answered her quietly, 'What's happened?'

'I don't know. It's Frank Keating. He's been drinking all day. Since the fire. He closed the inn, and I tried to talk to him, but he'd have none of it. I went to bed and left him there in the bar, still drinking. I thought, he's had enough that he'll fall asleep in his chair, and won't wake up before late morning.'

'Is he still there?' Rutledge asked, his mind beginning to work with some clarity.

'That's the trouble. I couldn't sleep, and I thought I might try a little hot milk. That was at two o'clock, and when I looked into the bar, he wasn't there. But the door was standing wide, cold air filling Reception. I think he's gone out.'

It had taken determination for her to walk this far in the night, not knowing where Keating was or what had sent him to the bottle.

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