leaked.' Daniels grinned at Rutledge, his face bright in the reflected glow of the headlamps. 'A costly business, being squire. There, you can just see the gates coming up ahead. We'll pass them and turn instead at the entrance to the Home Farm.'
Hamish said, 'He doesna' grieve o'er much for the dead man.'
A pair of handsome iron gates, disembodied in the mist, closed off what could be seen of the drive before it vanished into the night, a gray ribbon that appeared to go nowhere.
They came to a break in the wall, where a small, whitewashed gatehouse marked the way into the working part of the estate. The cottage was very pretty, with roses climbing up the front, framing the windows and the single door.
'Here we are, sir.'
'Does anyone live there?' Rutledge asked, nodding at the gatehouse.
'No, sir. It's been empty for some time.'
Rutledge turned into the lane that led to the farm, and almost immediately his headlamps picked out a track bearing to the left.
'That way, sir, if you please. We don't go as far as the farm.'
Rutledge bumped into the rutted track that curled through a copse of trees. Ahead, his lights picked out the rising bulk of a gray stone building that appeared to block his way. The mist lingered here in the trees, as if caught among the branches, and then without warning he drove into a thicker patch, like cotton wool. It swallowed the motorcar, and he felt the sudden shock of claustrophobia as the track seemed to vanish as if by magic, leaving him in an opaque world. Just as suddenly he came out into a small clearing, where a bicycle and two other vehicles were clustered together, as if for comfort.
At the edge of the clearing stood the tithe barn, vast, dark, and hunched, as if it had lurked there for hundreds of years, waiting patiently for the return of its builders.
Judging from the size of it-a good 200 feet long and possibly closer to 250-this part of Somerset had been prosperous under the monks' rule. The roof soared high above their heads as they got out of the motorcar, and something about the way it loomed in the darkness and shreds of mist was almost evil.
He laughed at himself. A night without sleep played odd games with the imagination.
Where once there had been a roofed entrance on the side of the barn facing him, there was a single door now, dwarfed by the heavy stone walls rising into the night sky.
He turned to ask Daniels a question as the constable gestured toward the door. 'That way, sir. They're expecting you. I'm to fetch the doctor, now that you're here.' He went around to the back of the motorcar and took down his bicycle, nodding to Rutledge as he mounted the machine and peddled into the mist.
Rutledge walked toward the entrance. The heavy door creaked under his hand as he shoved it open and stepped inside.
It was like stepping into the truncated, unfinished nave of an enormous church. There was no great west front, no transepts or choir or altar or apse, only a forest of huge squared wooden timbers rising like columns into the darkness overhead, where they supported a handsome array of beams. The silence was almost that of a church as well, where a whisper would carry round the bare stone walls.
The only light came not from wax sanctuary candles but from three lanterns that rested on the flagstone floor, picking out three startled men standing staring at him, as if he were an apparition walking through the door.
The taller of them, the one with a square face, cleared his throat.
'Inspector Rutledge, I take it?'
'Yes, I'm Rutledge.'
'We weren't expecting you for another two hours.' The speaker walked forward, hand outstretched. 'Inspector Padgett. And two of my men, Constable Horton and Constable Jenkins. I expect you've met Constable Daniels. He was waiting to bring you here.'
Rutledge acknowledged the introductions, and just as he shook hands with Padgett, something in the rafters caught his eye.
He stopped, his head raised, his gaze fixed.
Above them, like an avenging angel high among the beams that held up the roof, was a man with out-flung arms and immense feathered wings springing from his back.
'Gentle God,' Rutledge murmured before he could stop himself.
'Quite,' Padgett replied.
'Is that Quarles? Is he dead?'
'Yes, on both counts. We didn't touch him. I sent Constable Daniels to call Scotland Yard and then wait for whoever was coming. Of course we recognized him straightaway. It's Harold Quarles, beyond any doubt. This is his land-his barn.'
'What killed him?'
'We don't know yet.'
'How in the name of God did anyone get him up there?'
'It's easy, if you know the trick. Quarles puts on a Christmas pageant here, complete with live sheep and a donkey and even an inflatable camel he brought down from London. The figures are local people, and it's considered an honor to take part. Wise men, shepherds, and so on. There's an angel as well, with a rig to hold him or her up there. Quite comfortably, I'm told, if a little hair-raising. I wouldn't want to try it myself, I can tell you.' He gestured toward the shadows along the walls. 'Trestle tables and benches over there, and on this side the manger and the bits that create the stable and its roof. And along there as well, the apparatus for the angel. It's kept in a chest, out of sight, along with the wings. It's very well known, our Christmas pageant. Even the London papers have written it up. And a gazette featured it one year. My son was the babe in the manger that Christmas.'
'Which tells me a good many people knew the apparatus was here, and that it works.'
'I would say so, yes.'
'Is the door kept locked?'
'It hasn't been for some years. The hasp rusted through, and no one has replaced it. Where's the need? We've never had any trouble before.'
'Who found him? How long has he been up there?'
'We don't know how long. We're hoping the doctor can answer that. I came past here on my way home. It's a little out of my way, but I'd told Constable Horton here that I'd do his last patrol for him before he went off duty at eleven. We'd had a busy night of it with a pair of quarrelsome drunks, and we were tired. Just by the turning for the Home Farm, I heard a dog barking in an alarmed sort of way, and I stopped to investigate. The noise was coming from the trees here, and I walked in toward the barn. I saw that the door was ajar, and I thought perhaps the dog had cornered a badger inside. I went back to my motorcar for my torch, and by that time the dog had given up and gone away. I was on the point of leaving myself but decided to step inside, since I was already here. And at first I saw nothing. Then something creaked, and I looked up. I can tell you, I got the fright of my life!'
It was a well-rehearsed account, and Rutledge nodded, still staring at the figure over his head.
Into his mind's eye came the image of the swan on Edgar Mait- land's wedding cake, its wings spread, a ribbon in its mouth. The contrast was appalling.
'Where's the dog now? What did it look like?'
'I heard him, I didn't see him. There are several dogs at the Home Farm, and I'm told Mrs. Quarles has two King Charles spaniels.'
Rutledge took out his own torch and shone it on the spectral winged body in the darkness above.
Quarles was dressed in street clothes, a dark suit, waistcoat, and white shirt. His arms were rigidly outstretched in an openwork cage that enclosed his entire body. An angel in a nativity pageant could easily conceal the white cage with a full-length robe and long flowing sleeves worn over it, giving the impression of floating in the shadows overhead. The thickly feathered wings attached somewhere at the back of the shoulders and partially outstretched, as if in flight, were a bizarre counterpoint to the dead man's ordinary clothing.
'He's a reasonably heavy man. Could one person pull him up to that height?'
'It's block and tackle. I've seen one man do it, for the pageant.'
'Is there anyone who hated Quarles enough to do this to him? Because this is not just murder, there's viciousness at work here. Otherwise he'd have been lying on the floor.'
