babies. The sponge cake hardened and crumbled, and finally a layer of mold appeared.

“Mold can be quite beautiful,” I told my husband. The spots multiplied, covering the shortcake in delicate blotches of color.

“Get rid of it,” my husband said.

I could tell he was angry. But I did not understand why he would speak so harshly about our son’s birthday cake. So I threw it in his face. Mold and crumbs covered his hair and his cheeks, and a terrible smell filled the room. It was like breathing in death.

* * *

The strawberry shortcakes were displayed right on the upper shelf of the pastry case, the most prominent place in the shop. Each was topped with three whole strawberries. They looked perfectly preserved, no sign of mold.

“I think I’ll be going,” the old woman said. She stood up, smoothed her apron, and glanced out the window toward the square, as though looking one last time for the return of the bakery shop girl.

“I’ll wait a little longer,” I said.

“You do that,” she said, reaching out to gently touch my hand. Hers was callused and wrinkled—made rough by her work—and she had dirt under her fingernails. Still, her hand was warm and comforting, perhaps like the heat from those little birthday candles she had mentioned. “I’m going to check on a couple of places where the girl might be, and if I find her I’ll tell her to come straight back.”

“Thank you,” I said.

“Not at all … Good-bye.”

Clutching her wallet under her arm, she turned to leave. As she stepped through the revolving door, I noticed that her apron strings were coming untied in the back. I tried to stop her, but I was too late. She disappeared into the crowd in the square, and I was alone again.

* * *

He was an intelligent child. He could read his favorite picture book from beginning to end aloud without making a single mistake. He would use a different voice for each character—the piglet, the prince, the robot, the old man. He was left-handed. He had a broad forehead and a mole on one earlobe. When I was busy making dinner, he would often ask questions I did not know how to answer. Who invented Chinese characters? Why do people grow? What is air? Where do we go when we die?

After he was gone, I began to collect newspaper clippings about children who had died under tragic circumstances. Each day I would go to the library and gather articles from every newspaper and magazine, and then make copies of them.

An eleven-year-old girl who was raped and buried in a forest. A nine-year-old boy abducted by a deviant and later found in a wine crate with both of his ankles severed. A ten-year-old on a tour of an ironworks who slipped from a catwalk and was instantly dissolved in the smelter. I would read these articles aloud, reciting them like poems.

* * *

How had I not noticed before? I rose slightly from my seat and looked past the counter. A doorway behind the cash register was half open, and I could see into the kitchen. A young woman was standing inside with her face turned away. I was about to call out to her, but I stopped myself. She was talking to someone on the telephone, and she was crying.

I couldn’t hear anything, but I could see her shoulders trembling. Her hair had been gathered carelessly under a white cap. Despite some spots of cream and chocolate, her apron looked neat and pressed. Her slight frame seemed almost that of a little girl.

I returned to my stool and looked out at the square. The balloon seller was still making animals for the children. Pigeons were clustered here and there, and the woman was still knitting on the bench. Nothing appeared to have changed, except that the shadow of the clock tower had grown longer and thinner.

The kitchen was as neatly arranged as the shop. Bowls, knives, mixers, pastry bags, sifters—everything needed for the work of the day was right where it should be. The dishtowels were clean and dry, the floor spotless. And in the middle of it stood the girl, her sadness perfectly at home in the tidy kitchen. I could hear nothing, not a word, not a sound. Her hair swayed slightly with her sobs. She was looking down at the counter, her body leaning against the oven. Her right hand clutched a napkin. I couldn’t see the expression on her face, but her misery was clear from the clench of her jaw, the pallor of her neck, and the tense grip of her fingers on the telephone.

The reason she was crying didn’t matter to me. Perhaps there was no reason at all. Her tears had that sort of purity.

* * *

The door that would not open no matter how hard you pushed, no matter how long you pounded on it. The screams no one heard. Darkness, hunger, pain. Slow suffocation. One day it occurred to me that I needed to experience the same suffering he had.

First, I turned off our refrigerator and emptied it: last night’s potato salad, ham, eggs, cabbage, cucumbers, wilted spinach, yogurt, some cans of beer, pork—I pulled everything out and threw it aside. The ketchup spilled, eggs broke, ice cream melted. But the refrigerator was empty now, so I took a deep breath, curled myself into a ball, and slowly worked my way inside.

As the door closed, all light vanished. I could no longer tell whether my eyes were open or shut, and I realized that it made no difference in here. The walls of the refrigerator were still cool. Where does death come from?

* * *

“What do you think you’re doing?” my husband said as he ripped open the refrigerator door.

“I’m going to him.” I tried to brush away his shaking hand and close the door again.

“That’s enough,” he said, pulling me from the refrigerator. He slapped my face. Then he left me.

* * *

Not one person in the crowd on the square knew that a young woman was crying in the kitchen behind the bakery. I was the only witness.

The afternoon sunlight streaming in through the window had darkened, as the sun began to dip below the roof of the town hall. The man on the square with the popular balloon animals performed now for only a few children. A group of people had gathered around the clock tower to take pictures of the automaton show as the bell struck five.

I knew I had only to call out to the girl, and then I could make my purchase and leave, but I refrained. Her starched apron was slightly too large, which made her seem all the more small and vulnerable. I noticed the perspiration on her neck, her wrinkled cuffs and long fingers, and I imagined how she must look when she is working. I could see her taking the steaming sponge cakes from the oven, piping on the cream, and arranging each strawberry with infinite care. I was certain she would make the finest shortcakes in the world.

* * *

Several years after my son died, when I began living alone, I received an odd phone call. The voice was unfamiliar but clearly that of a young man. He sounded a little nervous, yet he spoke politely as he mentioned my son’s name.

“What?” I gasped, for a moment paralyzed.

“Is he at home?” he said.

“No, he’s not,” I managed to say.

“Well then … I just wanted to speak to him about the reunion. For our middle school class. Do you know when he’ll be back?”

I told him he wasn’t home, that he’s living abroad, going to school.

“Oh, that’s too bad,” he said. “I was looking forward to seeing him.” He sounded genuinely disappointed.

“Were you friends?”

“Yes. We were in the theater club together. He was president and I was vice president.”

“The theater club?”

“We won the city competition and went on to the nationals. You remember, we did Man of Flame. He played Van Gogh, and I played his brother, Theo. He was always the leading man, the

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