of the bites of the mosquitoes which tormented her continually, attracted by the light of the candles at her side.

By the time the piece of metal she wanted dropped into her hand, the night was far advanced and Marianne was exhausted and perspiring. She looked for a moment at the heavy piece of ironwork in her hand and then, getting to her feet with an effort, went to have another look at the seating of the window bars. She sighed. There were several more hours' work there and it would be daylight long before she had finished.

As though in corroboration, a clock somewhere nearby struck four. It was too late. There was nothing more she could do that night. Besides, she was feeling so tired and so cramped from her long time crouching over the lock that it was doubtful if she could have managed the descent by the sheet. Prudence dictated waiting until the next night and praying that nothing disastrous happened in the intervening day. Meanwhile, she must sleep, sleep as much as she could to recoup her strength.

Having made her decision, Marianne calmly returned the piece of iron to its original position and replaced the nails which held it. Then, with a murmured prayer, she went and lay down on the big bed and, pulling the covers over her, for the chill mist of dawn was stealing into the room, fell sound asleep.

She slept for a long time, waking only when a hand touched her shoulder. Opening her eyes, she saw Ishtar, draped in a flowing black and white striped tunic with big gold rings in her ears, seated on the edge of her bed gazing at her.

'It is sunset,' she said simply, 'but I let you sleep on for you were weary, and there was little else for you to do. Now it is time for your bath.'

The other two women were already waiting in the centre of the room, surrounded by all the same preparations as on the previous night. But instead of rising, Marianne curled further down among the bedclothes and stared at Ishtar sullenly.

'I don't want to get up. I'm hungry. I can have my bath afterwards.'

'I think not. Food shall be brought to you afterwards. But if you are still too tired to rise, my sisters will help you.'

There was a threat, sardonic but unmistakable, in the soft voice. Remembering how easily the tall black woman had hoisted Matteo's huge bulk over her shoulder, Marianne realized that it was useless to resist; and rather than waste the strength which she foresaw might be desperately needed, she got up and submitted herself, with no more argument, to the ministrations of her strange attendants.

The ritual ablutions of the previous night were repeated with, if anything, still greater care. Instead of the oil, they anointed her body with some heavy scent which soon began to make her head swim unbearably.

'Don't use any more of that scent,' she protested, seeing one of the women pour another hefty dollop into the palm of her hand. 'I don't like it!'

'Your likes or dislikes are of no importance,' Ishtar retorted coolly. 'This is the perfume of love. No man, even on his deathbed, can resist one who wears it.'

Marianne's heart missed a beat. She understood now: tonight, this very night, she was to be delivered up to Damiani. The stars, it seemed, must be favourable… A wave of terror swept over her, mingled with rage and disappointment, and she made a desperate attempt to escape from the hateful ministrations which made her feel suddenly sick. Instantly, six granite hands came down on her and held her fast.

'Be still!' Ishtar adjured her roughly. 'You are behaving like a child, or like a lunatic! You must be one or the other to fight against what can't be helped!'

That might be true but Marianne could not resign herself to being offered up, bathed and scented like an odalisque for her first night with the sultan, to the revolting creature who desired her. Tears of rage filled her eyes as, her anointing completed, they dressed her this time in a flowing tunic of black muslin, wholly transparent but scattered here and there with strange geometric figures in silver thread. Her hair was dressed in innumerable tiny plaits, like black snakes, and on it Ishtar placed a silver circlet at the front of which was a coiled viper with emerald eyes. Then, taking a pot of kohl, she set about exaggerating the girl's eyes enormously while Marianne, momentarily accepting defeat, let her have her way.

This done, Ishtar stepped back a pace or two to review her handiwork.

'You are beautiful,' she said flatly. 'Not Cleopatra or the mother-goddess Isis herself was ever more so. The master will be pleased. Come, now, eat…'

Cleopatra? Isis? Marianne shook her head, as though to rouse herself from some bad dream. What had ancient Egypt to do with it? This was the nineteenth century and they were in a city full of ordinary people, under the protection of her own country's army! Napoleon was master of the better part of Europe! How dared the old gods raise their heads?

She felt the breath of madness touch her cheek. In an effort to bring herself back to earth, she tried the food which was brought her and drank a little of the wine, but the dishes seemed tasteless and the wine without flavour. It was like food eaten in a dream, tasting of nothing…

She was embarking, without relish, on the fruit when it happened. The room began to revolve slowly about her, it tilted unnaturally and everything in it seemed suddenly withdrawn to an immense distance, as though she had been sucked into a long tunnel. Her sense of hearing and of touch became infinitely detached… Before she was borne away on the great blue wave which rose up suddenly before her, Marianne had just time to understand in a lightning flash what had happened: this time, her food had been drugged.

Yet she was conscious of neither anger nor alarm. Her body seemed to have broken all its earthly moorings, including all capacity for fear, suffering or even disgust, and to be floating weightlessly, marvellously airborne amid a brilliantly coloured universe made up of all the glowing hues of dawn. The walls had fallen away. She was no longer in prison: a vast, shimmering world, shot through with all the colours of Venetian glass, opened up before her, full of rippling light and movement, and in a kind of trance, Marianne sped towards it. She seemed to find herself all at once on a tall ship… perhaps the very ship whose coming had for so long figured in her dreams, steered by a green siren? High up on the prow, she sailed towards strange shores where fantastically-shaped houses shone like metal, where the plants were blue and the sea purple. The sails sang and the ship drove on over a richly-coloured Persian carpet, while the sea air carried the scent of incense, and Marianne, breathing it in, was no longer astonished at the strange sense of animal well-being which spread through every fibre of her being.

It was a weird sensation, a joy which tingled in the minutest nerve-endings, even to her fingertips. It was a little like the moment after love when the body, satisfied, wrought to the ultimate pitch of sensation, wavers on the very verge of oblivion. It was a kind of oblivion. For all at once everything changed, darkness was everywhere. The fabulous landscape melted into thick night and the soft, scented warmth gave way to an air cool and damp. Yet still Marianne floated on in the same tranquil happiness.

The darkness through which she moved was gentle and familiar. She could feel it all about her like a caress: the darkness of the prison, squalid but wonderful, where for that one, only time in her life, she had given herself to Jason. Time rolled back. Once again, Marianne could feel the rough boards of their nuptial couch beneath her bare back, their harshness an apt counterpoint to the touch of her lover's hands.

She could feel that touch now. It slid over her body, lapping her in a web of fire beneath which her own flesh flamed and opened like some hothouse flower. Pressing her eyes shut, Marianne held her breath in the effort to hold on to the miraculous sensation which was yet only a prelude to the supreme delight to come… She felt her throat swell with unuttered moans and cries of pleasure but they died unvoiced as the dream changed again and plunged into the absurd.

Far off at first, but growing nearer, moment by moment, there was the sound of a drum beating slowly, terribly slowly, like some dreadful knell. It quickened gradually until it was like the pulse-beat of some gigantic heart, throbbing faster as it came nearer, beating faster and faster, louder and louder.

For a moment, it seemed to Marianne that it was Jason's heart she heard, but then, as the sound grew clearer, so the amorous darkness thinned and melted like a fog and became tinged with a red light. And suddenly she was hurled from the heights of her dream of love into the very midst of the nightmare from which she had seemed to have escaped.

She seemed in some strange way to have become two people, for she could see herself stretched out in her transparent black draperies which lay like a dark veil over her nakedness. She was lying on a low table made of stone, like an altar, beyond which rose a brazen serpent with a golden crown.

The place itself was a grim, windowless cavern, with moisture dripping from the low, vaulted roof and slimy, pitted walls lit by great black wax candles which gave off a greenish light and an acrid smoke. Below the altar sat

Вы читаете Marianne and the Rebels
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату