triangular principle?
6. What did Titian's latest work depict? What devices did Titian use to express the agony of Christ and the fury of his tormentors?
III. I. Give Russian equivalents of the following phrases:
the exteriors of Venetian palaces; to foil for; brushstrokes; free meditation in colour; pagan subjects; freedom of poses; by means of engravings; sarcophagus; carefully modelled hands; mythological and religious pictures; to break up the symmetry; a radical view from one side; to mute all sharp contrasts; the rich light of the picture; the picture is interpreted as; a triangular principle; veils of pigments; a palace interior; in the mature years; to apply a sketchy technique to; movement of colour; inlaid floor, wall hangings; a recumbent pose; altarpieces; shimmering drapery.
картины на мифологические и христианские сюжеты; звучная живописная гамма; в зрелом возрасте; тенистый пейзаж; инкрустированный пол; шпалеры; лессировка; тщательно выписанные руки; принцип треугольника; заказать картину; применить технику наброска к; алтарные образа; картина трактуется как; творческое наследие; нарушить симметрию; движение цвета; подчеркнуть путем контраста; фасады венецианских дворцов; приглушать яркие краски, грунтовка.
III. Make up sentences of your own with the given phrases.
IV. Arrange the following in the pairs of synonyms:
a) to disport; to foil for; recumbent; determinant; to glorify; allegorical; shimmering; characteristically; frescoes; to redeem;
b) to contrast with; reclining; to worship; to entertain; element; mythological; glowing; to protect; murals; predominantly.
IV. Here are descriptions of some of Titian's works of art. Match them up to the given titles.
1. The soul reunited with the body to be lifted corporally into Heaven.
2. The agony of Christ is expressed in storms of colour.
3. The figure relaxes in ease on a coach in a palace interior.
4. The triangular principle is embodied in the balanced relation ship of the gloved and ungloved hands to the shoulders and the youthful face.
5. The people disport themselves in a shady grove.
6. Two women sit on either side of an open sarcophagus.
7. The columns are seen diagonally.
8. The sketchy technique was applied to the whole picture.
a. Madonna of the House ofPesaro
b. Portrait of Pope Paul III and his Grandsons
c. Crowning with Thorns
d. Sacred and Profane Love
e. Venus of Urbino
f. Assumption of the Virgin
g. Bacchanal of the Andrians
h. Man with the Glove
V. Replace the expressions in italics in the following sentences with expressions from the text which have the same meaning.
1. Titian helped Giorgione to restore the external murals of the Venetian palaces. 2. When Titian became free he succeeded in establishing colour as the main element. 3. The painting worships the protecting power of love 4. The people of the island of Andros entertain themselves in a dark forest. 5. A pose of reclining Venus was initially invented by Giorgione. 6. The Assumption of the Virgin is Titian's single endeavour into the realm of the tremendous. 7. The smooth and carefully modelled hands and features are typical for Titian's portraits. 8. Titian's late works of art of heathen subjects are free in their power and beauty.
VI. Insert the missing prepositions. Translate the text. Retell the text.
Susannah at her Bath,… Jacopo Robusti, called Tintoretto,… 1560, can be considered as one… the great works… Venetian Mannerism. The story… Susannah, the Biblical «Heroin… Chastity», is taken… the Old Testament. Two men secretly entered her garden while she was… her bath unaware… their presence. When she rejected their advances they accused her falsely… her husband. Only the prophet Daniel's wise judgement saved her… the death sentence which had been passed… her alleged adultery. Here Tintoretto uses the characteristic Mannerist device… exaggeration and distortion in his drawing to portray the innate tension… that moment… the story. The sharp contrast… light and darkness,… terrifying proximity and the far distance, all contribute… the surprise and admiration that the picture evokes. Over and above all these Mannerist tricks lies the magic of Venetian painting… its preference… brownish-hues expressed… clearly visible brushstrokes.
VII. Insert the article wherever necessary. Translate the text. Retell the text.
The Raising of the Widow's Son in Nian, around 1565/70, was painted by… Veronese when his colour achieved… clarity and brilliance hitherto unknown in… Venice. He uses… sky and architecture as… cool foil for… jewel-like colour of… clothing. It gives… worldly, festive atmosphere to… New Testament story of how Christ raised… young man from… dead. Veronese has put… figure of… grateful mother into… centre of… picture and… young man who has been raised from… dead is only just visible in… lower left-hand corner… picture is thought as if it were… quotation from… play with… figures and architecture scattered around. In this way Veronese draws… observers into… action and, as so often in… Mannerist art, mixes… levels of reality.
VIII. Translate the text into English.
Тициан Вечелло – величайший художник венецианского Возрождения – создал произведения на мифологические и христианские сюжеты. Тициан оставил после себя богатейшее творческое наследие. Оно оказало огромное влияние на художников последующих веков.
Слава рано пришла к Тициану. Уже в 1516 г. он стал первым живописцем Венецианской республики. Около 1520 г. герцог Феррарский заказал Тициану цикл картин на мифологические сюжеты. Богатые венецианцы заказывали Тициану алтарные образа. Тициан создал монументальные композиции: «Вознесение Марии» и «Мадонна Пезаро». Громадная картина «Вознесение Марии» изображает вознесение Мадонны на небо. Насыщенные цвета одежды Марии на фоне светлого неба передают радость.
Много сил Тициан отдавал портретной живописи. В «Венере» Тициана многие видят портрет Элеоноры Урбинской. Введение бытовой сцены в интерьер картины вместо пейзажного фона передает ощущение реальной жизни. Блестящий портретист, Тициан раскрывал черты характера своих моделей. Групповой портрет впервые созданный Тицианом получил свое развитие только в эпоху барокко.
IX. Summarize the text.
X. Topics for discussion:
1. Titian's mythological paintings.
2. Titian's religious paintings.
3. Titian's portraits.
Unit IX The Carracci
The pioneers of Baroque monumental painting in Rome were the brothers Agosto and Annibale Carracci and their cousin Ludovico. They all came from Bologna, a city with a long artistic tradition, a heritage of Renaissance masterpieces and a direct cultural connection with the Eternal City. Between 1585 and 1590 the Carracci founded the Academy of the Incamminati, which was to play an important part in the Italian artistic culture of the seventeenth century.
Annibale (1560-1609) was historically the most significant artist of the Carracci family and artistically the most gifted. At first he was fond of Correggio and Veronese, but later he developed new power under the influence of the antique, and of Michelangelo and Raphael, Annibale Carracci presents a variety of motives and themes. To the exhausted schemes of Mannerism he opposed a combination of classical beauty and the respect for the real
