tower, Lieutenant Asukai gestured for Reiko to come down before the day-shift fire-watcher arrived. As she alit on the ground, her mind drew a disturbing connection between the crate and the boy she’d seen last night.

“Go look for two porters who just carried a big wooden crate out of the Mori estate,” she ordered Lieutenant Asukai. “Hurry! Stop and search the crate for a dead body!”

He rode off, but after a long time he came back to report that he’d been unable to find the men she’d seen. Edo was full of porters. He’d stopped and searched many, but none of them had come from the Mori estate, and none were carrying anything except groceries. The pair in question had vanished into the crowds.

“I feel certain that Lord Mori is up to no good,” Reiko told Lieutenant Asukai while she journeyed homeward in her palanquin and he rode his horse alongside her. “I must get inside that estate and find out what’s going on.”

That afternoon, Reiko rode in her palanquin up the street she’d watched the previous night. She wore silk robes and lacquered clogs instead of the cloak and wicker hat. Her makeup was perfect, her upswept hair studded with floral ornaments. Her bearers set her palanquin down outside Lord Mori’s gate.

“Lady Reiko, wife of the Honorable Chamberlain Sano, is here to call on Lady Mori,” Lieutenant Asukai told the sentries.

They summoned servants to notify Lady Mori that she had a visitor. Reiko was glad that her social position entitled her to call on any ladies in Japan, who must see her whether they wanted to or not. Soon Reiko found herself seated in a chamber with Lady Mori.

“I am so flattered that you have come to see me,” Lady Mori said. She was in her forties, dressed in an expensive but dull green kimono. Her hair, worn in a simple knot, was threaded with silver. She was slim, but heavy cheeks, full lips, sloping shoulders, and a broad bottom gave her an appearance of weightiness. She spoke with delicate, formal precision. “This is an unexpected honor indeed.”

“It is you who has done me the honor of receiving me,” Reiko said, equally polite and formal. “I thought I would like to make the acquaintance of the important ladies in society.” She couldn’t very well say that she’d come in search of a child that the woman’s husband had stolen and might have harmed.

“How very gracious of you. Many thanks for choosing my humble self as the object of your attention.” Lady Mori smiled; her eyes sparkled with pleasure. She seemed a nice woman, and Reiko felt a twinge of guilt for exploiting her. “May I offer you refreshments?”

Tea was served by her maid, an older, gray-haired woman who looked vaguely familiar to Reiko. But Reiko couldn’t think where she’d seen the woman, who showed no sign of recognizing her. Perhaps the maid had once worked for someone Reiko knew.

“The weather is quite lovely, don’t you think?” Lady Mori said while she and Reiko sipped their tea and nibbled cakes.

“Yes,” Reiko said. “It’s not too warm yet.”

This type of trivial conversation was the reason that Reiko usually avoided visits to women of her class. Custom prevented them from saying anything interesting until they’d known one another for a longer time than Reiko wanted to spend. Laboring to make small talk, she looked through the open door at the garden and noticed that the large screen of embroidered silk that stood behind Lady Mori depicted the same landscape of pond, bridge, and trees as outside.

“What a beautiful screen,” Reiko said.

“Do you like it?” Lady Mori said eagerly. “I made it myself.”

“Very much. How impressive,” Reiko said with honest admiration.

“Do you embroider?” Lady Mori asked.

“I’m afraid not.” As a child Reiko had taken lessons, but she hated sewing.

The talk progressed to clothes, food, and the shops that sold them. Lady Mori discussed these topics with enthusiasm until Reiko wrenched the conversation to the subject of Lord Mori. “How long will your husband be in Edo?”

“He leaves for Nagato Province in late summer.”

Reiko knew that the law of alternate attendance required each daimyo to spend four months of each year in the capital and the rest in his province. The feudal lords were divided into two groups, one of which was in Edo while the other was in the country. This restriction kept them from staging a rebellion together, as did the fact that their families remained in town as hostages. Reiko hoped she could find out what Lord Mori had done with Lily’s son before he got away.

“What has Lord Mori been doing?” Reiko said.

“Oh, the usual things,” Lady Mori said, vague and surprised that Reiko should ask. “He doesn’t speak of them to me, of course.”

Most men didn’t discuss their business with their wives. “He must find more entertainment here than in the country?”

“I suppose so.”

Reiko couldn’t very well blurt out, Do you know that jour husband beds little boys? What happens to them all? Perhaps Lady Mori didn’t know. Arranged marriages were the norm, and many couples maintained separate personal lives.

“How long have you and Lord Mori been married?” Reiko said.

“Sixteen years.”

Maybe that was enough time for Lady Mori to have noticed her husband’s sexual practices even if she didn’t share them. She wasn’t blind; she must have been aware of those boys who frequented her home. But Reiko realized that her visit had lasted so long that unless she departed now, she would abuse Lady Mori’s hospitality. She wished she could have a look around the estate, but couldn’t think how to ask without arousing suspicion. She must get Lady Mori to invite her back.

Her gaze lit on the embroidered screen. Inspired, she said, “How I wish I could embroider as well as you do!” She gave Lady Mori a hopeful, bright-eyed, encouraging look. “How I would love to learn!”

“I would be delighted to teach you.” Lady Mori seemed flattered, and as eager for a better acquaintance as Reiko was. “Why don’t you come again tomorrow?”

Every day thereafter, Reiko went to the Mori estate for embroidery lessons. Lady Mori taught her how to sketch a design on silk and fill it in with colored thread. Reiko’s chance to explore the estate was when she went to and from the Place of Relief, but the estate was so heavily populated with servants and guards that she could never sneak past them. After five days, all Reiko had to show for her efforts was a silk square with lilies embroidered on it in crooked stitches, dotted with blood from pricking her fingers with the needle.

When she visited Lily at the teahouse and apologized because she hadn’t found Jiro, the dancer tried to hide her disappointment. “That’s all right,” Lily said. “I guess I never really expected to see him again.” Her brave acceptance of her loss made Reiko more determined than ever to rescue Jiro, or at least find out what had happened to him.

The sixth month came, bringing the wettest rainy season that Reiko could remember. She and Lady Mori sat sewing. Lady Mori worked on a large landscape panel, assisted by her ladies-in-waiting. Reiko hid her frustration as her thread snarled. She decided that this was the last time, and she must ask Sano for help despite her reluctance.

“My, it’s getting late,” said Lady Mori. “I believe we’ve had enough for today.” She set down her embroidery. “Will you do me the honor of staying for dinner?”

“That would be wonderful,” Reiko said, thrilled because night would be better for her detective work than day.

Maids brought in a lavish meal of sashimi, grilled seafood, dumplings, steamed greens, and sweet cakes. Wine enlivened the chatter between Lady Mori and her attendants. They grew loud, boisterous, and laughed at the slightest joke.

“Have some more wine,” Lady Mori said, her eyes feverishly bright from the liquor.

“Thank you.” Reiko held out her cup for the gray-haired maid to refill. She drank to keep up the pretense of enjoying the party. By midnight, the other women were too drunk to pay much attention to her, and she slipped out the door.

The rain had momentarily stopped. Smoke from a fire somewhere billowed in the darkness, veiling the wet air. Hazy lights shone through it. Reiko hurried across the garden. Trees dripped water on her and the wet grass

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