I wondered if changing the subject would help. “There’s something I don’t understand,” I said. “Why did UPPI need Latisha Wall dead? What made her so important? You told me yourself there’s enough evidence available in the form of depositions that even if she weren’t here to testify at the trial…”
It turned out I was right. Bracing anger flooded across Ross Connors’s face.
“Latisha Wall was supposedly under our protection!” he growled, sounding more like himself again. “My protection! She was a single protected witness in a single case. Right now UPPI has lots of other cases hanging fire, and there are lots of other witnesses who are expected to testify against them. How many of them will still be tough enough to stand up and speak out if they know they’re in mortal danger? How many other employees or ex- employees will be willing to put their lives on the line and come forward to testify?”
The man’s anger and anguish were both palpable. “I’m sorry,” I said.
He nodded. “So am I.”
I had been told no official report was expected on my trip to Arizona. And Ross Connors had plenty of reasons to bury what I had found out right along with his wife.
“Should I write a formal report?” I asked.
He took a deep breath, straightened his shoulders, and looked me straight in the eye. “You bet,” he said. “Type it up and send it through the regular chain of command. If it gets leaked, too bad. My first instinct was to cover up this whole thing, but I’m not going to. Francine is dead, by God! I want the world to know who did this to her and why.”
And in that moment, I realized I was glad Ross Alan Connors was my boss and proud that my name had been added to the roster of his Special Homicide Investigation Team. He may have been a politician, but he was also a good man who wasn’t afraid to make a tough call when the situation required it.
“There’s something else,” I said.
“What’s that?”
“What do you know about sodium azide?”
He frowned. “Never heard of it. Why, should I have?”
“Yes,” I told him. “And here’s why.”
AS I DROVE TO SEATTLE FROM OLYMPIA, I called Harry I. Ball on my now-working cell phone. He told me to take the rest of the day off.
“That’s big of you,” I said. “Especially considering I’ve been working my butt off almost round the clock for the last three days.”
“Don’t start,” he warned. “I don’t wanna hear it.”
I returned the rental car to the airport and climbed into the Belltown Terrace limo I had summoned to drag me home. By 2 P.M. I was in my recliner, thinking.
I had told Ross Connors about the dangers of sodium azide, but what about the dangers of love? Latisha Wall and Bobo Jenkins had fallen in love, and he had unwittingly poisoned her. After years of playing the field, Dee Canfield had gone for a guy she thought was finally the love of her life, and Warren Gibson had snuffed her out of existence. Francine Connors had betrayed her husband for a fling with Louis Maddern, and now a widowed Ross Connors was imprisoned in his turret, nursing a broken heart.
And then there was me. J.P. Beaumont and Anne Corley. J.P. Beaumont and Joanna Brady. Anne had been a case of fatal attraction, and Joanna might have been.
Without realizing it, I drifted off, and all too soon the dream came again.
At first it was the same as it’s always been, and I tried to fight it off. Anne Corley was striding toward me across a grassy hill in Mount Pleasant Cemetery. But then I noticed something different about her. This particular Anne Corley had bright red hair and amazingly green eyes.
Once I realized that, I didn’t bother trying to wake myself up. For the first time ever, I just lay back and enjoyed it.
Afterword
Roots of Mystery: Sodium Azide and Learning
to Believe the Unbelievable
People often ask writers, “Where do you get your ideas?” It makes me wonder if they think we go to the supermarket, to the Idea section, and look over what’s there, hoping to find something that isn’t past its sell-by date. Some readers I meet hint around that perhaps I “dream up” ideas. I have yet to experience a “dream” that I’d be willing to devote six months of my life to.
The truth is, ideas are out there, but – like wily wild game – they hide out in the forest of everyday life and have to be tracked down and captured before they can be brought back and tamed into being part of a book.
To find ideas, I read. Several newspapers a day and lots of magazines pass through our house on the way to the recycling bins, but one of those magazines has proven to be especially beneficial. Every so often my college alumni magazine,
More recently, the magazine featured an article on Eric Betterton, a University of Arizona professor of atmospheric sciences, and his research into the dangers of an uncontrolled substance called sodium azide. Commonly used to inflate automobile air bags, sodium azide is a white powdery substance more deadly than cyanide. It is readily soluble in water and there is no known antidote.
Because it is uncontrolled, it can be purchased by the barrelful by anyone who wants it. Even prior to 9/11, this struck me as dangerous. A barrelful of this stuff dumped into a city’s water supply could prove absolutely catastrophic.
Intrigued, I contacted Professor Betterton. His research into this readily available substance and his efforts to publicize the underlying dangers had already brought him several death threats and the unwelcome attention of the Justice Department. Not surprisingly, he was somewhat wary of meeting with a mystery writer, but he did meet with me, and I’m grateful.
Partner in Crime grew out of that meeting. I hope that, in pointing out the dangers of sodium azide, the novel will raise public awareness and gain the attention of lawmakers and George W. Bush’s new Department of Homeland Security as well. When used to inflate air bags, sodium azide is a useful substance, but in unlawful hands, it poses a real and present danger.
As for getting Beaumont and Brady together, I had heard suggestions to that effect from the time the first Brady novel was published. I resisted the idea because I thought it was “unbelievable.” Then, a real-life Cochise County murderer ended up being captured in Tacoma. So much for my unwilling suspension of disbelief. Since something similar had already happened in real life, it couldn’t very well be unbelievable.
The Joanna Brady books are written in an omniscient third-person. Most of the action is revealed through Joanna’s point of view although other points of view occasionally surface. The Beau books are written in a strictly first-person format. The reader (and writer) learn things only as they are revealed to J.P., and we hear about them in Beau’s crusty, curmudgeonly voice.
Partner in Crime is written in that same fashion. Joanna’s parts of the story are revealed in third person narration. Beau tells his parts of the story himself. Joanna isn’t thrilled at the idea of having Beau interfering on her turf and in her case. When they meet for the first time in the lobby of the Cochise County Justice Center, Joanna is mad enough to chew nails. From the moment I heard Beau’s first comment about that initial meeting (“I didn’t think
