structure is formed
Poincare:
He conjectures that this ability to detect promising patterns seems to involve such elements as symmetry and consistency.
Poincare:
Poincare did not say much more about how those detectors of ‘elegance’ might work, so we need more ideas about how we recognize those signs of success. Some of those candidates could be screened with simple matching tricks. Also, as part of the Preparation phase, we select some specialized critics that can detect progress toward solving our problem, and keep these active throughout Incubation.
Evaluation: We often hear advice that suggests that it’s safer for us to trust our ‘intuitions’—ideas that we get without knowing how. But Poincare went on to emphasize that one cannot always trust those ‘revelations.’
In other words, the unconscious mind can make foolish mistakes. Indeed, later Poincare goes on to argue suggest that it often fails to work out the small details—so when Revelation suggest a solution, your Evaluation may find it defective. However, if it is only partially wrong, you may not need to start over again; by using more careful deliberation, you may able to repair the incorrect part, without changing the rest of that partial solution.
I find Poincare’s scheme very plausible, but surely we also use other techniques. However, many thinkers have maintained that the process of creative thinking cannot be explained in
Somewhat similar models of thinking were proposed in Hadamard (1945), Koestler (1964), Miller (1960), and Newell and Simon (1972)—the latter two in more computational terms. Perhaps the most extensive study of ways to generate ideas is that of Patrick Gunkel at http://ideonomy.mit.edu. In any case, however you make each new idea, you must quickly proceed to evaluate by activating appropriate critics. Then, if the result still has some defects, you can apply similar cycles to each of those deficiencies.
In my view, what we call ‘creativity’ is not the ability to generate completely novel concepts or points of view; for a new idea to be useful to us, we must be able to combine it with the knowledge and skills we already possess—so it must not be too very different enough from the ideas we’re already familiar with.
We usually think about thinking as a solitary activity that happens inside a single mind. However, some people are better at making ideas, while others excel at refining them—and wonderful things can happen when ‘matched pairs’ of such persons collaborate. It is said that T.S. Eliot’s poetry owed much to Ezra Pound’s editing, and that A.S. Sullivan’s music was most inspired when he was working with W.S. Gilbert’s librettos. Another example of such a pair might be Konrad Lorenz and Nickolaas Tinbergen, as we see in their Nobel Prize autobiographies:
For many people, thinking and learning is largely a social activity—and many of the ideas in this book came from collaborations with students and friends. Some such relationships are productive because they combine different sets of aptitudes. However, there also are pairs of partners who have relatively similar skills—perhaps the most important of which are effective tricks for preventing each other from getting stuck.
Do we normally think ‘Bipolarly’?
The processes that Poincare described involved cycles of searching and testing in which problems are solved over hours, days, or even years. However, many events of everyday thinking persist for just a few seconds or less. Perhaps these, too, begin by spawning ideas, then selecting some promising ones, and then dwelling on their deficiencies!
If so, then a typical moment of commonsense thinking might begin with a very brief ‘micro-manic’ phase. This would produce an idea or two—and then a short ‘micro-depressive’ phase would quickly look for flaws in them.
The quality of such systems would depend in part on how much time one spends in each such phase. It seems plausible to conjecture that, when one is inclined to be ‘critical’ or ‘skeptical,’ one spends less time at
§7-8. Cognitive Contexts