Kisses from Hell

spot glinting like a bull’s-eye and surrounded by a thatch of hair so red it’s suspicious, like he dyes it or something. Doing my best to keep up with this skinny old guy, who moves awfully fast for someone of his advanced age, gasping and wheezing with the effort, I say, “I mean, aren’t there supposed to be a few more of us?”

And just after I ask it, he stops so abruptly I bang right into him. Seriously, like straight into him. So embarrassing.

“’Fraid it’s too late for ’em now, miss,” he says, totally unfazed by the way my carry-on bag just nailed him in the back. Not missing a beat as he eases it off my shoulder and adds, “Not with the way the mist is rolling in like ’tis.”

I squint. My eyes crinkled, nose scrunched, gazing all around and not quite getting what he means. Yes, it’s a bit overcast, cloudy, and gray, but hey, it’s England, that’s pretty much a given, right? And the thing is, I don’t see any fog. Not even a trace. So I turn to him and say just that, sure I misunderstood due to his accent and all.

But he just looks at me, gaze stern, fingers flapping at me to hurry up and get in. “Fog got nothing on the mist,” he says. “Come along now, got to get moving before he gets any worse.”

I huddle in the back of the van, pulling my navy peacoat tightly around me as he slams the door and settles in. Digging my fingers deep into the right-side pocket and fingering the small coin my grandmother stitched into the seam many years ago, back when it still belonged to my mom, long before she died and it was passed on to me. Squinting out the window, with my forehead pressed against the smudgy glass, thinking that if I just look hard enough I’ll see this mist he’s so worried about. But I don’t. So I make one last attempt when I say, “Looks pretty clear to me—”

But he just grunts, hands gripping the wheel in the ten and two position, eyes on the road when he says, “That’s how the mist works—’tis never what he seems.”

I fall asleep.

I mean, it’s not like I can remember the drive, so I guess that’s what happened. All I know is that one minute we were pulling out of the municipal airport parking lot, and the next, it’s like I’m in another world, jolted awake by a series of bumps in the road—a bad combination of really deep potholes and really bad shock absorbers.

“Is that it? Up ahead?” I squint into the distance, still unable to see any trace of that mist he’s been mumbling about. Making out a large stone structure at the top of a hill that looks just like one of those creepy manors you read about in old gothic romance novels—the kind I like best. Like it’s one of those drafty, foreboding homes filled with priceless antiques, hidden secrets, strange servants, resentful ghosts, and a lonely, plain-faced governess who can’t help but fall for the tall, dark, and handsomely brooding master no matter how hard she fights it.

I reach over the seat and grab my bag, fumbling for my sketch pad, wanting to jot down my first impressions, document everything I see from beginning to end. But the road is too bumpy and my pencil gets dragged off the paper repeatedly, so I quit before I can really get started, and settle for gawking instead.

We pull up to a large, imposing gate, and the driver leans out the window, presses a button, and says, “She’s here.”

Which, frankly, I find a bit odd.

I mean, She’s here? Shouldn’t he have said, We’re here?

Aren’t they expecting a group of us?

Five talented, lucky young artists chosen from a pool of thousands.

Five fortunate souls who not only aced a rigorous, multilayered application process but also had to submit a portfolio of paintings created specifically for this very event—a portfolio of paintings representing our dreams.

And I don’t mean dreams as in goals. I mean the nocturnal vision kind. Since I’ve always had an active dream life, always had those kind of superpower, Technicolor, lucid dreams, the moment the brochure arrived in the mail I knew this was the school for me. Figuring I had a pretty good shot at making it, and it seems I was right.

But no matter how vibrant my dreams may be, I never dreamed of a place like this. A place with a drive so long and winding and steep, lined with lushly colored roses atop sharp, thorny stems that practically reach out and scrape the paint right off the side of the van. When we reach the top, I leap out and crane my neck all around, determined to take it all in.

Stone facade, gargoyles, flying buttresses, odd little carvings of winged creatures and gremlins—it’s just… spectacular. Totally and completely perfect. It’s everything I’d hoped for and more.

“Plenty of time for that later,” the driver says, tossing my bag over his shoulder and heading for a door that’s opened by a stern-faced woman, her long, gray hair coiled into a tightly braided spiral at the back of her head, dressed in a stark black dress with a white lace collar and apron to match. Her skin so pale and translucent, it’s as though she’s never known a single day in the sun.

“Now just look at ye. Ye must be Dani?”

I nod, wondering how she knew to call me by my nickname when I filled out all the forms as Danika.

“I’m Violet,” she says, almost as an afterthought, as though she’s too busy appraising me to pay attention to small pleasantries. “Well, you’re a bright and pretty one, aren’t ye?” She looks me over, her thin, dry lips curving up at the corners as the fragile skin around her eyes fans at the sides. “Young, strong, and made of good, healthy stock, I imagine. How old are ye?”

“Seventeen.” I wrap my arms tightly around me, wondering if she’s ever going to get around to inviting me in.

“Well, you’ll do just fine here, ye will.” She nods, ushering me inside and exchanging a look with the driver I can’t quite interpret, adding, “Hurry on, now, you’ll catch yer death out there,” and leading me into a foyer so warm, so cozy, it feels just like home.

Well, not my home exactly. Not the overcrowded condo that used to be perfect back when it was just my dad and me—before Nina and all her “stuff” moved in—but the kind of home I wish I had. A house of mystery and history—filled with dark polished woods, antique rugs, large chandeliers, and bouquet after bouquet of those amazing red roses with long, thorny stems—pretty much the opposite of what I’m used to.

“Wow,” I say, my voice barely a whisper as I gaze all around, looking forward to exploring every nook of this place over the next few weeks. “This is just so…grand,” I add, surprised by my use of the word. I mean, really? Grand? What happened to awesome, or amazing, or—

“Yes, ’tis comin’ along, ’tis.” Violet nods, yanking my coat off my shoulders, the chill of her touch lingering long after she hands it to the driver, who disappears with it upstairs. “Almost finished now.”

I look at her, wondering what could possibly be left undone when it seems so finished, down to the last old-timey detail. Watching as she worries the odd, shiny, black pendant that hangs from her neck, her eyes raking over me as she points toward the ballroom and says, “That’s where it started—the fire.” She continues to scrutinize me. “As you can see, the restoration’s not quite—complete.”

I squint, gazing into a large room that really does bear a good deal of damage, and as I peer a little closer at the rest of the house, I see it’s also showing a good deal of wear and tear I must’ve missed in my initial excitement.

“Come now,” Violet says, her tiny, cold hand pressing against the small of my back. “I’ve made ye a nice supper and some tea before bed.”

Bed?

I stop, my eyes seeking a window, but they’re all covered by thick, heavy drapes. Wondering why she’d say such a thing when I know for a fact it’s still light out—still morning, for that matter.

“Ye traveled a long way, ye did.” She nods, as though she’d made the transatlantic journey sitting right alongside me. “Must be a bit jet-lagged, no?”

And just as I’m about to say no, that I’m not at all jet-lagged, that I’m completely wide awake and ready to