'We stopped there for a soda. It was locked up. Where's your outboard, old man?' the man with whiskers said.
'Ain't got no outboa'd.'
'There's the gas can yonder. There's the cut in the cattails where it was tied. Your boy running a trot line?'
'What y'all want to bother him for? He ain't done you nothing.'
'You don't mind if we come inside, do you?' the man in the raincoat said. When he stepped forward, the dog lunged at his ankle. He kicked his boot sideways and caught the dog in the mouth, then pulled the screen and latch out of the doorjamb.
'You stand over in the corner and stay out of the way,' the man with whiskers said.
The man in the raincoat lifted the Coleman lantern by the bail and walked into the back yard with it. He came back in and shook his head.
The man with whiskers bit off a corner on a tobacco plug and worked it into his jaw. He picked up an empty coffee can out of a trash sack and spit in it.
'I told you we should have come in the a.m. You wake them up and do business,' the man in the raincoat said.
'Turn off the lantern and move the truck.'
'I say mark it off. I don't like guessing who's coming through a door.'
The man with whiskers looked at him meaningfully.
'It's your rodeo,' the man in the raincoat said, and went back out the front door.
The wind blew through the screens into the room. Outside, the moonlight glittered like silver on the water in the saw grass.
'Lie down on the floor where I can watch you. Here, take this pillow,' the man with whiskers said.
'Don't hurt my boy, suh.'
'Don't talk no more. Don't look at my face either.'
'What's I gonna do? You here to kill my boy.'
'You don't know that. Maybe we just want to talk to him… Don't look at my face.'
'I ain't lying on no flo'. I ain't gonna sit by while y'all kill my boy. What y'all t'ink I am?'
'An old man, just like I'm getting to be. You can have something to eat or put your head down on the table and take a nap. But don't mix in it. You understand that? You mix in it, we gonna forget you're an old nigra don't nobody pay any mind to.'
The man in the raincoat came back through the door, a sawed-off over-and-under shotgun in his right hand.
'I'm burning up. The wind feels like it come off a desert,' he said, and took off his coat and wiped his face with a handkerchief. 'What was the old man talking about?'
'He thinks the stock market might take a slide.'
'Ask him if there's any stray pussy in the neighborhood.'
The man with whiskers on his chin leaned over and spit tobacco juice into the coffee can. He wiped his lips with his thumb.
'Bring his dog in here,' he said.
'What for?'
'Because a dog skulking and whimpering around the door might indicate somebody kicked it.'
'I hadn't thought about that. They always say you're a thinking man, Harpo.'
The man with the whiskers spit in the can again and looked hard at him.
The man who had worn the raincoat dragged the dog skittering through the door on its leash, then tried to haul it into the air. But the dog's back feet found purchase on the floor and its teeth tore into the man's hand.
'Oh, shit!' he yelled out, and pushed both his hands between his thighs.
'Get that damn dog under control, old man, or I'm gonna shoot both of you,' the man with whiskers said.
'Yes, suh. He ain't gonna be no trouble. I promise,' Mout' said.
'You all right?' the man with whiskers asked his friend.
His friend didn't answer. He opened an ice chest and found a bottle of wine and poured it on the wound. His hand was strung with blood, his fingers shaking as though numb with cold. He tied his handkerchief around the wound, pulling it tight with his teeth, and sat down in a wood chair facing the door, the shotgun across his knees.
'This better come out right,' he said.
MOUT' SAT IN THE corner, on the floor, his dog between his thighs. He could hear mullet splash out in the saw grass, the drone of a distant boat engine, dry thunder booming over the Gulf. He wanted it to rain, but he didn't know why. Maybe if it rained, no, stormed, with lightning all over the sky, Cool Breeze would take shelter and not try to come back that night. Or if it was thundering real bad, the two white men wouldn't hear Cool Breeze's outboard, hear him lifting the crab traps out of the aluminum bottom, hefting up the bucket loaded with catfish he'd unhooked from the trot line.
'I got to go to the bat'room,' he said.
But neither of the white men acknowledged him.
'I got to make water,' he said.
The man with whiskers stood up from his chair and straightened his back.
'Come on, old man,' he said, and let Mout' walk ahead of him out the back door.
'Maybe you a good man, suh. Maybe you just ain't giving yourself credit for being a good man,' Mout' said.
'Go ahead and piss.'
'I ain't never give no trouble to white people. Anybody round New Iberia tell you that. Same wit' my boy. He worked hard at the bowling alley. He had him a li'l sto'. He tried to stay out of trouble but wouldn't nobody let him.'
Then Mout' felt his caution, his lifetime of deference and obsequiousness and pretense slipping away from him. 'He had him a wife, her name was Ida, the sweetest black girl in Franklin, but a white man said she was gonna cook for him, just like that, or her husband was gonna go to the penitentiary. Then he took her out in the shed and made her get down on her knees and do what he want. She t'rowed up and begged him not to make her do it again, and every t'ree or fo' nights he walked her out in the shed and she tole herself it's gonna be over soon, he gonna get tired of me and then me and Cool Breeze gonna be left alone, and when he got finished wit' her and made her hate herself and hate my boy, too, another white man come along and give her presents and took her to his bed and tole her t'ings to tell Cool Breeze so he'd know he wasn't nothing but a nigger and a nigger's wife is a white man's jelly roll whenever he want it.'
'Shake it off and zip up your pants,' the man with whiskers said.
'You cain't get my boy fair. He'll cut yo' ass.'
'You better shut up, old man.'
'White trash wit' a gun and a big truck. Seen y'all all my life. Got to shove niggers round or you don't know who you are.'
The man with whiskers pushed Mout' toward the shack, surprised at the power and breadth of muscle in Mout's back.
'I might have underestimated you. Don't take that as good news,' he said.
MOUT' WOKE JUST BEFORE first light. The dog lay in his lap, its coat stiff with mud. The two white men sat in chairs facing the front door, their shoulders slightly rounded, their chins dropping to their chests. The man with the shotgun opened his eyes suddenly, as though waking from a dream.
'Wake up,' he said.
'What is it?'
'Nothing. That's the point. I don't want to drive out of here in sunlight.'
The man with whiskers rubbed the sleep out of his face.
'Bring the truck up,' he said.
