pilot cut the engine and let the airboat float into the lee of the island. Billy Holtzner sat next to him, a blue baseball cap on his head. He was smiling.
'You guys on the job?' he said.
'No. We're just fishing,' I said.
'Get out of here,' he said, still smiling.
'We fish this spot a lot, Billy. We're both off the clock,' Clete said.
'Oh,' Holtzner said, his smile dying.
'Everything copacetic?' Clete said.
'Sure,' Holtzner said. 'Want to come up and watch us shoot a couple of scenes?'
'We're heading back in a few minutes. Thanks just the same,' I said.
'Sure. My daughter's with me,' he said, as though there were a logical connection between her presence and his invitation. 'I mean, maybe we'll have a late-night dinner later.'
Neither Clete nor I responded. Holtzner touched the boat pilot on the arm, and the two of them roared back across the bay, their backdraft showering the water's surface with willow leaves.
'How do you read that?' I said.
'The guy's on his own, probably for the first time in his life. It must be rough to wake up one morning and realize you're a gutless shit who doesn't deserve his family,' Clete said, then bit into his sandwich.
THE NEXT DAY TWO uniformed city cops and I had to arrest a parolee from Alabama by the swimming pool at City Park. Even with cuffs on, he spit on one cop and kicked the other one in the groin. I pushed him against the side of the cruiser and tried to hold him until I could get the back door open, then the cop who had been spit on Maced him and sprayed me at the same time.
I spent the next ten minutes rinsing my face and hair in the lavatory inside the recreation building. When I came back outside, wiping the water off my neck with a paper towel, the parolee and the city cops were on their way to the jail and Adrien Glazier was standing by my pickup truck. Out on the drive, among the oak trees, I saw a dark blue waxed car with two men in suits and shades standing by it. Leaves were swirling in eddies around their car.
'The sheriff told us you were here. How's that stuff feel?' she said.
'Like somebody holding a match to your skin.'
'We just got a report from Interpol on the dwarf. He's enjoying himself on the Italian Riviera.'
'Glad to hear it,' I said.
'So maybe the shooter who did Ricky Scar left with him.'
'You believe that?' I asked.
'No. Take a walk with me.'
She didn't wait for a reply. She turned and began walking slowly through the trees toward the bayou and the picnic tables that were set under tin sheds by the waterside.
'What's going on, Ms. Glazier?' I said.
'Call me Adrien.' She rested her rump against a picnic table and folded her arms across her chest. 'Did Cisco Flynn confess his involvement in a homicide to you?'
'Excuse me?'
'The guy who got chucked out a hotel window in San Antonio? I understand his head hit a fire hydrant. Did Cisco come seeking absolution at your bait shop?'
'My memory's not as good as it used to be. Y'all have a tap on his phone or a bug in his house?'
'We're giving you a free pass on this one. That's because I acted like a pisspot for a while,' she said.
'It's because you know Harpo Scruggs was a federal snitch when he helped crucify Jack Flynn.'
'You should come work for us. I never have any real laughs these days.'
She walked off through the trees toward the two male agents who waited for her, her hips undulating slightly. I caught up with her.
'What have you got on the dwarfs partner?' I asked.
'Nothing. Watch your ass, Mr. Robicheaux,' she replied.
'Call me Dave.'
'Not a chance,' she said. Then she grinned and made a clicking goodbye sound in her jaw.
THAT NIGHT I WATCHED the ten o'clock news before going to bed. I looked disinterestedly at some footage about a State Police traffic check, taken outside Jeanerette, until I saw Clete Purcel on the screen, showing his license to a trooper, then being escorted to a cruiser.
Back in the stew pot, I thought, probably for violating the spirit of his restricted permit, which allowed him to drive only for business purposes.
But that was Clete, always in trouble, always out of sync with the rest of the world. I knew the trooper was doing his job and Clete had earned his night in the bag, but I had to pause and wonder at the illusionary cell glue that made us feel safe about the society we lived in.
Archer Terrebonne, who would murder in order to break unions, financed a movie about the travail and privation of plantation workers in the 1940s. The production company helped launder money from the sale of China white. The FBI protected sociopaths like Harpo Scruggs and let his victims pay the tab. Harpo Scruggs worked for the state of Louisiana and murdered prisoners in Angola. The vested interest of government and criminals and respectable people was often the same.
In my scrapbook I had an inscribed photograph that Clete had given me when we were both in uniform at NOPD. It had been taken by an Associated Press photographer at night on a Swift Boat in Vietnam, somewhere up the Mekong, in the middle of a firefight. Clete was behind a pair of twin fifties, wearing a steel pot and a flack vest with no shirt, his youthful face lighted by a flare, tracers floating away into the darkness like segmented neon.
I could almost hear him singing, 'I got a freaky old lady name of Cocaine Katie.'
I thought about calling the jail in Jeanerette, but I knew he would be back on the street in the morning, nothing learned, deeper in debt to a bondsman, trying to sweep the snakes and spiders back in their baskets with vodka and grapefruit juice.
He made me think of my father, Aldous, whom people in the oil field always called Big Al Robicheaux, as though it were one name. It took seven Lafayette cops in Anders Pool Room to put him in jail. The fight wrecked the pool room from one end to the other. They hit him with batons, broke chairs on his shoulders and back, and finally got his mother to talk him into submission so they didn't have to kill him.
But jails and poverty and baton-swinging cops never broke his spirit. It took my mother's infidelities to do that. The Amtrak still ran on the old Southern Pacific roadbed that had carried my mother out to Hollywood in 1946, made up of the same cars from the original Sunset Limited she had ridden in, perhaps with the same desert scenes painted on the walls. Sometimes when I would see the Amtrak crossing through winter fields of burned cane stubble, I would wonder what my mother felt when she stepped down on the platform at Union Station in Los Angeles, her pillbox hat slanted on her head, her purse clenched in her small hand. Did she believe the shining air and the orange trees and the blue outline of the San Gabriel Mountains had been created especially for her, to be discovered in exactly this moment, in a train station that echoed like a cathedral? Did she walk into the green roll of the Pacific and feel the water balloon her dress out from her thighs and fill her with a sexual pleasure that no man ever gave her?
What's the point?
Hitler and George Orwell already said it. History books are written by and about the Terrebonnes of this world, not jarheads up the Mekong or people who die in oil-well blowouts or illiterate Cajun women who believe the locomotive whistle on the Sunset Limited calls for them.
THIRTY-ONE
ADRIEN GLAZIER CALLED Monday morning from New Orleans.
'You remember a hooker by the name of Ruby Gravano?' she asked.
