or perhaps even airport closure. But by some miracle, Martin's jet received the only clearance that night and by half past five was Paris bound. In accordance with Gabriel's standing order, no photographs were snapped as Martin and his entourage deplaned at Le Bourget and filed into a waiting convoy of black S-Class Mercedes sedans. Three of the cars headed to the Hotel de Crillon, one to the graceful cream-colored apartment house on the Ile Saint-Louis.
For Gabriel Allon, standing in the window of the safe flat directly across the river Seine, the arrival of Martin Landesmann was a momentous occasion since it represented the first time he saw his quarry in the flesh. Martin emerged from the back of his car, a smart leather computer bag in one hand, and slipped unaccompanied through the entrance of the building. Martin the man of the people, thought Gabriel. Martin who was a few hours away from being an open book. Like nearly all his public appearances, it had been brief, though the impression it left was indelible. Even Gabriel could not help but feel a certain professional admiration for the completeness of Martin's cover.
Gabriel raised his night-vision binoculars to his eyes and surveyed the battlefield. Yaakov was in a Peugeot sedan parked along the river, Oded was in a Renault hatchback wedged into the narrow street at the side of Martin's building, and Mordecai was in a Ford van parked near the foot of the Pont Marie. All three would maintain a sleepless vigil for the duration of the evening, as would the three men in the black S-Class Mercedes parked outside 21 Quai de Bourbon. One was Henri Cassin, Martin's usual driver in Paris. The other two were officially licensed bodyguards employed by Zentrum Security. Just then, Gabriel heard a sharp crackle of static. Lowering his binoculars, he turned to Chiara, who was hunched over a laptop computer monitoring the live audio stream from Zoe's mobile phone.
'Is there a problem?'
Chiara shook her head. 'It just sounds like the train is passing through a tunnel.'
'Where is she?'
'Less than a kilometer north of the station.'
Gabriel turned toward the window again and raised his binoculars. Martin was now standing at the edge of his rooftop terrace, his gaze fixed on the river, his Nokia phone pressed to his ear. A few seconds later, Gabriel heard a two-note ring emanating from Chiara's computer, followed by Zoe's voice.
The connection went dead. Chiara looked up from the computer screen and said, 'She's good.'
'Yes, she is. But it's easy to lie on the telephone. Much harder when you're face-to-face.'
Gabriel returned to his post at the window. Martin was talking on his mobile phone again, but this time Gabriel could not hear the conversation.
'Is Zoe off the train yet?'
'She's stepping onto the platform right now.'
'Is she heading in the right direction?'
'At considerable speed.'
'Wise girl. Now let's hope she makes it to her car before anyone can steal her bag.'
IT HAD always been a mystery to Zoe why the London-to-Paris Eurostar, arguably the most glamorous rail link in the world, terminated in a dump like the Gare du Nord. It was an inhospitable place in the light of day, but at 10:17 on a cold winter's night it was positively appalling. Paper cups and food wrappers spilled from overflowing rubbish bins, dazed drug addicts wandered aimlessly about, and weary migrant workers dozed on their battered luggage waiting for trains to nowhere. Stepping outside into the darkness of the Place Napoleon III, Zoe was immediately set upon by no fewer than three panhandlers. Lowering her head, she slipped past without a word and climbed into a black sedan with the name REED in the window.
As the car lurched forward, Zoe felt her heart banging against the side of her rib cage. For an instant, she considered ordering the driver to take her back to the station. Then she peered out the window and saw the comforting sight of a motorcycle ridden by a single helmeted figure. Zoe recognized the shoes. They belonged to the lanky operative with blond hair and gray eyes who spoke with a Russian accent.
Zoe looked straight ahead and politely fended off the driver's attempt to engage in conversation. She didn't want to make small talk with a stranger. Not now. She had more important things on her mind. The two tasks that were the reason for her recruitment. The two tasks that would turn Martin's life into an open book. She rehearsed one final time, then closed her eyes and tried her best to forget. Gabriel had given her a series of simple exercises to perform. Tricks of memory. Tricks of the trade. Her assignment was made easier by the fact she didn't have to become someone else. She only had to turn back the hands of time a few days to the moment before she was summoned into Graham Seymour's car. She had to become Zoe before revelation. Zoe before truth. Zoe who was keeping a secret from her colleagues at the
And so it was this version of Zoe Reed who alighted from her car and bade good night to her driver. And this Zoe Reed who punched the code into the entry keypad from memory and stepped into the elegant lift.
NEWS OF Zoe's arrival flashed on the screens of the ops center at 9:45 p.m. London time. In contravention of long-standing regulations, Ari Shamron immediately ignited one of his foul-smelling Turkish cigarettes. Nothing to do now but wait. God, but he hated the waiting.
51
ILE SAINT-LOUIS, PARIS
He was dressed like the lower half of a gray scale: slate gray cashmere pullover, charcoal gray trousers, black suede loafers. Combined with his glossy silver hair and silver spectacles, the outfit gave him an air of Jesuitical seriousness. It was Martin as he wished to see himself, thought Zoe. Martin as freethinking Euro-intellectual. Martin unbound by notions of conventionality. Martin who was anyone but the son of a Zurich banker named Walter Landesmann. Zoe realized her thoughts were straying into unguarded territory.
'You seem distracted, Zoe.' He handed her a glass and raised his own a fraction of an inch. 'Cheers.'
Zoe touched her glass to Martin's and tried to compose herself. 'I'm sorry, Martin. Do forgive me. It's been a perfectly ghastly day.'