The Rembrandt Affair

'Yes,' said Gabriel distantly, 'I suppose it is.'

'Can I at least give you a ride back to your cottage?'

'No,' said Gabriel. 'I'll walk.'

He shouldered his rucksack and stood. Shamron remained seated, one final act of defiance.

'Learn from my mistakes, Gabriel. Take good care of your wife. And if you're fortunate enough to have children, take good care of them, too.'

'I will, Ari.'

Gabriel bent down and kissed Shamron's forehead, then started across the terrace.

'There's one more thing,' Shamron called out in Hebrew.

Gabriel stopped and turned around.

'Put that gun at the small of your back where it belongs.'

Gabriel smiled. 'It's already there.'

'I never saw a thing.'

'You never did, Abba.'

Gabriel left without another word. Shamron saw him one last time, as he made his way swiftly along the cliffs of Kynance Cove. Then Gabriel vanished into the fire of the setting sun and was gone.

AUTHOR'S NOTE

The Rembrandt Affair is a work of fiction. The names, characters, places, and incidents portrayed in the story are the product of the author's imagination or have been used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

The statistics regarding art theft cited in the novel are accurate, as are the accounts of the theft of Leonardo's Mona Lisa in 1911 and Corot's Le Chemin de Sevres in 1998. The Portrait of a Young Woman that appears in the pages of The Rembrandt Affair could never have been stolen, for it does not exist. If there was such a painting, it would look markedly like Portrait of Hendrickje Stoffels, oil on canvas, 101.9 by 83.7 centimeters, which hangs in Room 23 of the National Gallery in London.

There is no art gallery on the Herengracht called De Vries Fine Arts, though many dealers in Amsterdam and The Hague were all too happy to do a brisk trade with their German occupiers during the Second World War. The story of Lena Herzfeld and her family is fictitious, but, sadly, the details of the Holocaust in Holland cited during her 'testimony' are not. Of the 140,000 Jews who resided in the Netherlands at the time the roundups began, only 25,000 managed to find a place to hide. Of those, one-third were either betrayed or arrested, oftentimes by their own countrymen. The famous Hollandsche Schouwburg theater did in fact serve as a detention center, and there was indeed a creche across the street for young children. Several hundred young lives were saved due to the courage of the staff and the Dutch Resistance, one of the few bright spots on the otherwise bleak landscape of the Holocaust in the Netherlands.

The assistance given to fugitive Nazi war criminals by the Roman Catholic Church has been well documented. So, too, has the shameful wartime behavior of Switzerland's banks. Less well known, however, is the role played by Swiss high-technology firms in secretly supplying aspiring nuclear powers with the sophisticated equipment required to produce highly enriched uranium. In his authoritative book, Peddling Peril, proliferation expert David Albright describes how, in the 1990s, CIA operatives 'witnessed Swiss government officials helping suppliers send sensitive goods to Pakistan, making a mockery of the official Swiss policy to maintain strict export control laws.' Furthermore, Albright writes, 'the Swiss government demonstrated an unwillingness to take action to disrupt these activities or to work with the CIA.' Quite the opposite, in the summer of 2006, Swiss prosecutors threatened to bring criminal charges against several CIA officers involved in bringing down the global nuclear-smuggling network of A. Q. Khan. Only the intervention by officials at the highest levels of the American government convinced Bern to rethink its position.

While many Swiss firms have been willing proliferators—and no doubt remain so today—there is little disagreement among intelligence officials as to which Western European country has the most firms involved in the lucrative clandestine trade in nuclear materials. That dubious distinction belongs to Germany. Indeed, according to a very senior American intelligence official I spoke with while researching The Rembrandt Affair, much of the material required for Iran's secret nuclear program has been happily supplied by German high-tech firms. When I asked this official why German industrialists would be willing to sell such dangerous material to so unstable a regime, he gave me a somewhat puzzled look and responded with a single word: 'Greed.'

One would think that businessmen from Germany, the country that carried out the Holocaust, would have at least some qualms about doing business with a regime that has spoken openly about wiping the State of Israel from the face of the map. One would think, too, that Switzerland, the country that profited most from the Holocaust, would have similar reservations. But apparently not. If Iran succeeds in developing nuclear weapons, other countries in the region will surely want a nuclear capability of their own. Which means there is the potential for enormous future profits for firms willing to sell sensitive, export-restricted material to the highest bidder.

The intelligence services of three countries—the United States, Israel, and Great Britain—have worked the hardest to prevent such critical material from reaching Iran. The extent to which they have been successful is an open question. A senior American intelligence official with whom I spoke in the autumn of 2009 told me in no uncertain terms that Iran had other secret enrichment plants in addition to Qom—sites that could not have been constructed without at least some Western technology. And in March 2010, as I was completing this manuscript, the New York Times reported that Iran appears to be building at least two 'Qom look- alikes' in defiance of the United Nations. The story was based on interviews with intelligence officials who insisted on anonymity because the information they were disclosing was based in part on 'highly classified operations.' No mention was made of a long-lost portrait by Rembrandt, a corrupt Swiss financier known to all the world as a saint, or a man of medium build with gray temples often seen hiking alone along the sea cliffs of Cornwall.

ACKNOWLEDGMENTS

This novel, like the previous books in the Gabriel Allon series, could not have been written without the assistance of David Bull, who truly is among the finest art restorers in the world. Usually, David advises me on how to clean paintings. This time, however, he assisted me in devising a plausible method for hiding a secret inside one. The technique known as a blind canvas is rarely used by modern restorers, though it turned out to be perfect for the task at hand. Also, I will forever be indebted to the brilliant Patrick Matthiesen, who instructed me in the sometimes wicked ways of the art world and helped to inspire one of my favorite characters in the series. Rest assured Patrick has few things in common with Julian Isherwood other than his passion for art, his sense of humor, and his boundless generosity.

Several Israeli and American officials spoke to me on background, and I thank them now in anonymity, which is how they would prefer it. Roger and Laura Cressey tutored me on American anti-proliferation efforts and helped me to better understand the ways of Washington's sprawling national security structure. A very special thanks to M, who taught me how to 'own' a mobile phone or laptop computer. I don't think I will ever think of my smart phone in quite the same way, and neither should anyone else for that matter.

Anna Rubin, director of the New York State Banking Department's Holocaust Claims Processing Office, spoke with me about restitution issues and provenance searches. Peter Buijs taught me how to use the databases of the Jewish Historical Museum in Amsterdam while Sarah Feirabend of the Hollandsche Schouwburg memorial answered some final questions on the theater's terrible history. Sarah Bloomfield and Fred Zeidman, my colleagues at the United States Holocaust Memorial Museum in Washington, D.C., were a source of constant