thing to his buddies and made himself an extreme liability.

Bought himself the big blue kiss.

On the other hand, accidents happened…

Bowie Ingalls: man versus tree.

Pierce Schwinn: man versus rock.

Luke Chapman: man versus water.

What was left, fire? Suddenly Milo's head filled with images of Caroline Cossack and Wilbur Burns roasted alive. Bodies charred beyond recognition, the perfect obliteration of the past.

The King's Men. A nasty bunch of spoiled, rich party animals cleaning up after themselves and earning a nice, cushy twenty years.

More than cushy: Ferraris and chauffeurs, cribs in Holmby, dabbles in the film biz, private dinners with politicos and power brokers.

They'd gotten away with it.

These King's Men would've jumped at the chance to stomp Humpty Dumpty's skull.

The Cossack brothers, Specs Larner, Coury. And the smart one- Nicholas Dale Hansen. What was he about?

He looked the guy up in the property files. Nothing. What did that mean, he was leasing the house on North Roxbury?

He found himself a quiet corner in the basement of the building, hidden between stacks of old plot maps, made sure no one was around and took the risk of an NCIC call using the ID of a West Valley D-I named Korn- a punk he'd supervised two years ago, low on initiative, high on attitude.

Wasted risk: Nicholas Dale Hansen had no criminal history.

The only thing left to do was go home and play with his laptop. Or take a shortcut and ask Alex to do it- his friend, initially a computer Luddite, resistant to the whole notion of the Internet, had become quite the web-surfing whiz.

He began the two-block walk to the city lot where he'd left the Taurus. Melting in with the afternoon pedestrian throng, dialing up his cell phone like every other lemming on the street. Probably giving himself ear cancer or something, but those were the breaks. Faking normal felt good.

Alex picked up on the first ring, and Milo thought he sounded disappointed. Waiting for a call from Robin? What was up with that?

Milo asked him about running a search on Nicholas Hansen, and Alex said, 'Funny you should ask.'

'Oh yeah, I forgot,' said Milo. 'I'm dealing with Nostradamus.'

'No, just a guy with spare time,' said Alex. 'Hansen wasn't hard to find, at all. Guess what he does for a living?'

'He looked kinda corporate in high school, so some hoo-hah financial thing with a bad smell to it?'

'He's an artist. A painter. Quite a good one, if the images posted by the New York gallery that handles him are accurate.'

'An artist and he leases in Beverly Hills and drives a big Beemer?'

'A successful artist,' said Alex. 'His prices range from ten to thirty thousand a canvas.'

'And what, he churns them out?'

'Doesn't look like it. I phoned the gallery pretending to be an interested collector, and he's sold out. They described his style as postmodern old masters. Hansen mixes his own pigments, makes his own frames and brushes, lays down layer after layer of paint and glaze. It's a time-consuming process and the owner said Hansen finishes four, five pictures a year. She implied she'd love to have more.'

'Four, five a year at his top fee means 150, max,' said Milo. 'A year's lease on a house in the flats could be more than that by itself.'

'Plus galleries usually take around thirty percent,' said Alex, 'so, no, it doesn't add up.' He paused. 'I hope you don't mind, but I drove by his house. It's a nice one- big old Spanish thing that hasn't been made over. The BMW's in the driveway. Freshly polished. Dark green, almost the exact shade as my Seville.'

Milo laughed. 'Do I mind? Would it make a difference? No, it's fine unless you knocked on the door and accused the bastard of murder. Which, I'd love to do. Because, guess what, the plot curdles.'

He told Alex about Luke Chapman's drowning death.

'Another accident,' said Alex. 'Normally, I'd say 'ah,' but you've been crankier than usual.'

'Say it. I'll give you Novocaine before I start drilling.'

Alex let out an obligatory chuckle. 'I also got a brief look at Hansen. Or someone who's living at the same address. While I was driving by, a man came out the front door, went to the BMW, and removed a sheet of wood from the trunk. Nicholas Hansen paints on mahogany.'

'An artist,' said Milo, 'with independent income. Ambling out to his driveway in comfy clothes, doing whatever the hell he pleases. Life's sure fair, ain't it?'

There were things Milo wanted to do after dark, so he thanked Alex, told him to stay out of trouble, he'd call in the morning.

'Anything else I can do for you, big guy?'

Milo quashed the impulse to say, 'Stay out of trouble.' 'No, not right now.'

'Okay,' said Alex. He sounded disappointed. Milo wanted to ask about Robin, but he didn't.

Instead, he hung up, thinking about Janie Ingalls and how some lives are so short, so brutish that it was a wonder God bothered.

He slogged through yet another rush-hour mess from downtown, wondering what to do with Rick and deciding that a nice hotel for a few days was the best solution. Rick would be profoundly unhappy, but he wouldn't scream. Rick never screamed, just tucked himself in psychologically and grew quiet and unreachable.

It wouldn't be fun, but in the end Rick would agree. All these years together, and they'd both learned to pick their battles.

He made it home by five o'clock.

Midway up his block, he stopped.

Something white was stationed in his driveway.

The Porsche.

He looked around, saw no strange cars on the block, gunned the Taurus, and swung it behind the pearly 928. From what he could tell the car was intact- no joyriding wounds or missing parts. More than intact- shiny and clean, as if it had been freshly washed. Rick kept it spotless, but Milo couldn't remember when he'd last scrubbed it down… last weekend. For most of the week, Rick had garaged the car, but the last two days he'd left it out to be ready when he hit the ER early. Two days' dirt would have shown itself easily on the white paint.

Someone had detailed the damn thing.

He surveyed the block, put his hand on his gun, got out cautiously, walked over to the Porsche and touched the car's convex flank.

Glossy. Washed and waxed.

A peek through the window added freshly vacuumed to the picture; he could see the tracks in the carpet.

Even the steering wheel lock had been put back. Then he saw something on the driver's seat.

A brown paper bag.

He gave the block another up-and-down, then kneeled down and examined the Porsche's underside. No ticking toys or tracers. Popping the trunk revealed an intact rear engine. He'd worked on the car himself, had rust-proofed the belly for all those cold-weather trips that had never materialized. He knew the Porsche's guts well. Nothing new.

He unlocked the driver's door, took a closer look at the bag. The paper mouth was open, and the content was visible.

A blue binder. Not shiny leather like Alex's little gift. Your basic blue cloth.

The same kind of binder the department used to employ before the switch to plastic.

He took hold of the top of the bag with his fingertips and carried it inside the house. Sat down in the living room, heart racing, hands icy, because he knew exactly what would be inside. Knew also that despite the certainty,

Вы читаете The Murder Book
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