When we reached Hansen's property, he scowled and peered through a window of the BMW. 'Clean. Meticulous.' As he stepped up to the door and stabbed the bell, he looked ready to tear something apart.
Nicholas Hansen answered wearing faded black sweats, white Nikes, and a distracted look. Brown and red paint stains on his fingers were the only clues to his occupation. He was tall and spare with an oddly fleshy face, looked closer to fifty than forty. Soft neck, basset eyes the color of river silt, grayish mouth stitched with wrinkles, a bald, blue-veined scalp ringed by a beige buzz. A middle-aged crisis stoop rounded his shoulders. I'd have guessed a burnt-out lawyer taking a day off.
Milo flashed the badge, and Hansen's muddy eyes came alive. But his voice was low and mumbly. 'Police? About what?'
I was standing behind Milo, but not so far that I couldn't smell the alcohol breeze Hansen had let forth.
Milo said, 'High school.' His voice was rough, and he didn't use Hansen's name, hadn't even offered a cop's patronizing 'sir.'
'High school?' Hansen blinked, and the paint-stained fingers of one hand capped his bald head, as if he'd been afflicted by a sudden migraine.
'The King's Men,' said Milo.
Hansen dropped the hand and rubbed his fingers together, dislodging a fleck of paint, inspecting his nails. 'I really don't understand- I'm working.'
Milo said, 'This is important.' He'd kept the badge in Hansen's face, and the artist took a step backward.
'The King's Men?' said Hansen. 'That was a very long time ago.'
Milo filled the space Hansen had vacated. 'Those who forget the past are condemned to repeat it, and all that.'
Hansen's hand floundered some more, ended up on the doorjamb. He shook his head. 'You've lost me, gentlemen.' His breath was ninety proof, and his nose was a relief map of busted capillaries.
'Be happy to clarify,' said Milo. He flicked his wrist, and sunlight bounced off the badge. 'I assume you don't want to talk out here in full view.'
Hansen shrank back some more. Milo was only an inch or so taller than Hansen, but he did something with his posture that increased the gap.
'I'm a painter, I'm in the middle of a painting,' Hansen insisted.
'I'm in the middle of a homicide investigation.'
Hansen's mouth slackened, revealing uneven, yellowed teeth. He shut his mouth quickly, looked at his watch, then over his shoulder.
'I'm a big art fan,' said Milo. 'Especially German Expressionism- all that anxiety.'
Hansen stared at him, stepped back farther. Milo remained in the dance, positioned himself inches from Hansen's worried eyes.
Hansen said, 'I hope this doesn't take long.'
The house was cool and dim, saturated with the geriatric reek of camphor. The chipped terra-cotta tiles of the entry hall floor continued up the steps of a narrow, brass-railed staircase. Thirteen-foot ceilings were crossed by carved oak beams. The wood was wormholed and aged nearly black. The walls were hand-troweled plaster two shades deeper than the external vanilla and dotted with empty niches. Smallish leaded windows, some with stained-glass insets picturing New Testament scenes, constricted the light. The colored panes projected rainbow dust beams. The furniture was heavy and dark and clumsy. No art on the walls. The place felt like some ill-attended church.
Nicholas Hansen motioned us to a sagging, fringed sofa upholstered in a scratchy tapestry fabric, sat down facing us in a bruised leather chair, and folded his hands in his lap.
'I really can't imagine what this could be about.'
'Let's start with the King's Men,' said Milo. 'You do remember them.'
Hansen gave his watch another glance. Cheap digital thing with a black plastic band.
'Busy day?' said Milo.
Hansen said, 'I may have to interrupt if my mother wakes up. She's dying of colon cancer, and the day nurse took the afternoon off.'
'Sorry,' said Milo, with as little sympathy as I'd ever heard him offer.
'She's eighty-seven,' said Hansen. 'Had me when she was forty-five. I always wondered how long I'd have her.' He plucked at a cuff of his sweatshirt. 'Yes, I remember the King's Men. Why would you connect me to them after all these years?'
'Your name came up in the course of our investigation.'
Hansen showed yellow teeth again. His eyes creased in concentration. 'My name came up in a murder investigation?'
'A very nasty murder.'
'Something recent?'
Milo crossed his legs. 'This will go more quickly if I ask the questions.'
Another man might've bristled. Hansen sat in place, like an obedient child. 'Yes, of course. I'm just- the King's Men was just a stupid high school thing.' Slight slur in his voice. His eyes shot to the ceiling beams. A pliable man. The addition of booze made Milo 's job easier.
Milo pulled out his notepad. When he clicked his pen open, Hansen was startled but he remained in place.
'Let's start with the basics: You were a member of the King's Men.'
'I'd really like to know how you… never mind, let's do this quickly,' said Hansen. 'Yes I was a member. For my last two years at Uni. I arrived as a junior. My father was an executive with Standard Oil, we moved around a lot, had lived on the East Coast. During my junior year, Father was transferred to L.A., and we ended up renting a house in Westwood. I was pretty disoriented. It's a disorienting time, anyway, right? I guess I was irritated at my parents for uprooting me. I'd always been obedient- an only child, overly adult. I guess when I got to Uni I figured I'd rebel, and the King's Men seemed a good way to do it.'
'Why?'
'Because they were a bunch of goof-offs,' said Hansen. 'Rich kids who did nothing but drink and dope. They got the school to recognize them as a legitimate service club because one of their fathers owned real estate and he let the school use his empty lots for fund-raisers- car washes, bake sales, that kind of thing. But the Men weren't about service, just partying.'
'A dad with real estate,' said Milo. 'Vance Coury.'
'Yes, Vance's father.'
Hansen's voice rose at the word 'father,' and Milo waited for him to say more. When Hansen didn't, he said, 'When's the last time you saw Vance Coury?'
'High school graduation,' said Hansen. 'I haven't been in touch with any of them. That's why this whole thing is rather odd.'
Another glance upward. Hansen had never boned up on the body language of deception.
'You haven't seen any of them since graduation?' said Milo. 'Not once?'
'By the time we graduated, I was moving in another direction. They were all staying here, and I'd been accepted at Columbia. My father wanted me to go to business school, but I finally accomplished a genuine rebellion and majored in anthropology. What I was really interested in was art, but that would've caused too much tumult. As is, Father was far from amused, but Mother was supportive.'
A third look at his watch, then a glance toward the stairs. Only child hoping for maternal reprieve.
Milo said, 'You didn't really answer the question. Have you seen any of the other King's Men since graduation?'
Hansen's muddy irises took yet another journey upward, and his mouth began to tremble. He tried to cover it with a smile. Crossed his legs, as if imitating Milo. The result was contortive, not casual.
'I never saw Vance or the Cossacks or Brad Larner. But there was another boy, Luke Chapman- though we're talking twenty years ago, for God's sake. Luke was… what is it you want to know, exactly?'
Milo's jaw tightened. His voice turned gentle and ominous. 'Luke was what?'
Hansen didn't answer.
Milo said, 'You do know he's dead.'
Hansen nodded. 'Very sad.'
