'I'll see you. Vie.'
'Take care, Abby.'
She ended the call. There was no chance he could have made it home that fast, and besides, she had detected no hesitation or fear when she asked about local drownings. He was in the clear.
That left one other suspect, one who was considerably more obvious than Vie Wyatt.
Abby went inside the building and rode the elevator to the fourth floor.
Once inside her apartment, she slipped onto the fire escape, then crept close to Hickle's bedroom window.
The window was open. From his living room she heard the babble of his TV. Kris Barwood's voice. She checked her watch-10:40. The late local news on Channel Eight was still in progress.
She leaned over the railing of the fire escape and peered into the living room window two yards away.
The Venetian blind was open, and she could see Hickle clearly, seated on the couch, bare-chested, wearing a pair of ragged shorts, watching the TV in rapt concentration.
He looked as if he had not moved in nearly an hour. Quite possibly he hadn't. When the news came on, it became the only thing in his world.
Abby retreated inside her apartment and considered the situation.
Wyatt was cleared. And she didn't think the assailant had been Hickle either.
Then who was it?
Random craziness, she decided, once again replaying Wyatt's comments on the subject. This was Hollywood.
Plenty of nuts out there.
She had gotten careless and one of them had tried to take advantage.
Maybe meant to kill her and steal her purse. When she fought back, he got scared and ran off. End of story.
The explanation didn't entirely satisfy her. She wasn't a big believer in coincidences. But Wyatt and Hickle were off the hook, and there was no one else to suspect.
Was there?
It was past midnight when Howard Barwood climbed the stairs to the bedroom. He'd been out later than expected. Kris was already home. He found her stretched on the bed in her nightgown and slippers.
Her hair had fanned over the pillows, framing her face in a fringe of gold.
'Well, well,' she whispered, her voice flat, 'you're finally back. Out for another drive?'
He nodded, not looking at her.
'Still breaking in the new Lexus. I took it all the way up to Santa Barbara and back.'
'Quite a trip.'
'Uh-huh.' He didn't want to talk about this. He crossed to the window and peered out at the moonlit surf pounding the beach.
'Look at those breakers.'
'I'm too tired to look.' Kris sighed.
'You, on the other hand, don't seem tired at all.'
'Why should I be?'
'All that driving would wear anyone out.'
'It gets me energized.' He wished he could change the subject.
She made a noncommittal sound.
'You do seem a little… agitated.'
'Agitated?' He wanted to sound casual, but the word came out raw and tense.
'Yes, I'd say so. Restless, jumpy, on edge. You didn't get in an accident, did you?'
'Of course not. Why would you even ask a question like that?'
'You strike me as kind of worked up, that's all.'
'I'm fine. I like driving the new car. It's a kick.
Maybe it takes me a little while to come down off the adrenaline high.'
He wondered if she could hear the lie in his voice.
Kris was silent for a moment. Then she whispered, 'I guess anything is better than spending time here at the house-or with me.'
He turned away from the window.
'What are you talking about?'
'Lately you've been keeping your distance.'
'That's ridiculous. I went with you to work yesterday, if you recall.
I was at the studio. I was there all night.'
'You were there. But you spent most of your time with Amanda.' Amanda Gilbert was the executive producer of the six o'clock edition of Real News.
'You two were inseparable, at least until she went home at seven-thirty.'
In the stretch of stillness that followed, the roar of the surf was plainly audible even through the double pane windows.
There were many things for Howard to say, but none seemed quite right.
He settled on irony.
'Paranoia's not a good look for you, Kris,.'
'It's not paranoia. I saw how you acted around her.
And earlier that afternoon…'
'Yes?'
She averted her gaze.
'Never mind.'
He took a step toward the bed, then stopped. Distantly it occurred to him how absurd it was for a man to hesitate about approaching his own wife in their bedroom.
'Come on,' he said quietly.
'Let's hear it.
What mortal sin did I commit yesterday afternoon?'
'That woman Travis hired-she's about Amanda's age.' The smile that flickered on Kris's face was one she never used in public. A sad, bitter smile.
'Why is it always the young ones you can't take your eyes off?
What's so special about youth anyway? Does a woman fall apart at forty the way a car does when it hits a hundred thousand miles? Or is it just that you always need this year's model even when the one you've got is still running fine?'
'I couldn't care less about Abby Sinclair.'
'No? You were so vocal in your concern for her safety.' Her voice slipped into a lower register.
'Are you sure you won't get hurt? Aren't you taking an awful risk, you poor, brave thing?'
'I think her safety is a legitimate concern. Of course, I realize that in the larger picture it's only your safety that counts. The slightest threat to you is a national emergency-'
'The slightest threat?' She sat up straight, her hair falling around her shoulders.
'Is that what you think Raymond Hickle represents, a slight threat?'
He wouldn't back down.
'Under the circumstances…'
'You mean the circumstances of being stalked and harassed and terrorized night and day?'
'I mean the circumstances of being surrounded by armed bodyguards night and day.'
'Devin Corbal was surrounded by armed bodyguards when his stalker shot him.'
Howard spread his hands.
'Well, if you don't trust Travis to protect you-'
'This isn't about Travis.'
'So what the hell is it about?'
Abruptly she let her head fall back on the pillow.
