Narrator: “Darcy moved the band to New York City, so he could be with his sister Georgiana. Soon the band had dates playing local clubs.”
“It was then that they were discovered by De Bourgh Records.”
Anne de Bourgh, A&R, De Bourgh Records: “I remember seeing them and knowing, right away, that this was a serious group and that they were going right o the top. These guys weren’t just fooling around. They were professionals.”
Narrator: “Their self-titled debut album was released in October of 2006, after several grueling months in the studio.”
Richard Fitzwilliam (remembering): “That was a really tough time, because Will wanted to go one way, and George wanted to go another way. And those ways were not the same. The album took much longer than it should have because George and Will could not agree on anything. That was when I started to realize we had trouble.”
Narrator: “The trouble did not stop once the album was released.”
John Willis,
Narrator: “Slurry had one moderate hit off their first album that made it to thirty-seven on the top forty, but it was becoming clear to Darcy the band had reached its limit, and he started to feel frustrated.”
Fitzwilliam Darcy: “I wanted to be doing more, but it was like we could just never come together. I had all these ideas, and I could hear, in my head, what I wanted. But we just couldn’t do it. It was a very difficult time.”
Narrator: “The band went on tour in late fall of 2006, leaving the comfort zone of their fan following in New York City to introduce themselves to new audiences. With every concert, the tension between Darcy and Wickham grew.”
Richard Fitzwilliam (angry, frowning): “That was the tour from hell. It was a
Narrator: “The tension had reached the breaking point when the band played the Ramsgate Festival on the Fourth of July weekend. While no one was willing to say exactly what happened”—
Fitzwilliam Darcy (icily): “We had artistic differences that prevented us from being able to continue to work together.”
George Wickham: “What did Darcy say?”
Narrator: “Darcy and Fitzwilliam returned to New York City following Ramsgate, while Wickham fled to Florida. For a while the future of the band seemed to be in question.”
Richard Fitzwilliam: “I thought we were done. Darcy was so angry and disgusted; I really thought we were just done.”
Narrator: “Then an old friend entered the picture. In September, Charles Bingley joined Darcy in New York City for a visit. Bingley was surprised to learn about the band’s existence, but he quickly auditioned for the role as lead singer.”
Fitzwilliam Darcy: “I knew Charles could sing, but I never realized he was so talented. What’s more, he could understand what I was trying to do and add to it. It was when Charles joined us that everything came together. I felt I was finally able to express what I wanted to artistically.”
Richard Fitzwilliam: “Oh, Bingley came in and just like that”—
Charles Bingley: “It was like love at first sight, you know?”
Narrator: “Charles Bingley was the missing piece that the band needed. Like a phoenix, Slurry was reborn —a completely new band, and its potential was seemingly limitless.”
Anne de Bourgh: “As soon as I heard Charles singing with the band, I knew that this was what I had been waiting for. They were electric. They were on fire. It was like holding a lump of plutonium in your hand. You could feel the energy there, ready to be released. We threw out all the old material and sent them right into the studio.”
Narrator: “That proved to be a wise decision. In the studio Darcy took over writing all the songs, a task he had unsuccessfully shared with Wickham in the past. The result was a collection of twelve songs, recorded in a blistering five weeks. The CD was titled
Charles Bingley (smiling): “Yup. Right away we had a hit, and you know that felt great!”
Narrator: “‘Searching in the Dark,’ Darcy’s brooding song about uncertainly and self-direction, was the first single from the CD. It peaked at number one.”
John Willis: “It is amazing when you listen to
Narrator: “Slurry’s success came hard and fast. Three more number one hits followed, and the band supported the album with nine months of touring.
“But Charles Bingley brought more that his powerful vocals to Slurry; he also brought his twin sister, Caroline, who became the band’s tour manager.”
Caroline Bingley, tour manager: “Charles called me up and said, ‘Come out to New York; I need you.’ So I did and off we went.”
Narrator: “Caroline proved to be a quick study, taking the reins of the tour and leaving Darcy free to focus on his music. Another album,
“By the beginning of 2009 Slurry looked unstoppable. Their albums had sold over ten million copies, and their tour was selling out larger and larger venues. But trouble was just around the corner.”
Richard Fitzwilliam: “We were having a blast. We were rock stars, and we were everywhere. Everything was going our way. We were on TV, we were on the radio. Everyplace we went, there were girls screaming at us. It was a trip, and I was going to enjoy that party.”
Narrator: “But the party soon got out of control. Richard Fitzwilliam had always been a casual drug user, but while on tour he developed an addiction to alcohol.”
“Darcy and Bingley were only starting to become aware of the problem when, on January 28 of 2009, Fitzwilliam was arrested for DWI.”
Caroline Bingley: “I had my suspicions that something was up with Richard, but he never got ugly. Yes, he