Harbour

made their move too early. He has nothing they can confiscate, and he is perfectly happy to explain why he is spending the night here-he has brought his fowling piece with him for appearance's sake. He is quite happy to open the door.

No one is there. There is not a soul in sight, and only his own fishing boat is moored by the jetty. However, to be on the safe side he picks up the money he is going to use to pay for the contraband and takes a walk around the island with the gun in his hand. He manages to frighten a couple of eider ducks out of a clump of reeds, but nothing else.

As dawn breaks he sets off for the meeting place. After a few nautical miles he catches sight of the cargo ship at anchor just beyond the limit.

Then he hears an explosion.

At first he thinks it might be his own compression ignition engine, but he realises that the resonance of the explosion is too deep, that it has come from outside his boat. He picks up the telescope and looks over at the cargo boat he is to meet.

Something has happened to it. At first he can't make out what it is, but as he gets closer he can see that it is listing and beginning to sink. By the time he reaches it there is no longer anything to reach. He scans the surface of the sea with the telescope, but there is nothing to be seen.

'Four men and at least a thousand litres of schnapps went down that day,' his grandmother's father told her later. 'That was what it wanted to tell me, whatever was banging on the door. That something bad was coming.'

Anders' grandmother had retold the story using exactly the same words, and ever since it had been an expression that came into his mind from time to time when he wanted to describe something. It came to him now, as he examined the door and found not a trace of whoever had been hammering on it.

Something had is coming.

He looked up at the pine trees, their swaying tops invisible in the darkness outside the circle of light from the outdoor lamp. A loose piece of metal on the woodshed banged once, as if to underline the point.

Something had is coming.

It was impossible to go back to sleep. Anders lit the kitchen stove, then sat at the kitchen table staring at the wall. His head felt as if it were full of lukewarm porridge, enclosed in a perverse membrane of clarity. He was able to think clearly, but not deeply.

The wind was howling around the walls, and Anders shivered. He suddenly felt exposed. Like an unwanted child left out in the forest.

Exposed. His fragile little house stood alone, exposed on the point. The deep sea was forcing its way upward, reaching out its arms. The wind was curling itself around the house, flexing its muscles and trying to find a way in.

Something had is coming. It's after me.

What 'it' was, he had no idea. Just that it was big and strong, and it was after him. That his fortifications were inadequate.

The old wine tasted like rotten fruit in his mouth; he drank half a litre of water straight from the tap to rinse away the taste. The water wasn't much better. Salt water had probably got into the well-the tap water had a thick, metallic taste. Anders rinsed his face and dried it with a tea towel.

Without thinking about it, he went into the bedroom and fetched the bucket of plastic beads, then sat down at the kitchen table and started picking them out, pushing them together. First of all he made a heart in red. Then a blue heart outside the red one. Then a yellow one, and so on. Like a Russian doll, the hearts surrounding one another. When he got to the edge he got up and put some more wood in the stove.

The beads he had taken to make his heart design hadn't made any noticeable difference to the level in the bucket. He had plenty of beads and plenty of tiles. He would really have liked a bigger tile. So that he could make an entire picture.

If you stick them together…

He dug a hacksaw out of his toolbox and set to work. When he had sawn the edges off nine tiles, he smoothed them down with sandpaper to make an even surface for the glue to stick to. The work took up all of his attention and he didn't even notice as the dawn came creeping across the sea.

Only when all the edges were smooth and he got up to look for the unopened tube of araldite that he knew should be somewhere did he glance out of the window and realise that the morning sun had leached the brightness from the beam of the North Point lighthouse.

Morning. Coffee.

He washed away the worst of the lime scale from the pot and poured water into the coffee machine. In the larder there was an open packet of coffee, which had doubtless lost all its flavour. He compensated by using twice as much as usual, and switched on the machine.

He found the glue and spent another half-hour smoothing down any slight imperfections and sticking the tiles together. The morning sun was slanting in through the kitchen window as he stood back to admire his work.

Nine tiles with room for four hundred beads on each one, all stuck together. A white, knobbly surface just waiting for three thousand six hundred coloured dots. Anders nodded. He was pleased with himself. He could get going now.

But what shall I make?

As he smoked a cigarette and sipped at the warm liquid, which did indeed taste more like the ghost of a cup of coffee, he contemplated the white surface and tried to come up with a picture that he would create there.

One of Strindberg's wild sea paintings in beads. Yes. But there probably weren't enough nuances for that. Something more naive, like a child's picture. Cows and horses, a house with a chimney. No, that was no challenge.

A child's picture…

He glowered at the lighthouse on North Point and searched his memory. Then he pushed away his coffee cup and started rummaging in drawers. He hadn't a clue what had become of the camera.

He found it in the junk drawer, where everything that might just be worth keeping ended up. The counter showed that twelve pictures had been taken. He used the point of a pencil to push in the rewind button, and the motor began to turn, slowly and with much complaining. The batteries were more or less dead. There was a click and the motor speeded up: nothing more to rewind. Anders removed the roll of film and sat down at the kitchen table again.

He closed his hand around the small metal cylinder; it felt cool after lying in the drawer. They were in there. The last pictures of a family. He warmed it in his hand, warmed the tiny people on the ice who would soon be struck by something dreadful.

He took the roll of film between his thumb and index finger, studying it as if he might be able to see something of what was inside. An impulse told him to leave it alone, to let that family stay in there, forever unaware of what was to come. Not to let it out to trample in the sludge that life had become. To let that family stay in its little time capsule.

Someone hates us

With the morning's first cup of coffee by his side, Simon was sitting at the kitchen table staring down into the half-open matchbox. The black larva lay there motionless, but Simon knew it was alive.

He sat with his lips clamped firmly together, gathering saliva in his mouth. When he had enough he allowed it to trickle out between his lips and down into the box. The larva moved slightly when the spit landed on its shiny skin, as if it were sleepy; Simon watched as the saliva was slowly absorbed and disappeared.

It was a morning ritual that was every bit as necessary as going for a pee and having a cup of coffee, he had come to realise.

A week or so after Spiritus came into his care, he had left the box in the kitchen drawer one morning without spitting into it, and taken the boat over to the mainland to do some shopping. As he set off in the boat he already had the taste in his mouth. It grew stronger during the crossing. The taste of old wood, of rancid nuts, expanded