Eleonor screamed.
By the time Pere could come to her aid, she was a flaming torch. He called the rest of the servants, and pulled down a tapestry to smother the flames. Joan pushed him aside, but other slaves were already rushing in, wild- eyed.
Someone shouted for water.
Joan looked at Eleonor, who was on her knees enveloped in flames.
“Forgive me, Lord,” he muttered.
He seized another lamp and went up to Eleonor. The hem of his habit also caught fire.
“Repent!” he shouted, before he too was engulfed in flames.
He emptied the second lamp on Eleonor and fell to the floor beside her.
The rug they were on started to burn fiercely. Then the flames began to lick at the furniture in the room.
By the time the slaves appeared with water, all they could do was throw it in from the doorway. Then, overcome by the dense smoke, they covered their faces and ran.
60
SEVENTEEN YEARS had gone by.
In the square outside Santa Maria, Arnau raised his eyes to the sky. The pealing of the bells filled the whole city of Barcelona. The sound made the hairs on his forearms stand on end, and he shuddered as the four church bells chimed. He had stood and watched as the four of them were raised to the bell tower: Assumpta, the largest, weighing almost a ton; Conventual, more than half a ton; Andrea, half that again; and Vedada, the smallest, hauled to the very top of the tower.
Today Santa Maria, his church, was being inaugurated, and the bells seemed to give off a different sound from the one he had heard since they had been installed... or was it he who was hearing them differently? He looked up at the octagonal towers flanking the main facade: they were tall, slender, and light, built in three levels, each one narrower than the one below. They had tall arched windows open to the winds, with balustrades round the outside, and were topped by flat roofs. While they were being built, Arnau had been assured they would be simple, natural, with no spires or capitals—as natural as the sea, whose patron saint they were there to protect— and yet at the same time imposing and full of fantasy, as the sea also was.
People dressed in their finest were congregating at Santa Maria. Some went straight into the church; others, like Arnau, stayed outside to admire its beauty and listen to its bells’ music. Arnau drew Mar to him. He was holding her on his right-hand side; to his left, tall, sharing his father’s joy, stood a youth of thirteen, with a birthmark by his right eye.
Surrounded by his family, and with the bells still ringing, Arnau went into Santa Maria de la Mar. The others entering the church stopped to allow him through. This was Arnau Estanyol’s church. As a
“I need money,” he had said to Guillem on that occasion.
“It is yours,” replied the Moor, well aware of the disaster and of the fact that a member of the commission of works for Santa Maria had visited him that same morning.
The fact was, fortune had smiled on them once more. On Guillem’s advice, Arnau had dedicated himself to maritime insurance. Unlike Genoa, Venice, or Pisa, Catalonia had no such provision, which made it a paradise for the first people to venture into this area of commerce. However, it was only the wise few like Arnau and Guillem who managed to survive. The Catalan financial system was on the verge of collapse, and threatened to take with it all those who had hoped to make quick profits either by insuring a cargo for more than its worth, which was often the last they heard of it, or by offering insurance on ships and goods even after it was known they had been seized by pirates, in the hope that the news was false. But Arnau and Guillem chose their ships and the risk involved carefully, and soon they had the same vast network of agents working for them in their new business as they had used in times gone by.
On the twenty-sixth of December of 1379, Arnau could no longer ask Guillem if he might use some of their money for Santa Maria. The Moor had died suddenly a year earlier. Arnau had found him sitting in his chair out in the garden, as usual facing Mecca, to where, in what was an open secret, he always prayed. Arnau informed the members of the Moorish community, and they took Guillem’s body away under cover of night.
That night in December 1379, Santa Maria had been ravaged by a terrible fire. It reduced the sacristy, choir, organs, altars, and everything else in the interior not made of stone to a pile of ashes. The stonework too suffered the effects of the fire, and the keystone depicting King Alfonso the Benign, father of Pedro the Ceremonious (who had paid for this part of the work), was completely destroyed.
The king flew into a rage at the destruction of this homage to his august forebear, and demanded the effigy be re-created. The La Ribera neighborhood had too much to worry about to pay much heed to the monarch’s demands. All their money and effort went into a new sacristy, choir, organs, and altars; the equestrian figure of King Alfonso was cleverly reconstructed in plaster, stuck onto the stone, and painted red and gold.
On the third of November 1383, the last keystone above the central nave, the one closest to the main door, was put in place. On the end was sculpted the coat of arms of the commission of works, in honor of all the anonymous citizens who had contributed to the construction of the church.
Arnau glanced up at the keystone. Mar and Bernat did the same, and then, wreathed in smiles, the three of them made their way to the high altar.
From the moment the heavy keystone had been lifted onto its scaffold, waiting for the columns of the arches to reach up to it, Arnau had repeated the same thing over and over: “That is our emblem,” he told his son.
“Father,” Bernat retorted, “that’s the people of Barcelona’s emblem. Important people like you have their coats of arms engraved on the arches, the columns, in the chapels and in ...” Arnau raised his hand to try to stem the
