Now, visiting Mrs Frolley again to ask ‘Which university?’ — Mrs Frolley was a closed book. ‘I’m sorry, I don’t know.’ Becoming quickly flustered. ‘I think I’ve said more than I should in any case… and I’m rather busy now.’ Red-faced, Mrs Frolley scurried away to attend to a customer.

A shop-girl at the health store, after going back and checking, informed her that Mrs Boyle was busy stock- taking and couldn’t see her — so she’d rested her hopes on the ever-reliable Mrs Wickens.

But the reaction with Mrs Wickens was much the same, albeit handled with a more open, folksy reprimand. ‘When I tell you things, it’s in all trust and confidence. I don’t expect it to be used in all strange manners.’

Elena tried to appeal to Mrs Wickens’ maternal instinct, with her having raised four children of her own. ‘This isn’t about any personal clash I might have with Mr Ryall. It’s about the welfare of a young girl who I believe could be under threat. Serious threat.’

Mrs Wickens shook her head. ‘I don’t believe any of it for a moment. Mr Ryall’s a good man. He wouldn’t dream of doing anything like that. He’s been very good to my Rolly these past years.’

It hit Elena with a jolt in that moment: Mrs Wickens’ husband, Roland, worked at Ryall’s local plant. With a business of that size in a small village like Chelborne, no doubt numerous relatives of other villagers and shopkeepers were employed there. After all, Ryall was by far the area’s largest employer. A saving hero to fill the gap after the years of decline in the local fishing industry. Few locals wanted to think badly of him.

A spark of recognition reflected back through Mrs Wickens’ eyes, and she turned away with a slight flush, busying herself with re-arranging her counter newspaper display. ‘Well, you know… we each have our own to take care of.’

And it was driving away from Mrs Wickens’, rounding the bluff, that the build up of frustrations and obstacles finally became too much, and the tears hit. She’d been working against the grain, against the impossible, for days and weeks — for decades if she counted the lost, forgotten time that she’d blanked Christos from her mind, hadn’t even troubled to search for him — and only now was that realization hitting her face-on.

Her father’s hand reaching across the years to still grip tight, affect her life; and now Ryall’s tentacles spreading across Chelborne, blocking, strangling her progress.

The bay ahead became misty and blurred as her eyes swam, and she had to pull over. Maybe that was the key with her painting, that slightly blurred, Monet look — but it barely raised a smile at the corner of her mouth, her spirits couldn’t be buoyed this time; and she sank deeper down, sobbing uncontrollably. She cried more for the lost years with Christos than for this dead end now; after all, she’d only lost a week to discover that she would never make good on the twenty-nine years lost. And for Lorena, it was more the sense of frustration and powerlessness than sorrow. She thought she’d shaken free of her father’s grip years ago, but she’d been fooling herself all along. And now she was facing the same again: another powerful man, and she was unable to prise loose his grip to be able to help Lorena.

She shook her head, biting back the tears. Maybe Gordon was right: she’d allowed the dividing lines between Ryall and her father to become muddied, confused; it wasn’t healthy, would only get in the way of her being objective, having a clear view.

Clear view. She wiped again at her eyes, dabbing her cheeks with the back of one hand, and once again the view of the bay ahead was clear. She only wished her troubled thoughts could as easily have been cleared.

After a moment she swung the car out again and continued on down the slow decline towards Chelborne Bay, clinging to the one consolation out of the whole mess: at least now her secret would remain forever buried, no reason for its exposure. Her life with Gordon and the children, like the view ahead, would continue much as it had done: bright, untroubled, with few worrying clouds.

TWELVE

Jean-Paul turned from Georges as he poured the drink from a decanter on the side cabinet.

‘One thing my brother does have good taste in. Brandy.’ Jean-Paul brought the glass over to Georges seated towards the end of the long table. Jean-Paul’s own glass was already in front of his position at its head. He raised it and smiled. ‘Sante!’

‘Yes. Cheers.’ Georges savoured its mellow burning as it sank down. An aged Ragnaud-Sabourin that Roman had bought for Jean-Paul at Christmas just past. Georges glanced back towards the door. ‘Isn’t Jon joining us?’

‘No, this is more family talk than business.’ Jean-Paul looked directly at Georges for the first time.

‘Oh, right.’ Georges should have guessed from the late hour and the brandy. A soft, mellow glint to Jean- Paul’s eyes, no hostility; but Georges thought he’d picked up a faint underlying concern, it wasn’t quite the uncompromising embrace he’d been seeking. ‘I thought this might have been about Giacomelli and Cuba. I talked briefly about it with Jon at the party last night.’

‘Yes, well… we can discuss that maybe tomorrow. Jon didn’t have much free time today.’ Jean-Paul glanced briefly past Georges’ shoulder, his train of though broken for a second. Then a faint smile creased the corner of his mouth. ‘Old man Vito Giacomelli apparently lost a packet down there when Castro took over and all the casinos closed. Art agrees with your assumption that when finally the trade embargoes lift, property prices there are going to skyrocket… and I think he’s tickled by the idea of making back some of the money the old man lost there. What we’ve got to do now is turn all of that nostalgic pay-back into a sound business proposition, and a clean way of doing it… if there is one.’ Jean-Paul took a swig of brandy and stood up, started pacing. ‘As I say we’ll talk more about it when Jon’s here.’ Fresh breath, and Georges was unsure whether the pacing was Jean-Paul getting his thoughts moving, or nerves, anxiety. ‘But it was in fact my recent visit with Art Giacomelli that prompted this meeting now. You know that Art has been following closely this bid of ours to change the nature of our business, move away from crime and become totally legitimate, clean?’

‘Yes, I… I know at least that you’ve confided in him about it more than anyone else. And that he’s the crime boss your family has maintained the closest ties with over the years.’

Jean-Paul clasped his brandy glass as if he were praying, then waved one hand away expressively. ‘This isn’t just about old man Vito and my father running liquor and cigarettes across the border in the fifties, or how close our families have been since… or even at the power level with how that association helped us later with our problem with the Cacchiones…’ The hand groped emptily at the air for a moment, and Georges sensed something difficult coming. Jean-Paul was normally conversationally fluid, no gaps between his thoughts and words, and yet now he was struggling. ‘Art was particularly helpful and supportive when Pascal died.’

Georges just nodded and looked down, sensing it was best not to interrupt the flow. Maybe that was the awkwardness: Pascal’s death. All Georges knew of the whole affair, imparted from Jon Larsen — Jean-Paul had never broached the subject directly — was that Giacomelli had intervened to stop their war with the Cacchiones after Pascal was shot. As reputedly America’s most powerful crime boss, he had that influence. When Arturo Giacomelli said stop, people stopped.

‘Yes, he’s interested in how we progress, how successful we are… because if it works for us it can work for him and maybe others. A sort of test case if you will.’ The hand started in motion again. ‘But it goes deeper than that… a lot of it tied in with Art’s thoughts, hopes and ambitions for his own family. Probably you don’t know too much about them?’

‘Well… only that he has a son, Vincent, who works closely with him in the business.’

‘Yes, Vincent, dear Vincent, who has given his all to his father… yet hardly gets a mention in praise.’ Jean- Paul looked sharply, directly at Georges. ‘But what you probably didn’t know is that Art has another son, Paul, and a daughter, Mia. Okay, Mia has never really come into the frame — she’s now at some college doing a fashion photography course, and there’s no expectation in any case on women coming into the family business. But what about Paul? He’s never in the news like Vincent, because he’s not involved in the family business — he’s at Annapolis with the Navy — but listening to Art you’d think that Paul was his only son. Paul this, Paul that. Paul could be a Navy Commander one day, did you know? He says it with such pride in his voice, as if that was the only thing of real importance to him. Totally neglecting the fact that his other son will one day run a multi-million dollar crime empire and continue his legacy, each and every day risking a bullet through the head for the privilege. And why, why?’ Jean-Paul threw his free hand towards Georges as if he was flinging dice. ‘…Why is he so blinkered, with eyes only for one son?’

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