'Hello, Hilary.' He had a deep, somewhat gravelly voice which seemed reassuring and fatherly when she had taken an extensive private tour of his winery near St. Helena, but which now sounded coarse, mean, threatening.
She cleared her throat nervously. 'What are you doing here?'
'Come to see you.'
'Why?'
'Just had to see you again.'
'About what?'
He was still grinning. He had a tense, predatory look. His was the smile of the wolf just before it closed hungry jaws on the cornered rabbit.
'How did you get in?' she demanded.
'Pretty.'
'What?'
'So pretty.'
'Stop it.'
'Been looking for one like you.'
'You're scaring me.'
'You're a real pretty one.'
He took a step toward her.
She knew then, beyond doubt, what he wanted. But it was crazy, unthinkable. Why would a wealthy man of his high social position travel hundreds of miles to risk his fortune, reputation, and freedom for one brief violent moment of forced sex?
He took another step.
She backed away from him.
Rape. It made no sense. Unless.... If he intended to kill her afterwards, he would not be taking much of a risk at all. He was wearing gloves. He would leave no prints, no clues. And no one would believe that a prominent and highly-respected vintner from St. Helena would drive all the way to Los Angeles to rape and murder. Even if some would believe it, they'd have no reason to think of him in the first place. The homicide investigation would never move in his direction.
He kept coming. Slowly. Relentlessly. Heavy steps. Enjoying the suspense. Grinning more than ever as he saw comprehension enter her eyes.
She backed past the huge stone fireplace, briefly considered grabbing one of the heavy brass implements on the hearth, but realized that she would not be quick enough to defend herself with it. He was a powerful, athletic man in excellent physical condition; he would be all over her before she could seize the poker and swing it at his damned thick skull.
He flexed his big hands. The knuckles strained at the snug-fitting leather.
She backed past a grouping of furniture--two chairs, a coffee table, a long sofa. She started moving toward her right, trying to put the sofa between her and Frye.
'Such pretty hair,' he said.
A part of her wondered if she were losing her mind. This could not be the Bruno Frye she had met in St. Helena. There had been not even the slightest hint of the madness that now contorted his broad, sweat-greased face. His eyes were blue-gray chips of ice, and the frigid passion that shone in them was surely too monstrous to have been concealed when she last saw him.
Then she saw the knife, and the sight of it was like a blast of furnace heat that turned her doubts to steam and blew them away. He meant to kill her. The knife was fixed to his belt, over his right hip. It was in an open sheath, and he could free it simply by popping the metal snap on a single narrow leather strap. In one second, the blade could be slipped from the holder and wrapped tightly in his fist; in two seconds, it could be jammed deep into her soft belly, slicing through warm meat and jelly organs, letting loose the precious store of blood.
'I've wanted you since I first saw you,' Frye said. 'Just wanted to get at you.'
Time seemed to stop for her.
'You're going to be a good little piece,' he said. 'Real good.'
Abruptly, the world was a slow-motion movie. Each second seemed like a minute. She watched him approach as if he were a creature in a nightmare, as if the atmosphere had suddenly become as thick as syrup.
The instant that she spotted the knife, Hilary froze. She stopped backing away from him, even though he continued to approach. A knife will do that. It chokes you up, freezes your heart, brings ah uncontrollable tremor to your guts. Surprisingly few people have the stomach to use a knife against another living thing. More than any other weapon, it makes you aware of the delicacy of flesh, the terrible fragility of human life; in the damage that he wreaks, the attacker can see all too clearly the nature of his own mortality. A gun, a draught of poison, a firebomb, a blunt instrument, a strangler's piece of rope--all can be used relatively cleanly, most of them at a distance. But the man with a knife must be prepared to get dirty, and he must get in close, so close that he can feel the heat escaping from the wounds as he makes them. It takes a special courage, or insanity, to slash at another person and not be repelled by the warm blood spurting over your hand.
Frye was upon her. He placed one large hand on her breasts, rubbed and squeezed them roughly through the silky fabric of her dress.
That rude contact snapped her out of the trance into which she'd fallen. She knocked his hand away, twisted
