'Okay,' she said. 'When do we leave?'
'The sooner the better.'
'Not today,' she said. 'We're both too damned tired. We need sleep. Besides, I want to drop your paintings off with Wyant Stevens. I've got to make arrangements for an insurance adjuster to put a price on the damage at my place, and I want to tell my house cleaning service to straighten up the wreckage while I'm gone. And if I'm not going to talk to the people at Warner Brothers about The Hour of the Wolf this week, then I've at least got to make excuses--or tell Wally Topelis what excuses he should make for me.'
'I've got to fill out a final report on the shooting,' Tony said. 'I was supposed to do that this morning. And they'll want me for the inquest, of course. There's always an inquest when a policeman is killed--or when he kills someone else. But they shouldn't have scheduled the inquest any sooner than next week. If they did, I can probably get them to postpone it.'
'So when do we leave for St. Helena?'
'Tomorrow,' he said. 'Frank's funeral is at nine o'clock. I want to go to that. So let's see if there's a flight leaving around noon.'
'Sounds good to me.'
'We've got a lot to do. We'd better get moving.'
'One other thing,' Hilary said. 'I don't think we should stay at your place tonight.'
He reached across the table and took her hand. 'I'm sure he can't get to you there. If he tries. you've got me, and I've got my service revolver. He may be built like Mr. Universe, but a gun is a good equalizer.'
She shook her head. 'No. Maybe it would be all right. But I wouldn't be able to sleep there, Tony. I'd be awake all night, listening for sounds at the door and windows.'
'Where do you want to stay?'
'After we've run our errands this afternoon, let's pack for the trip, leave your apartment, make sure we're not followed, and check in to a room at a hotel near the airport.'
He squeezed her hand. 'Okay. If that'll make you feel better.'
'It will.'
'I guess it's better to be safe than sorry.'
***
In St. Helena, at 4:10 Tuesday afternoon, Joshua Rhinehart put down his office phone and leaned back in his chair, pleased with himself. He had accomplished quite a lot in the past two days. Now he swiveled around to look out the window at the far mountains and the nearer vineyards.
He had spent nearly all of Monday on the telephone, dealing with Bruno Frye's bankers, stockbrokers, and financial advisers. There had been many lengthy discussions about how the assets ought to be managed until the estate was finally liquidated, and there had been more than a little debate about the most profitable ways to dispose of those assets when the time came for that. It had been a long, dull patch of work, for there had been a large number of savings accounts of various kinds, in several banks, plus bond investments, a rich portfolio of common stocks, real estate holdings, and much more.
Joshua spent Tuesday morning and the better part of the afternoon arranging, by telephone, for some of the most highly-respected art appraisers in California to journey to St. Helena for the purpose of cataloging and evaluating the varied and extensive collections that the Frye family had accumulated over six or seven decades. Leo, the patriarch, Katherine's father, now dead for forty years, had begun simply, with a fascination for elaborately hand-carved wooden spigots of the sort often used on beer and wine barrels in some European countries. Most of them were in the form of heads, the gaping or gasping or laughing or weeping or howling or snarling heads of demons, angels, clowns, wolves, elves, fairies, witches, gnomes, and other creatures. At the time of his death, Leo owned more than two thousand of those spigots. Katherine had shared her father's interest in collecting while he was alive, and after his death she had made collecting the central focus of her life. Her interest in acquiring beautiful things became a passion, and the passion eventually became a mania. (Joshua remembered how her eyes had gleamed and how she had chattered breathlessly each time that she had shown him a new purchase; he knew there had been something unhealthy about her desperate rush to fill every room and closet and drawer with lovely things, but then the rich always had been permitted their eccentricities and manias, so long as they caused no harm to anyone else.) She bought enameled boxes, turn-of-the-century landscape paintings, Lalique crystal, stained glass lamps and windows, antique cameo lockets, and many other items, not so much because they were excellent investments (which they were) but because she wanted them, needed them as a junkie always needed another fix. She stuffed her enormous house with these displays, spent countless hours just cleaning, polishing, and caring for everything. Bruno contained that tradition of almost frantic acquisition, and now both houses--the one Leo built in 1918, and the one Bruno had built five years ago--were crammed full of treasures. On Tuesday, Joshua called art galleries and prestige auction houses in San Francisco and Los Angeles, and all of them were eager to send their appraisers, for there were many fat commissions to be earned from the disposition of the Frye collections. Two men from San Franisco and two from Los Angeles were arriving Saturday morning; and, certain that they would require several days to catalogue the Frye holdings, Joshua made reservations for them at a local inn.
By 4:10 Tuesday afternoon, he was beginning to feel that he was on top of the situation; and for the first time since he was informed of Bruno's death, he was getting a fix on how long it would take him to fulfill his obligations as executor. Initially, he had worried that the estate would be so complicated that he would be tangled up in it for years, or at least for several months. But now that he had reviewed the will (which he had drawn up five years ago), and now that he had discovered where Bruno's capable financial advisers had led the man, he was confident that the entire matter could be resolved in a few weeks. His job was made easier by three factors that were seldom present in multimillion-dollar estate settlements: First, there were no living relatives to contest the will or make other problems; second, the entire after-tax net was left to a single charity clearly named in the will; third, for a man of such wealth, Bruno Frye had kept his investments simple, presenting his executor with a reasonably neat balance sheet of easily understood debits and credits. Three weeks would see the end of it. Four at most.
Since the death of his wife, Cora, three years ago, Joshua was acutely conscious of the brevity of life, and he jealously guarded this time. He didn't want to waste one precious day, and he felt that every minute he spent bogged down in the Frye estate was definitely a minute wasted. Of course, he would receive an enormous fee for his legal services, but he already had all the money he would ever need. He owned substantial real estate in the valley, including several hundred acres of prime grape-producing land which was managed for him and which supplied grapes to two big wineries that could never get enough of them. He had thought, briefly, of asking the court to relieve him of his duties; one of Frye's banks would have taken on the job with great pleasure. He also considered turning the work over to Ken Gavins and Roy Genelli, the two sharp young attorneys who he had taken
