'If he'a lunatic, he knows how to pass for normal,' Tony said. 'After all, until tonight, he's been regarded as an especially responsible and upstanding citizen. When you visited his winery near St. Helena, you didn't realize you were in the company of a madman, did you?'

'No.'

'Neither will the jury.'

She closed her eyes, pinched the bridge of her nose. 'So he's probably going to get away clean.'

'I'm sorry to say there's a good chance that he will.'

'And then he'll come back for me.'

'Maybe.'

'Jesus.'

'You wanted the unvarnished truth.'

She opened her lovely eyes. 'I did, yes. And thank you for giving it to me.' She even managed a smile.

He smiled back at her. He wanted to take her in his arms, hold her close, comfort her, kiss her, make love to her. But all he could do was sit on his end of the couch like a good officer of the law and smile his witless smile and say, 'Sometimes it's a lousy system.'

'What are the other reasons?'

'Excuse me?'

'You said one reason Lieutenant Howard didn't believe me was because I knew the assailant. What are the other reasons? What else makes him think I'm lying?'

Tony was about to answer her when Frank Howard walked into the room.

'Okay,' Frank said brusquely. 'We've got the sheriff looking into it up there in Napa County, trying to get a line on when and how this Frye character left town. We also have an APB out, based on your description, Miss Thomas. Now, I went to the car and got my clipboard and this crime report form.' He held up the rectangular piece of masonite and the single sheet of paper affixed to it, took a pen from his inside coat pocket. 'I want you to walk Lieutenant Clemenza and me through your entire experience just once more, so I can write it all down precisely in your own words. Then we can get out of your way.'

She led them to the foyer and began her story with a detailed recounting of Bruno Frye's surprise appearance from the coat closet. Tony and Frank followed her to the overturned sofa, then upstairs to the bedroom, asking questions as they went. During the thirty minutes they needed to complete the form, as she reenacted the events of the evening, her voice now and then became tremulous, and again Tony had the urge to hold and soothe her.

Just as the crime report was completed, a few newsmen arrived. She went downstairs to meet them.

At the same time, Frank got a call from headquarters and took it on the bedroom phone.

Tony went downstairs to wait for Frank and to see how Hilary Thomas would deal with the reporters.

She handled them expertly. Pleading weariness and a need for privacy, she did not allow them into her house. She stepped outside, onto the stone walk, and they gathered in front of her. A television news crew had arrived, complete with a minicam and the standard actor-reporter, one of those men who had gotten his job largely because of his chiseled features and penetrating eyes and deep fatherly voice. Intelligence and journalistic ability had little to do with being a performer in televsion news; indeed, too much of either quality could be seriously disadvantageous; for optimum success, the career-minded television reporter had to think much the same way that his program was structured--in three- and four- and five-minute segments, never dwelling longer than that on any one subject, and never exploring anything at great depth. A newspaperman and his photographer, not so pretty as the television man and a bit rumpled, were also present. Hilary Thomas fielded their questions with ease, answering only those that she wanted to answer, smoothly turning away all of those that were too personal or impertinent.

The thing that Tony found most interesting about her performance was the way she kept the news people out of the house and out of her most private thoughts without offending them. That was no easy trick. There were many excellent reporters who could dig for the truth and write fine stories without violating the subject's rights and dignity; but there were just as many of the other kind, the boars and the con men. With the rise of what The Washington Post glowingly referred to as 'advocacy journalism'--the despicable slanting of a story to support the reporter's and the editor's personal political and social beliefs--some members of the press, the con men and the boars, had gone on a power trip of unprecedented irresponsibility. If you bristled at a reporter's manner and methods or at his obvious bias, if you dared to offend him, he might decide to use his pen to make you look like a fool, a liar, or a criminal; and he would see himself as the champion of enlightenment in a battle against evil. Clearly, Hilary was aware of the danger, for she dealt masterfully with them. She answered more questions than not, stroked the news people, accorded them respect, charmed them, and even smiled for the cameras. She didn't say that she knew her assailant. She didn't mention the name Bruno Frye. She didn't want the media speculating about her previous relationship with the man who had attacked her.

Her awareness forced Tony to reevaluate her. He already knew that she was talented and intelligent; now he saw she was also shrewd. She was the most intriguing woman he had encountered in a long time.

She was nearly finished with the reporters, carefully extricating herself from them, when Frank Howard came down the stairs and stepped to the doorway, where Tony stood in the cool night breeze. Frank watched Hilary Thomas as she answered a reporter's question, and he scowled fiercely. 'I've got to talk to her.'

'What did headquarters want?' Tony asked.

'That's what I've got to talk to her about,' Frank said grimly. He had decided to be tight-lipped. He wasn't going to reveal his information until he was damned good and ready. That was another of his irritating habits.

'She's almost through with them,' Tony said.

'Strutting and preening herself.'

'Not at all.'

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