He said, 'A pleasant surprise, Archie,' and handed the card across the desk and I reached and took it. The card said:
MANUEL KIMBALL
CHAPTER 15
I stood up. Wolfe sat a moment silent, his lips pushing out and in, then he said, 'Show the gentleman into the front room, Fritz. The hall is so dark I would scarcely recognize his face if I saw him there… Just a moment. Be sure the blinds are up in the front room; and leave the door to the hall open so there will be plenty of air.' Fritz went out. Wolfe said, his voice a little quieter even than usual, 'Thank you, Miss Fiore. You have been very patient and have kept within your rights. Would you mind if Mr. Archie does not take you home? He has work to do. Mr. Fritz is an excellent driver. Archie, will you take Miss Fiore to the kitchen and arrange with Fritz? You might then accompany her to the entrance.'
I nodded. 'I get you. Come on, Anna.'
She started, too loud, 'Can't Mr. Archie-'
'Don't talk. I'll take you home some other day. Come on.'
I got her into the kitchen, and explained to Fritz the pleasure that awaited him. I don't think I had ever really felt sorry for Anna until I saw that Fritz didn't blush when I told him to take her home. That was terrible. But I left the feeling sorry for later; while Fritz was getting off his apron and his coat and hat on, I was figuring how to handle it.
I said, 'Look here, Anna, let's have some fun. You said something about getting married, and that made me wonder what kind of a man you'd like to marry. There's a man sitting in the front room now, I'll bet he's just the kind. Very good-looking. As we go out we'll stop and look through the door at him, and then I'll go outside with you and you will tell me if he's the kind. Will you do that?'
Anna said, 'I know the kind-'
'All right. Don't talk. I don't want him to hear your voice, so he won't know we're looking at him. Ready, Fritz?'
We went out. Fritz had followed instructions and left the door open between the hall and the front room, and I steered Anna to the left of the hall so she wouldn't be too close to the door. Manuel Kimball was in there, a good view, in an armchair, with one knee hanging over the other. Having heard our steps he was looking in our direction, but it was so dark in the hall he couldn't see much. I had a hand on Anna's elbow and my eyes on her face as she looked in at Kimball. I let her look a couple of seconds and then eased her toward the entrance where Fritz was holding the door open for us. Outside, I closed the door behind me.
'Is that the kind you like, Anna?'
'No. Mr. Archie, if I tell you-'
'Some other day. That's the girl. So long… It won't matter if lunch is late, Fritz, I've an idea we may be late too, and there'll be no guest.'
I ducked back in, and went past the open front room door to the office. Wolfe hadn't moved. I said, 'She never saw him before. Or if she did, she could give Lynn Fontanne a furlong start and lope in ahead of her.' He inclined his head. I asked, 'Shall I bring him in?' He inclined his head again.
I went directly through to the front room, by the connecting door. Manuel Kimball got up from his chair and faced around and bowed. I said, 'Sorry to keep your waiting. We had a young lady client who thinks we can bring back her husband just by whistling to him, and it's not that easy. Come this way.'
Wolfe didn't feel formal enough to get up, but he kept his hands laced on his belly. As I led Manuel toward him he said, 'How do you do, Mr. Kimball. You will forgive me for not rising; I am not rude, merely unwieldy. Be seated.'
I couldn't see any signs that Manuel Kimball was suffering with agitation, but he did look concentrated. His black eyes seemed smaller than when I had seen him before, and concerned with something too important to permit of darting around everywhere to see what they could see. He was wiry and neat in a lightweight, finely tailored suit, with a yellow bow tie and yellow gloves in his pocket. He wasn't bothering with me. After he got into the chair which was still warm from Anna Fiore, his eyes went to Wolfe and stayed there.
Wolfe asked, 'Will you have some beer?'
He nodded his head. 'Thank you.'
I took the hint. In the kitchen I got a couple of bottles from the ice-box and a glass from the shelf and fixed up a tray. I made it snappy because I didn't want to miss anything. I went back with the tray and put it on Wolfe's desk, and then sat down at my desk and pulled some papers out of a drawer and got things fixed up. Manuel Kimball was talking.
'… told me of his visit to your office yesterday. My father and I are on a completely confidential basis. He told me everything you said to him. Why did you say what you did?'
'Well.' Wolfe pulled out his drawer to get the opener, removed the cap from a bottle and dropped it into the drawer, and filled a glass. He watched the foam a moment, then turned back to Manuel. 'In the first place, Mr. Kimball, you say that your father repeated everything to you that I told him. You can hardly know that. So let us be properly selective. Your tone is minatory. What specifically do you wish to berate me for? What did I say to your father that you would rather I had left unsaid?'
Manuel smiled, and got colder. 'Don't try to twist my words, Mr. Wolfe. I am not expressing my preferences, I am asking you to account for statements that seem to me unwarranted. I have that right, as the son of a man who is getting old. I have never before seen my father frightened, but you have frightened him. You told him that Barstow was killed as a result of borrowing my father's golf driver.'
'I did, indeed.'
'You admit it. I trust that your man there taking this down will include your confession. What you told my father is criminal nonsense. I have never believed the tale of the poisoned needle as regarded Barstow; I
