Will make my celebrity deathless.   O, I wish I could think, as I gaze at my ink,     They'd wait till my carcass is breathless.

MAD.

  O ye who push and fight     To hear a wanton sing—   Who utter the delight     That has the bogus ring,—   O men mature in years,     In understanding young,   The membranes of whose ears     She tickles with her tongue,—   O wives and daughters sweet,     Who call it love of art   To kiss a woman's feet     That crush a woman's heart,—   O prudent dams and sires,     Your docile young who bring   To see how man admires     A sinner if she sing,—   O husbands who impart     To each assenting spouse   The lesson that shall start     The buds upon your brows,—   All whose applauding hands     Assist to rear the fame   That throws o'er all the lands     The shadow of its shame,—   Go drag her car!—the mud     Through which its axle rolls   Is partly human blood     And partly human souls.   Mad, mad!—your senses whirl     Like devils dancing free,   Because a strolling girl     Can hold the note high C.   For this the avenging rod     Of Heaven ye dare defy,   And tear the law that God     Thundered from Sinai!

HOSPITALITY.

  Why ask me, Gastrogogue, to dine   (Unless to praise your rascal wine)   Yet never ask some luckless sinner   Who needs, as I do not, a dinner?

FOR A CERTAIN CRITIC.

  Let lowly themes engage my humble pen—   Stupidities of critics, not of men.   Be it mine once more the maunderings to trace   Of the expounders' self-directed race—   Their wire-drawn fancies, finically fine,   Of diligent vacuity the sign.   Let them in jargon of their trade rehearse   The moral meaning of the random verse   That runs spontaneous from the poet's pen   To be half-blotted by ambitious men   Who hope with his their meaner names to link   By writing o'er it in another ink   The thoughts unreal which they think they think,   Until the mental eye in vain inspects   The hateful palimpsest to find the text.   The lark ascending heavenward, loud and long   Sings to the dawning day his wanton song.   The moaning dove, attentive to the sound,   Its hidden meaning hastens to expound:   Explains its principles, design—in brief,   Pronounces it a parable of grief!   The bee, just pausing ere he daubs his thigh   With pollen from a hollyhock near by,   Declares he never heard in terms so just   The labor problem thoughtfully discussed!   The browsing ass looks up and clears his whistle   To say: 'A monologue upon the thistle!'   Meanwhile the lark, descending, folds his wing   And innocently asks: 'What!—did I sing?'
Вы читаете Shapes of Clay
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