Come, gentlemen—your gold.     Thanks: welcome to the show.   To hear a story told     In words you do not know.   Now, great Salvini, rise     And thunder through your tears,   Aha! friends, let your eyes     Interpret to your ears.   Gods! 't is a goodly game.     Observe his stride—how grand!   When legs like his declaim     Who can misunderstand?   See how that arm goes round.     It says, as plain as day:   'I love,' 'The lost is found,'     'Well met, sir,' or, 'Away!'   And mark the drawing down     Of brows. How accurate   The language of that frown:     Pain, gentlemen—or hate.   Those of the critic trade     Swear it is all as clear   As if his tongue were made     To fit an English ear.   Hear that Italian phrase!     Greek to your sense, 't is true;   But shrug, expression, gaze—     Well, they are Grecian too.   But it is Art! God wot     Its tongue to all is known.   Faith! he to whom 't were not     Would better hold his own.   Shakespeare says act and word     Must match together true.   From what you've seen and heard,     How can you doubt they do?   Enchanting drama! Mark     The crowd 'from pit to dome',   One box alone is dark—     The prompter stays at home.   Stupendous artist! You     Are lord of joy and woe:   We thrill if you say 'Boo,'     And thrill if you say 'Bo.'

ANOTHER WAY.

  I lay in silence, dead. A woman came     And laid a rose upon my breast and said:   'May God be merciful.' She spoke my name,     And added: 'It is strange to think him dead.   'He loved me well enough, but 't was his way     To speak it lightly.' Then, beneath her breath:   'Besides'—I knew what further she would say,     But then a footfall broke my dream of death.   To-day the words are mine. I lay the rose     Upon her breast, and speak her name and deem   It strange indeed that she is dead. God knows     I had more pleasure in the other dream.

ART.

  For Gladstone's portrait five thousand pounds     Were paid, 't is said, to Sir John Millais.     I cannot help thinking that such fine pay   Transcended reason's uttermost bounds.   For it seems to me uncommonly queer     That a painted British stateman's price     Exceeds the established value thrice   Of a living statesman over here.

AN ENEMY TO LAW AND ORDER.

  A is defrauded of his land by B,   Who's driven from the premises by C.   D buys the place with coin of plundered E.   'That A's an Anarchist!' says F to G.
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