Postwar

1937. London: Melbourne Macmillan, 1968.

TOPICS

The Cold War

Cronin, James E. The World the Cold War Made: Order, Chaos and the Return of History. New York: Routledge, 1996.

Dockrill, M. L. The Cold War, 1945-1963. Atlantic Highlands, NJ: Humanities Press International, 1988.

FitzGerald, Frances. Way out There in the Blue: Reagan, Star Wars, and the End of the Cold War. New York: Simon & Schuster, 2000.

Gaddis, John Lewis. The Long Peace: Inquiries Into the History of the Cold War. New York: Oxford University Press, 1987.

———. We Now Know: Rethinking Cold War History. Oxford: Oxford University Press, 1997.

Gray, William Glenn. Germany’s Cold War: The Global Campaign to Isolate East Germany, 1949-1969. Chapel Hill: University of North Carolina Press, 2003.

Gress, David. From Plato to NATO: The Idea of the West and its Opponents. New York: Free Press, 1998.

Halle, Louis Joseph. The Cold War as History. New York: HarperPerennial, 1991.

Hanhimaki, Jussi, and O. A. Westad, eds. The Cold War: A History in Documents and Eyewitness Accounts. New York: Oxford University Press, 2003.

Isaacs, Jeremy, and Taylor Downing. Cold War: An Illustrated History, 1945- 1991. Boston: Little, Brown & Co., 1998.

Leffler, Melvyn P., and David S. Painter. Origins of the Cold War: An International History. London: Routledge, 2005.

Murphy, David E., Sergei A. Kondrashev, and George Bailey. Battleground Berlin: CIA vs. KGB in the Cold War. New Haven: Yale University Press, 1997.

Weiler, Peter. British Labour and the Cold War. Stanford, CA: Stanford University Press, 1988.

Zubok, V. M., and Konstantin Pleshakov. Inside the Kremlin’s Cold War: From Stalin to Khrushchev. Cambridge, MA: Harvard University Press, 1996.

Culture and the Arts

Aldgate, Anthony, James Chapman, and Arthur Marwick. Windows on the Sixties: Exploring Key Texts of Media and Culture. London: I.B. Tauris, 2000.

Bartov, Omer. The “Jew” in Cinema: From The Golem to Don’t Touch my Holocaust. Bloomington: Indiana University Press, 2005.

Blecourt, Willem de, and Owen Davies. Witchcraft Continued: Popular Magic in Modern Europe. Manchester: Manchester University Press, 2004.

Carroll, David. French Literary Fascism: Nationalism, Anti-Semitism, and the Ideology of Culture. Princeton: Princeton University Press, 1995.

Chudo, Alicia. And Quiet Flows the Vodka, or, When Pushkin Comes to Shove: The Curmudgeon’s Guide to Russian Literature and Culture, with the Devil’s Dictionary of Received Ideas, Alphabetical Reflection on the Loathsomeness of Russia, American Academia, and Humanity in General. Evanston, IL: Northwestern University Press, 2000.

Clark, Katerina. Petersburg, Crucible of Cultural Revolution. Cambridge, MA: Harvard University Press, 1995.

Cohn, Ruby. From Desire to Godot: Pocket Theater of Postwar Paris. Berkeley: University of California Press, 1987.

Dalle Vacche, Angela. The Body in the Mirror: Shapes of History in Italian Cinema. Princeton: Princeton University Press, 1992.

Demetz, Peter. After the Fires: Recent Writing in the Germanies, Austria, and Switzerland. San Diego: Harcourt Brace Jovanovich, 1992.

Dennis, David B. Beethoven in German Politics, 1870-1989. New Haven: Yale University Press, 1996.

Durgnat, Raymond. A Mirror for England: British Movies from Austerity to Affluence . New York: Praeger, 1971.

Ellwood, David W., Rob Kroes, and Gian Piero Brunetta. Hollywood in Europe: Experiences of a Cultural Hegemony. Amsterdam: Free University Press, 1994.

Fehrenbach, Heide. Cinema in Democratizing Germany: Reconstructing National Identity After Hitler. Chapel Hill: University of North Carolina Press, 1995.

Figes, Orlando. Natasha’s Dance: A Cultural History of Russia. New York: Metropolitan Books, 2002.

Forrester, Sibelan E. S., Magdalena J. Zaborowska, and Elena Gapova. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington, Indiana University Press, 2004.

Goetz-Stankiewicz, Marketa. Dramacontemporary: Czechoslovakia. New York: Performing Arts Journal Publications, 1985.

Hanak, Peter. The Garden and the Workshop: Essays on the Cultural History of Vienna and Budapest. Princeton: Princeton University Press, 1998.

Haraszti, Miklos. The Velvet Prison: Artists Under State Socialism. New York: Basic Books, 1987.

Harker, David. One for the Money: Politics and Popular Song. London: Hutchinson, 1980.

Hewison, Robert. Culture and Consensus: England, Art and Politics since 1940. London: Methuen, 1995.

———. In Anger: British Culture in the Cold War, 1945-60. New York: Oxford University Press, 1981.

———. Too Much: Art and Society in the Sixties, 1960-75. New York: Oxford University Press, 1987.

Insdorf, Annette. Indelible Shadows: Film and the Holocaust. New York: Cambridge University Press, 2003.

Kaes, Anton. From Hitler to Heimat: The Return of History as Film. Cambridge, MA: Harvard University Press, 1989.

Laqueur, Walter, and George L. Mosse. Literature and Politics in the Twentieth Century . New York: Harper & Row, 1967.

Marks, Steven G. How Russia Shaped the Modern World: From Art to Anti-Semitism, Ballet to Bolshevism. Princeton: Princeton University Press, 2003.