on the Capitoline has made me feel my age! Smooth the wax, put away your stylus, and then be off. And say hello to that fellow Vulca for me!”
The afternoon was warm and sunny, with hours of daylight left. Titus ran all the way from his family’s house on the Palatine down to the Forum, then uphill again to the top of the Capitoline. He didn’t stop until he reached the Tarpeian Rock, the sheer summit from which traitors were hurled to their death. The rock also provided a panoramic view of the city below. His friend Gnaeus Marcius loved to play with miniature wooden soldiers, pretending to be their commander; Titus preferred to gaze down at the city of Roma as if its buildings were toys, and to imagine rearranging them and constructing new ones.
Roma had changed much since the days of Romulus. Where once the Seven Hills had been covered by forests and pastures, and the settlements had been small and scattered, now there were buildings everywhere one looked, built close together with dirt and gravel streets running between them. Some citizens still lived in thatched huts and kept animals in pens, but many homes were now made of wood, some rising to two stories, and the houses of wealthy families-such as the Potitii-were grand affairs made of brick and stone with shuttered windows, interior courtyards, terraces, and tile roofs. The Forum had become the civic center of Roma, with a paved street called the Sacred Way running through it; it was the site of numerous temples and shrines and also of the Senate House. The marketplace beside the river was now called the Forum Bovarium, from the word
Roma under the kings had prospered and grown. Now the grandest sign of the city’s progress was rising on the summit of the Capitoline. Turning his back on the panoramic view, Titus gazed up at the magnificent project which each day drew nearer to completion. Since his last visit to the site, a new section of scaffolding had gone up along the front of the temple. The workers on the top tier were applying plaster to the recessed surface of the pediment.
“Titus, my friend! I haven’t you seen for a while.” The speaker was a tall man with strands of gray in his beard, about the age of Titus’s father. There was plaster dust on his blue tunic. He carried a stylus and a small wax tablet for making sketches.
“Vulca! I’ve been very busy with my studies lately. But my grandfather let me go early today.”
“Excellent! I have something very special to show you.” The man smiled and gestured for him to follow.
Vulca was an Etruscan, famous all over Italy as an architect and artist. King Tarquinius had employed him not only to oversee construction of the temple, but to decorate it inside and out. The building was made of common materials-wood, brick, and plaster-but when Vulca was done painting, it would be dazzling: yellow, black, and white for the walls and columns, red for the capitals and the bases of the columns, more red to trim the pediment, and many shades of green and blue to highlight the small architectural details.
But the most impressive of Vulca’s creations would be the statues of the gods. Properly speaking, the statues were not ornaments; they would not decorate the temple, but rather, the temple would exist to house the sacred statues. Vulca had described his intentions to Titus many times, and had drawn sketches on his wax tablet to illustrate, but Titus had not yet seen them; the terra-cotta statues were being made in great secrecy in a concealed workshop on the Capitoline, to which only Vulca and his most skilled artisans had access. Titus was greatly surprised when the artist led him though a makeshift doorway into a walled-off area beside the temple, and even more surprised when they rounded a corner and a statue of Jupiter confronted them.
Titus gasped. The statue was of red terra-cotta, not yet painted, but the impression that the god was physically present was nonetheless overwhelming. Seated on a throne, the bearded, powerfully built father of gods looked down on him with a serene countenance. Jupiter was dressed in a toga, much like the royal garment the king wore, and in his right hand, instead of a scepter, he held a thunderbolt.
“The toga will be painted purple, with a border of gold foil,” Vulca explained. “The thunderbolt will be gold, as well. The king balked when he learned the expense of the gold foil, until I pointed out what a thunderbolt made from solid gold would cost him.”
Titus was awed. “Magnificent!” he whispered. “I never imagined…I mean, you’ve described to me what the statue would look like, but in my imagination I could never really…it’s so…so much more…” His shook his head. Words failed him.
“Of course, no one will ever see the god this close. Jupiter will be positioned on a suitably ornate pedestal at the back of the main chamber, so as to gaze down on everyone who enters. The other two will be placed in their own, smaller chambers, Juno to the right and Minerva to the left.”
Tearing his eyes from the Jupiter, Titus saw the other two figures beyond. These were not as far advanced. The Juno had not yet been given a head. The Minerva was little more than an armature that suggested the shape to come.
Then his eyes fell on a sight even more fantastic than the Jupiter. His gasp of astonishment was so loud that Vulca laughed.
The piece was huge, and so complex that it boggled Titus’s imagination. It was a larger-than-life-size statue of Jupiter in a quadriga-a chariot pulled by four horses. The standing Jupiter, holding his thunderbolt aloft, was even more impressive than the Jupiter enthroned. The four horses, each different, were sculpted with remarkable detail, from the flashing eyes and flaring nostrils to the muscular limbs and magnificent tails. The chariot was made of wood and bronze, like a real vehicle, but of giant size, with extravagant designs and decorations on every surface.
“It all comes apart, of course, so that it can be reassembled atop the pediment,” explained Vulca. “The horses will be painted white-four magnificent, snow-white steeds worthy of the king of the gods. The attachment of this sculpture to the pediment will be the final step in the construction. Once Jupiter and the quadriga are firmly in place and fully painted, the temple will be ready to be dedicated.”
Titus gaped. “Vulca, I can’t believe you’re showing me this. Who else has seen it?”
“Only my workmen. And the king, of course, since he’s paying for it.”
“But why are you showing me?”
Vulca said something in Etruscan, then translated it into Latin: “If the flea hangs around long enough, sooner or later he’ll see the dog’s balls.” When Titus looked at him blankly, Vulca laughed. “That’s a very old, very vulgar Etruscan saying, young man, of which your staid grandfather would doubtless disapprove. How many times did I see you skulking about the work site before I called you over and asked your name? And how many times have you been back since then? And how many questions have you asked me about the tools and the materials and all the processes? I don’t think I can count that high! I daresay there’s not a man in all Roma, outside myself, who knows this building better than you do, Titus Potitius. If I were to die tomorrow, you could tell the workmen what remains to be done.”
“But you won’t die, Vulca! Jupiter would never allow it!”
“Nor would the king, not until I’m done with his temple.”
Titus walked up to one of the horses and dared to touch it. “I never imagined they would be so big, and so beautiful. This will be the greatest temple ever built, anywhere.”
“I’d like to think so,” said Vulca.
Abruptly, Titus gave a yelp. He reached up to rub the spot where a pebble had struck his head. He caught a glimpse of another stone descending on him from the sky and jumped aside.
From beyond the wall which hid the works in progress came the sound of boyish giggling.
Vulca raised an eyebrow. “I believe that must be your two friends, Titus. I’m afraid they are
“Titus!” called one of the boys outside, in a loud whisper. “What are you doing in there? Is that crazy old Etruscan molesting you?” There was more giggling.
Titus blushed. Vulca tousled the boy’s blond hair and smiled. “Don’t worry, Titus. I long ago stopped taking offense at schoolboy taunts. Run along now, and see what those two want from you.”
Reluctantly, Titus took his leave of Vulca and made his way out of the enclosure. From behind a stack of
