Sestia had brought with her a small but useful dowry. With it, Kaeso had been able to buy out the other investors in the theater company of Plautus. Being the sole owner of a comedy troupe would never make him wealthy, and certainly would never earn him the respect of his patrician relatives, but Kaeso delighted in the role of impresario and took an active part in running the company. He consulted with Plautus about the Greek source material for his plays, he haggled with magistrates about budgets and allowances for festivals, and he particularly enjoyed auditioning the young slaves whom Plautus put forth as possible additions to the company.
The fourth anniversary of Cannae came and went, stirring bitter memories of the massacre and its terrible aftermath, but also a sense of rejuvenation and hope; the unspeakable despair of those days now seemed distant and unreal, like a bad dream. As Sextilis gave way to September, Kaeso looked forward to the annual Roman Games with special anticipation, for his dear friend Scipio had been elected curule aedile and was in charge of putting on the festivities.
By law, Scipio had been too young to stand for the magistracy. But on voting day an adoring crowd raised Scipio on their shoulders and carried him through the city, demanding his election with chants, songs, and deafening cheers. The throng grew so large and unruly that the polling officials were completely overwhelmed. After a hasty conference, they allowed the unprecedented election of a twenty-four-year-old to the office of curule aedile.
Afterward, with a wink and a laugh, Scipio denied any responsibility for engineering the “spontaneous” near- riot that resulted in his election. “If all Roma wants to make me aedile,” he said, “well, then-I must be old enough!” Surprised or not by his election, he seemed quite ready to take office. On the very day he assumed the aedileship, he announced a detailed plan for putting on the most lavish Roman Games ever produced. “The city needs a celebration,” he declared, “an escape from months and years of constant worry. This year, let the games be not a patriotic duty, but a pure delight!”
A few grumblers complained that election laws that had served Roma for centuries had been broken to reward an upstart youth, and that Scipio’s bland disavowals of self-promotion proved him to be devious and disingenuous. Well, thought Kaeso, what politician was not? And if anyone deserved to have the rules bent on his behalf, was it not the young hero of the Ticinus and Cannae? Kaeso was in awe of his friend’s relentless drive and ambition, and hardly surprised by his extraordinary popularity. It seemed to Kaeso that no man was more deserving of every man’s love.
For the theatrical program, naturally enough, Scipio solicited a comedy from Kaeso’s company. After consulting with Plautus, Kaeso suggested
It was a daring gamble. In the aftermath of Cannae, Gracchus had canceled the play, fearing that its portrayal of a vain, lecherous military man would be taken as a distasteful lampoon of Roma’s defeated generals. But now, with the insertion of a few new puns and some hints from the costuming-would a patch over one eye be too obvious? — the character of the Swaggering Soldier might be seen as a parody of the most arrogant military man of all-Hannibal. Until now, the Romans’ dread of the Carthaginian had been too great to indulge in satire, but in the years since Cannae he had shown himself to be indecisive and increasingly fallible. The Romans still loathed and despised Hannibal; were they ready to laugh at him?
When Scipio came to Kaeso’s house for a copy of the play, Kaeso expected him to take it and read it at his leisure. Instead, Scipio began to read it at once. Kaeso left him alone in his study, and for a while paced nervously in his garden. Then he heard Scipio laugh. For the next hour, the laughter continued with hardly a break. Finally, Scipio stepped into the garden, clutching the scroll in one hand and wiping away a tear of laughter with the other. He flashed a mischievous grin, looking as carefree as a boy who had yet to don his first toga.
“Hilarious! Charming! An utter delight! The lovers get each other, and the Swaggering Soldier gets his comeuppance-a sound flogging, right there on the stage! ‘Serve all lechers so, and lechery would cease to grow’- indeed! It’s the ideal play for the occasion. By Hercules, I needed to laugh like that-and so do the people of Roma! They’re going to love it, and they’re going to love me for treating them to it!” He tapped Kaeso’s chest with the scroll. “You’re a clever fellow, Kaeso Fabius Dorso.”
Kaeso lowered his eyes. “Plautus is the clever one.”
“Of course he is. But without you to finance the company, the playwright would have no stage, and without a stage, all his clever lines would be no more than whispers in the wind. Don’t sell yourself short, Kaeso. You have an eye for talent, just as a good general has an eye for bravery. You’re a valuable fellow to know.” The play had put Scipio in such a facetious mood that he tousled Kaeso’s hair, then gave his backside a playful swat with the scroll.
Kaeso blushed so furiously that Scipio drew back and blinked at him in wonder, then swatted his backside again and laughed uproariously. Kaeso drew a sharp breath, then he began to laugh, too. He laughed at himself, at the absurdity of the world, at the ridiculous vanity of the Swaggering Soldier. He laughed until his sides ached and tears flowed from his eyes. He had not laughed like that in a very long time.
The splendor of the Roman Games that year was on a scale such as Roma had never witnessed before. The sacred rites atop the Capitoline exuded an air of buoyancy and optimism; men smiled as they intoned the ancient formulas to dedicate the festivities of the coming days to Jupiter, greatest of gods. The procession to the Circus Maximus became a joyous celebration, led by brightly clad charioteers on horseback, strutting boxers in scanty loincloths, and dancers twirling javelins to the music of flutes, lyres, and tambourines. Mimes in the guise of satyrs scurried in and out of the crowd, pinching bottoms and eliciting screams of laughter from the women and girls. Griffin-headed censers hung from poles were swung about, scenting the air with clouds of incense.
In the vicinity of the Circus Maximus, the perfume of the censers gave way to the aroma of meat roasting in the open air, the scent of freshly baked bread, the tangy smell of pickled fish, and the delicate odor of salted olives served in oil. No curule aedile had ever fed the citizens of Roma so well, or so copiously. There was so much food on offer, in so many places, that hardly anyone had to stand in line, and everyone could go back as many times as he wished. The Feast of Jupiter would last all day, and continue the next day as well. It was as if every man, for a couple of days, was a rich man, with a belly as full as he could want and his hours filled with leisure, secure in the blessings of Jupiter.
In the midst of the feasting, a fresh-faced youth with a powerful voice-one of Plautus’s actors-in-training- stood on a box and addressed the crowd. “Citizens! Stop stuffing your faces for an hour and come see
People in the crowd began to laugh, if only at hearing the boy wrap his tongue around the absurdly convoluted Greek names.
“Come, citizens, and behold the heartsick Pleusicles, a young man desperately in love, as he does his best to rescue the soldier’s concubine! Come, see the angry old man Periplectomenus…” The boy raised his eyebrows and pressed a forefinger to lips. “And whatever you do,
The boy jumped from the box, produced a pipe, and played a merry tune to lead the spectators into the Circus Maximus.
Underneath the stage, Kaeso stood not far from the trapdoor-Plautus had thought of a number of ingenious ways to use it during the play-and peered through a peephole to watch the bleachers fill up. Scipio, he noticed, was among the first to arrive, taking his place in the dignitary’s section along with a retinue of friends and colleagues. The day was mild and the sky was clear, with no sign of rain. The feast had put the audience in a happy mood, ready to be entertained. With full bellies and a warm sun, the danger was that they might fall asleep.
As it turned out, there was no chance of that. Any spectator who nodded off for even an instant would have been awakened by the roars of laughter around him. The players did an outstanding job. During rehearsals, Kaeso had never seen them attack Plautus’s lines with such vigor; the laughter of the audience inspired them to outdo themselves. On that day, as never before, Kaeso saw the living proof of a belief that Plautus, after several cups of wine, had once confided to him: “When does comedy become sublime? When there is a collaboration in equal measures between playwright, players, and spectators, all working together in harmony to delight the gods with the music of human laughter. When men laugh, the gods laugh, and for a brief time this miserable world becomes not merely bearable, but beautiful.”
