Part 2
Chapter Six
Coroner Hugel's sunken cheeks, Detective Littlemore noticed on Tuesday morning, were looking even hollower than usual. The pouches below his eyes had pouches of their own, the dark circles their own circles. Littlemore felt sure his discoveries would boost the coroner's spirits.
'Okay, Mr Hugel,' said the detective, 'I went back to the Balmoral. Wait till you hear what I got.'
'You spoke with the maid?' Hugel asked immediately.
'Doesn't work there anymore,' answered the detective. 'She was fired.'
'I knew it!' the coroner exclaimed. 'Did you get her address?'
'Oh, I found her all right. But here's the first thing: I went back to Miss Riverford's bedroom to look at that molding on the ceiling — you know, the bowling-ball thing you said she was tied up to? You were right. There were rope threads on it.'
'Good. You secured them, I trust?' said Hugel.
'I got 'em. And the whole ball too,' said Littlemore, provoking an unpleasant look of foreboding on the coroner's face. The detective continued: 'I didn't think it looked very strong, so I got up on the bed and gave it a good yank, and it broke right off.'
'You didn't think the ceiling looked very strong,' the coroner repeated, 'so you gave it a yank, and it broke. Excellent work, Detective.'
'Thanks, Mr Hugel.'
'Perhaps you could destroy the whole room next time. Is there any other evidence you damaged?'
'No,' answered Littlemore. 'I just don't get the way it broke off so easy. How could it hold her up?'
'Well, it obviously did.'
'There's more, Mr Hugel, something big. Two things.' Littlemore described the unknown man who left the Balmoral around midnight on Sunday carrying a black case. 'How about that, Mr Hugel?' asked the detective proudly. 'It could be him, right?'
'They're certain he wasn't a resident?'
'Positive. Never saw him before.'
'Carrying a bag, you say?' asked Hugel. 'In what hand?'
'Clifford didn't know.'
'You asked?'
'Sure did,' said Littlemore. 'Had to check the guy's dexterity.'
Hugel grunted dismissively. 'Well, it's not our man anyway.'
'Why not?'
'Because, Littlemore, our man has graying hair, and our man lives in that building.' The coroner grew animated.
'We know Miss Riverford had no regular visitors. We know she had no visitors from outside the building on Sunday night. How then did the murderer get into her apartment? The door was not forced. There is only one possibility. He knocked; she answered. Now, would a girl, living alone, open her door to just anyone? In the nighttime? To a stranger? I doubt it very much. But she would open it to a neighbor, someone who lived in the building — someone she was expecting, perhaps, someone to whom she had opened her door before.'
'A laundry guy!' said Littlemore.
The coroner stared at the detective.
'That's the other thing, Mr Hugel. Listen to this. I'm down in the basement of the Balmoral when I see this Chinaman tracking clay — red clay. I took a sample; it's the same clay I saw up in Miss Riverford's room, I'm sure of it. Maybe he's the killer.'
'A Chinaman,' said the coroner.
'I tried to stop him, but he got away. Laundry worker. Maybe this guy makes a laundry delivery to Miss Riverford on Sunday night. She opens the door for him, and he kills her. Then he goes back down to the laundry, and nobody's the wiser.'
'Littlemore,' said the coroner, taking a deep breath, 'the murderer was not a Chinese laundry boy. He is a wealthy man. We know that.'
'No, Mr Hugel, you figured he was wealthy because he strangled her with a fancy silk tie, but if you work in a laundry you clean silk ties all the time. Maybe this
Chinaman steals one from there and kills Miss Riverford with it.'
'With what motive?' asked the coroner.
'I don't know. Maybe he likes killing girls, like that guy in Chicago. Say, Miss Riverford comes from Chicago. You don't think — ?'
'No, Detective, I don't. Nor do I think your Chinaman has anything to do with Miss Riverford's murder.'
'But the clay — '
'Forget the clay.'
'But the Chinaman ran when — '
'No Chinaman! Do you hear me, Littlemore? No Chinaman figures in any way in this murder. The killer is at least six feet tall. He is white: the hairs I found on her body are Caucasian. The maid — the maid is the key. What did she tell you?'
I got to breakfast with about fifteen minutes to spare before I was to call on Miss Acton. Freud was just sitting down. Brill and Ferenczi were already at table, Brill with three empty plates in front of him and at work on a fourth. I had told him yesterday that Clark would pay for his breakfast. He was evidently making up for lost time.
'Now this is America,' he said to Freud. 'You begin with toasted oats in sugar and cream, then hot leg of lamb with French-fried potatoes, a basket of raised biscuits with fresh butter, and finally buckwheat cakes with syrup tapped from Vermont maples. I am in heaven.'
'I am not,' Freud replied. He was apparently in some digestive distress. Our food, he said, was too heavy for him.
'For me too,' complained Ferenczi, who had nothing but a cup of tea before him. He added unhappily, 'I think it was mayonnaise salad.'
'Where is Jung?' asked Freud.
'I haven't any idea,' answered Brill. 'But I do know where he went Sunday night.'
'Sunday night? He went to bed Sunday night,' said Freud.
'Oh, no, he didn't,' Brill replied, in what was evidently meant to be a tantalizing tone. 'And I know whom he was with. Here, I'll show you. Look at this.'
From below his seat, Brill withdrew a thick sheaf of papers, wrapped in rubber bands, perhaps three hundred pages. The top page read, Selected Papers on Hysteria and Other Psychoneuroses by Sigmund Freud, translation and preface by A. A. Brill. 'Your first book in English,' said Brill, handing the manuscript to Freud with a glowing pride I had never seen him reveal before. 'It will be a sensation, you'll see.'
'I am overjoyed, Abraham,' said Freud, returning the manuscript. 'Really I am. But you were telling us about Jung.'
Brill's face fell. He rose from his seat, lifted his chin, and declared haughtily, 'So that is how you treat my life's work of the last twelve months. Some dreams do not require interpretation; they require action. Good- bye.'
Then he sat down again.
'Sorry, don't know what came over me,' he said. 'Thought
I was Jung for a moment.' Brill's rendition of Jung — which had been remarkable — put Ferenczi in stitches but left Freud unmoved. Clearing his throat, Brill directed our attention to the name of his publisher, Smith Ely Jelliffe, on the manuscript's tide page. 'Jelliffe runs the Journal of Nervous Disease,' said Brill. 'He's a doctor, rich as
