'Did you hear that? She calls me uneducated,' Mrs Acton said to her husband. 'Not those glasses, Harcourt, use the ones on top.'
'Father?' asked Nora.
'Well, Nora,' said Acton, 'we must consider what is best for you.'
Nora looked at her parents with undisguised fury. She ran from the room and up the stairs, not stopping on the second floor, where her own bedroom was, or the third, but continuing all the way to the fourth, with its low ceilings and small quarters. There she ran straight into Mrs Biggs's bedroom and threw herself on the old woman's bed, burying her head in the rough pillowcase. If her father did not let her go to Barnard, she told Mrs Biggs, she would run away.
Mrs Biggs did her best to comfort the girl. A good night's sleep, she said, would do a power. It was almost midnight when, at last, Nora consented to go to bed. To be sure she felt safe, Mrs Biggs saw to it that Mr Biggs was positioned on a chair outside Nora's bedroom door, with instructions to remain there the whole night through.
The old servant never once deserted his post that night, although he nodded off before too long. The police officers likewise remained on duty. Which made it quite surprising when, in the black of night, the girl suddenly felt a man's handkerchief pressing hard against her mouth and the cold, sharp edge of a blade on her neck.
Never having been to Jelliffe's home, I was unprepared for its extravagance. The word apartment was inapposite, unless one had in mind the phrase royal apartments, as for example at Versailles, which was evidently the dwelling Jelliffe intended to bring to mind. Blue Chinese porcelain, white marble statues, and exquisitely turned legs — highboy legs, davenport legs, credenza legs — were everywhere on display. If Jelliffe meant to convey to his guests an impression of personal wealth, he succeeded.
I knew Freud well enough by now to see he was repelled; the Bostonian in me had the same reaction. Ferenczi, by contrast, was unaffectedly overwhelmed by the splendor. I overheard him exchanging pleasantries with two elderly female guests in Jelliffe's living room before dinner, where servants offered us hors d'oeuvres from gold, not silver, trays. In his white suit, Ferenczi was the only man present not wearing black. It did not seem to discomfit him in the least.
'So much gold,' he said admiringly to the ladies: in the high ceding above us, heavenly plaster scenes were lined with gold leaf. 'It reminds me of our Operahaz, by Ybl, in Budapest. Have you been?'
Neither of the two ladies had. Indeed, they professed confusion. Hadn't Ferenczi just told them he came from Hungary?
'Yes, yes,' said Ferenczi. 'Oh, look at that little cherub in the corner, with the tiny grapes hanging out of his little mouth. Isn't he adorable?'
Freud was engrossed in conversation with James Hyslop, retired professor of logic at Columbia, who sported an ear trumpet the size of the horn on a Victrola talking machine. Jelliffe had attached himself to Charles Loomis Dana, the eminent neurologist and, unlike our host, a member of the same circles as my Aunt Mamie. In Boston, the Danas are royalty: Sons of Liberty, intimates of the Adamses, and so on. I knew one of Dana's distant cousins, a Miss Draper, from Newport, where she had more than once brought down the house with her impersonation of an old Jewish tailor. Jelliffe reminded me of a glad- handing senator. He had a look of high self-worth, carrying his impressive girth as if corpulence were next to manliness.
Jelliffe pulled me into his group, whom he was regaling with stories about his famous client, Harry Thaw, apparently living like a king in the hospital where he was confined. Jelliffe went so far as to say he would trade places with Thaw at the drop of a hat. What I drew from these remarks was that Jelliffe relished the celebrity of being Thaw's psychiatrist. 'Can you imagine?' he added. 'A year ago he had us all attesting to his insanity, to clear him of murder. Now he wants us to swear to his sanity to get him out of the asylum! And we shall get him out!'
Jelliffe roared with laughter, his arm around Dana's shoulder. Several of his listeners joined in; Dana decidedly did not. About a dozen guests, all told, were scattered about the room, but I understood that one more was expected. Soon enough, a butler opened the doors and preceded a woman into the room.
'Mrs Clara Banwell,' he announced.
'Can you psychoanalyze anyone, Dr Freud?' asked Mrs Banwell, as the party entered Jelliffe's dining room. 'Can you psychoanalyze me?'
On certain social occasions, otherwise dignified and serious men will begin behaving unconsciously like players on a stage, performing as they talk, acting as they gesticulate. The cause is invariably a woman; Clara Banwell produced that effect on Jelliffe's male guests. She was twenty- six, her skin the white of a powdered Japanese princess. Everything about her was perfectly formed. Her shape was exquisite. Her hair was forest-dark, her eyes sea-green, with the luster of a fine provoking intelligence. An iridescent Oriental pearl hung from each ear, and a single large pink conch pearl, encased in a basket of diamonds and platinum, hung below her neck on a silver thread. When she hinted at a smile — and she never more than hinted — men fell at her feet.
In 1909, the guests at a fashionable American dinner made a pairwise procession when called to table, every woman escorted on the arm of a man. Mrs Banwell was not on Freud's arm. She had lightly dropped her fingers on Younger's wrist at the decisive moment, but still she managed to address herself to Freud, while capturing the attention of the entire party as she did so.
Only that morning, Clara Banwell had returned to town from the country, in the same car with Mr and Mrs Harcourt Acton. Jelliffe had run into her in the lobby of their building quite by accident. The moment he learned that her husband, Mr George Banwell, was to be otherwise engaged, he begged Clara to attend his dinner that evening. He assured her she would find the guests most interesting. Jelliffe found Clara Banwell utterly irresistible — and her husband equally unbearable.
'What women want,' Freud replied to her question, as the guests took their seats at a table shimmering with crystal, 'is a mystery, as much to the analyst as to the poet. If only you could tell us, Mrs Banwell, but you cannot. You are the problem, but you are no better able to solve it than are we poor men. Now, what men want is almost always apparent. Our host, for example, instead of his spoon, has picked up his knife by mistake.'
All heads turned to the smiling, bulky form of Jelliffe at the head of the table. It was so: he had his knife — not his bread knife, but his dinner knife — in his right hand. 'What does that signify, Dr Freud?' asked an elderly lady.
'It signifies that Mrs Banwell has aroused our host's aggressive impulses,' said Freud. 'This aggression, arising from circumstances of sexual competition readily comprehensible to everyone, led his hand to the wrong instrument, revealing wishes of which he himself was unconscious.'
There was a murmur around the table.
'A touch, a touch, I do confess it,' cried Jelliffe with unembarrassed good spirits, wagging his knife in Clara's direction, 'except of course when he says that the wishes in question were unconscious.' His civilized scandalousness elicited a burst of appreciative laughter all around.
'By contrast,' Freud went on, 'my good friend Ferenczi here is fastidiously securing his napkin to his collar, as a bib is tucked into a child. He is appealing to your maternal instinct, Mrs Banwell.'
Ferenczi looked about the table with good-natured perplexity: only then did he notice that he was alone in this particular use of his dinner napkin.
'You conversed at length with my husband before dinner, Dr Freud,' said Mrs Hyslop, a grandmotherly woman seated next to Jelliffe. 'What did you learn about him?'
'Professor Hyslop,' replied Freud, 'will you confirm something for me, sir? You did not mention to me your mother's first name, did you?'
'What's that?' said Hyslop, holding his ear trumpet high.
'We didn't speak of your mother, did we?' asked Freud.
'Speak of Mother?' repeated Hyslop. 'Not at all.'
'Her name was Mary,' said Freud.
'How did you know that?' cried Hyslop. He looked accusingly around the table. 'How did he know that? I didn't tell him Mother's name.'
'You certainly did,' said Freud, 'without knowing it. The puzzle to me is your wife's name. Jelliffe tells me it is Alva. I confess I had predicted a variant of Mary. I felt quite certain of it. Thus I have a question for you, Mrs Hyslop, if you will permit me. Does your husband by any chance have a pet name by which he calls you?'
'Why, my middle name is Maria,' said a surprised Mrs Hyslop, 'and he has always called me Marie.'
