'Got to go to Grand Central,' said Littlemore to Younger as they walked down Wall Street toward the subway station at the corner of Broadway, where, directly facing them at the end of Wall Street, the dim Gothic spires of Trinity Church loomed up in the night sky. 'Want to come?'
'I'm meeting Colette,' said Younger. 'Here at the church.'
'Hope you aren't planning to take her some place fancy,' said Littlemore, looking at Younger's scarred clothing.
'Strange — where is she? She should have been here by now.' They were still a half block from the church, but there was a streetlamp outside its entrance, where Younger had expected Colette to be waiting.
'Say, how's the Miss doing?' asked Littlemore. 'Wasn't she meeting some bigwig tonight?'
'Arnold Brighton.'
'No kidding. You know, I wonder if-'
Littlemore had not finished this sentence when Colette came running frantically around the side of the church. She stopped at the iron lamppost, body heaving for lack of breath. Younger called out her name.
'Stratham?' she answered, full of alarm. Although Colette was visible to the two men, they were in darkness, invisible to her. She set off toward the sound of Younger's voice. 'Thank God.'
The twin doors of Trinity Church burst open, revealing an arched portal flooded with light from within the church. Beneath that arch stood Arnold Brighton, his face a glowing chartreuse orb, his eyes starkly white by contrast. Next to him was Samuels.
'There she is!' cried Brighton, pointing to the figure running down Wall Street. 'Shoot her!'
Samuels fired. Colette disappeared from below one streetlight and reappeared below the next. She hadn't been hit. Younger stepped forward to gather her in, trying to put his back between her and the gunfire even as Samuels fired twice more. Colette fell hard into Younger's arms. He whirled her off her feet and carried her into the darkness of a storefront alcove.
Littlemore had taken cover behind a mailbox, checking all his pockets for a gun, but he had none, having lost his firearm underground. Now he scrambled on all fours to Younger as Samuels's bullets flew over his head. 'Is she all right?' he asked.
'I'm fine,' answered Colette, still in Younger's arms. Samuels held his fire, evidently unable to see his targets.
'You with the girl,' said a different voice directly behind them, boyish but trying to sound commanding. 'Let her go.'
Younger turned. The speaker was a fresh-faced soldier who had come running to investigate the gunshots. He pointed a rifle nervously at Younger, its bayonet much closer to his chest than Younger liked.
'Are you there, Miss Rousseau?' Brighton called out from the glaringly illuminated arch. 'Samuels, do you see her?'
'Oh, give me that,' muttered Younger to the soldier. In one motion, he set Colette on her feet, seized the boy's rifle, kneeled, took aim at the doorway of Trinity Church, and fired. His shot hit Samuels in the joint of his shoulder, nearly amputating his arm.
'You got him, Doc,' said Littlemore.
'Did I?' Younger shifted his aim just slightly.
Samuels fell to his knees, blood flowing prodigiously from his subclavian artery.
'What's the matter with you?' asked Brighton, looking down at his secretary with a mixture of perplexity and indignation. 'It's only one arm. Shoot with the other.'
Younger fired again.
Brighton's eyes opened wide. A dark red circle appeared in the middle of his green forehead. 'Oh, my,' said Brighton, before collapsing.
Younger threw the rifle to the soldier's feet. 'How quickly can you get us an ambulance?' he asked Littlemore. 'Colette's hurt.'
She was in fact badly cut on her legs, and her long-sleeved gloves were ripped in several places, revealing lacerations to her palms and forearms.
'I'll find a car,' said Littlemore, sprinting away. Within a minute, a dozen soldiers were running down Wall Street toward Trinity Church, where the bodies of Brighton and Samuels lay bleeding, and Littlemore had returned in Secretary Houston's Packard. Younger made Colette get inside.
'But they're only scratches,' she protested.
'We're going to a hospital,' said Younger, lowering himself next to her in the backseat.
She looked at him and smiled. 'All right. If you think we should.'
'Which hospital, Doc?' asked Littlemore, behind the wheel.
'Washington Square,' said Younger. 'Wait — I thought you were going to stop a war tonight. Did you?'
'Not yet,' answered Littlemore.
'Well, go stop it.' The two men looked at each other. 'Someone else can drive. She'll be all right. Go.'
'Thanks,' said Littlemore, who persuaded Houston's chauffeur to drive the car.
As they set off, Colette rested her head on Younger's shoulder. She didn't see him wince. 'It's finally over, isn't it?' she asked.
'Yes,' he answered. 'I think it is.'
It wasn't until Younger had failed to respond to the next several things she said that she noticed his closed eyes and touched the back of his shirt and felt it dampening with blood. Colette screamed at the driver to hurry.
At Grand Central Terminal, under the celestial ceiling of the main concourse, Littlemore found Officer Stankiewicz in plain clothes, together with Edwin Fischer, waiting for him at the round central information booth, which was capped by a gold sphere with clocks on all four sides. Littlemore shook hands with Stankiewicz, thanking him for doing unofficial duty. 'Everything okay?' asked Littlemore.
'So far, so good,' said Stankiewicz.
'Anybody make you?' asked Littlemore.
'Hard to tell up here, Cap. Too many people.'
Littlemore nodded. The station was bustling with the comers and goers of a Saturday night in New York City. A constant din of loudspeaker crackle filled the concourse with announcements of train numbers, destinations, and tracks.
'Okay, Stanky,' said Littlemore, 'you're going to Commissioner Enright's place. He's expecting you. Here's the address. And bust it; there's no time to lose. When you get back, meet me downstairs exactly where I showed you. Fischer, you're coming with me.'
Littlemore glanced around the concourse, then tapped his knuckles on the information counter. The attendant, whom the detective greeted by name, shuffled to a gate and let Littlemore and Fischer in.
'Why are we going in the information booth?' asked Fischer. 'Are we looking for information?'
'We're going down to the lower level. If they've got people watching the stairs and ramps, they won't see us.'
In the center of the round booth was a gold pillar with a sliding door, which Littlemore opened. The detective cleared away boxes of old schedules, revealing a narrow spiral staircase.
'A hidden stairwell,' said Fischer. 'I didn't know this was here.'
'You're in for a lot of surprises tonight,' replied Littlemore.
The spiral stairs led past a landing littered with empty liquor bottles. When they arrived at the bottom, they were behind another, smaller information window. Littlemore opened it and joined the throng of passengers in Grand Central's lower level. He led Fischer to an intersection of two broad and crowded corridors, where Officer Roederheusen, also in plain clothes, was waiting in an inconspicuous corner under a tiled, vaulted ceiling. Across the gallery was the Oyster Bar.
'They still in there?' Littlemore asked.
'Yes, sir,' said Roederheusen. 'Still eating.'
'Anybody see you?'
'No, sir.'
'Good job,' said Littlemore. 'Fischer, you and I are going to wait here until the Commissioner comes. Spanky, you go down to Washington Square Hospital on Ninth and see how Miss Rousseau's doing. Just stay put there
