inside.'
'Do you have a key?' sneered Cassidy.
'Don't need one, son. What's that?' He pointed into the darkened street. As Cassidy's head jerked to look there was the sound of breaking glass; when he turned back Frost seemed to be replacing an empty milk bottle on the step and the glass pane of the front door was shattered. 'Looks as if someone has tried to break in here,' said Frost. 'We'd better check.' He stuck his hand through the broken pane and unlocked the door from the inside.
Cassidy didn't want to get involved with any of Frost's corner cutting, but there seemed to be no chance of anyone finding out, so he followed him inside.
The hall light came on when Frost tried. There were two preprinted postcards on the door mat, one from the Electricity Board, the other from the Gas company. Both were dated that day and each said that their service engineer had called at 9 a.m.' 'as requested by you for the purpose of taking the final meter reading and cutting off the supply. He could obtain no answer. Please contact our office to make a fresh appointment.'
They moved through to the living-room. On the table were six carrier bags packed with the mother's personal effects. There was food in the fridge in the kitchen, a Marks and Spencer chilled meal and an unopened carton of milk. The bed was made with folded pyjamas on the pillow.
Frost poked around a few drawers, but they had been cleared out. 'He hasn't been here since last night,' he decided. 'The bed hasn't been slept in.'
'He could have made it after he got up,' said Cassidy.
'No, son. He was going back to Newcastle today. He was all packed up, ready to go. He might make the bed after he got up, but he wouldn't fold his pyjamas and bung them on the pillow. And he'd have opened up the milk for a cup of tea.' He chewed his thumb knuckle thoughtfully. 'He went out last night, but didn't come back. Why?'
'I'd have thought that was obvious,' snapped Cassidy. 'He killed the kids, then the mother and he's now on the run.'
'I can't buy that, son. Why should he try to make the mother's death look like suicide? It doesn't make sense.'
'You're looking for a rational explanation. The man's a nut-case.'
'If he chucked her in front of the train to make it look like suicide, why then has he done a bunk?'
'Perhaps he saw the train hadn't gone over her. He wanted the body all mangled up so we wouldn't spot the knife marks. When that didn't happen, he ran.'
Frost chewed this over. It was as plausible as some of his own stupid theories, but it would mean that Snell, who up to now had been content with drawing pin pricks of blood, was suddenly a frantic mass murderer. He poked in one of the carrier bags on the kitchen table. On the top was a silver-framed photograph of the eight-year-old Sidney Snell in a sailor suit, hair combed, face washed for the camera, clutching the hand of his young mother. A sweet and innocent child.. who grew up to be a pervert. 'OK,' he sighed. 'Get on to Newcastle. Ask them to keep an eye on his place and if he shows up, arrest him on suspicion of murder. Tell Control to radio all patrols if they see him, arrest him on sight.' He took one last look round the room. 'And get someone to check this place from time to time in case he comes back for his milk.'
The front door slammed behind them, echoing in an empty street. As their car turned the corner, a furtive figure emerged from the shadows of a derelict house on the opposite side of the road. Sidney Snell, shaking with fear. He had come back to the house to retrieve his belongings when some sixth sense warned him to wait. Sweat had broken out from every pore of his body when he saw Frost and Cassidy forcing their way in. He couldn't hear their car any more, but he hesitated, racked with indecision… Should he risk it and dash over to the house, or were they lurking round the corner waiting for him to do something stupid like that? He was tired and he was hungry. He'd had no sleep at all last night. The back of his hand was bleeding again. He sucked it and wound the dirty handkerchief tighter. What to do? God, what to do…?
The old woman was waiting for Frost as he pushed through the doors to the lobby. She hurried towards him, eyes glowing. 'You've got them back. The sergeant says you've got them back.'
He smiled, but she had wrong-footed him. Who the hell was she? Then he placed her. Of course… the old dear who'd had her husband's medals pinched. Bloody hell. He hadn't had time to sort out half the stuff they'd found stacked behind the cistern in Lemmy Hoxton's house. 'Your medal yes, love… If you'd like to formally identify it…'
He took her into the main interview room and they waited for Burton to lug in the large cardboard box. The medal, in its black case, was. near the top. It deserved more respect than being piled on top of the other junk. He gave it to her.
She beamed her delight. 'I never thought I'd see this again.' She took the DFM out and held it close to her cheek. 'He wanted our son to have it. There was going to be a baby, but I lost it when our house was bombed and I had a miscarriage. The doctor said it would have been a boy.'
Frost nodded in sympathy and explained they would have to hang on to the medal for a little while. 'Don't worry, love, it'll be safe here. I'll look after it.' Look after it! He grinned wryly to himself
… as well as I looked after forty grand's worth of jewellery from the Stanfield robbery? Which reminded him of the treat to come. He was going to have to face Mullett about that.
'And you've found the photographs. That's such a relief!'
Photographs? What was she on about?
There was a wad of photograph wallets held together with a rubber band in the box. Frost had only skimmed through them briefly. Most of them looked like family snaps. It seemed Lemmy had scooped up everything he could lay his hands on, whether it was of value or not.
She had pulled out the top wallet and was shuffling through the photographs. 'I'd hate to think of these falling into the wrong hands.' She gave Frost a conspiratorial wink and nodded towards Burton. 'Do you think he's old enough to see these?' She handed them over.
Frost stifled a yawn as he took the photographs. More black and white family snaps. Then he sat up straight. 'Bloody hell!'
Black and white postcard-sized prints, but not for family viewing. They showed a young, pert, dark-haired girl in a bedroom. Completely nude. 'Bloody hell!' he said again as the girl in the photograph cupped her breasts with widespread fingers to reveal rosebud-like nipples, or turned her back, peeping over her shoulder and showing a lovely tight bottom. Then his jaw dropped. He recognized her. He pointed to Mrs. Miller. 'It's you!'
She nodded roguishly. 'My husband did his own developing. He used to get his chemicals and paper from the R.A. F photographic section. It was hard to come by during the war.'
'Bloody hell!' repeated Frost for the third time. 'You were a little cracker.' He showed them to Burton who grinned his approval. Reluctantly, he stuffed them into the wallet and handed them back to her. 'You'd better take these with you, love. They'll get us all too excited if you leave them here.'
She dropped them in her handbag and snapped it shut. 'I wasn't always old, you see,' she said wistfully.
'Good job I wasn't around then,' said Frost. 'Your husband wouldn't have got a look in.' He showed her out. When he returned to the interview room, Burton was packing the stuff back in the box.
'Hold on, son,' said Frost. 'Let's see what other goodies Lemmy had stacked away.'
In an old chocolate box they found lots of pornographic photographs, some involving children. There was a set of photographs of a man dressed in women's underwear. Frost showed them to Burton. 'I like his frilly knickers, but the beard puts me off.' There were letters. Frost read through one and whistled softly. 'This is a blow by blow description of what this couple got up to while her old man was away,' he told Burton. 'And I use the word 'blow' advisedly.'
'This one's a bit naughty too,' said Burton, showing him a deckle-edge sheet of light green notepaper.
Frost found another letter, still in its envelope which gave the name of the recipient. An address Frost recognized. Inside was a letter and a Polaroid colour print of a woman bending over an armchair. A big, hefty woman. Her skirt was up and her knickers were round her ankles. A man in a mortar-board and gown was standing over her, wielding a long leather strap. Frost skimmed through the letter. The writer, a man, was arranging to call round the following evening and was detailing the punishment he meted out to naughty girls. His name and address were not included. Stapled to it was the carbon of a letter to him from the woman explaining how naughty she had been. 'Some old tom!' sniffed Burton.
'Not an old tom as it happens,' corrected Frost. 'She's a retired civil servant… lives in one of those posh houses in Charter Street.'
