deep inside. If you're not paying attention, you can miss it.'
Then Hitch came out carrying two large cardboard boxes. He set them down on the table next to the Jacuzzi.
'Here's the Vulcuna case. The homicide team that worked this in eighty-one was out of Hollywood Division. Norris and McKnight.'
'Jack McKnight?'
'Yeah, you know him?'
'Met him once. An old patrol car gunfighter who was working Hollywood Homicide about the same time I first came on the job. They called him 'Midnight Jack McKnight' because the guv was always working a bunch of moonlighting jobs. If I remember correctly, he lives at the marina now. Retired.'
Hitch pulled out the leather journal and read from it. 'Marina del Ray, slip B-243.'
'We should go talk to him.'
'I already set up an appointment to go out there at nine thirty, after dinner,' Hitch said. 'Tonight's his bowling night, but he said he'd be back by then.'
'You were gonna go without me?'
'Yeah,' he said unabashedly. 'Until you showed up, that was my plan.'
He reached into the box and pulled out McKnight and Norris's old murder book. It contained all their thoughts and drawings on the case. Usually it also had duplicate crime-scene photos and autopsy shots.
I flipped through, reading notes, studying their crime-scene pencil graphs, looking for photos of the double murder/suicide. There wasn't much here.
Hitch said, 'Their notes say the Luger jammed after the first shot. Vulcuna fired one to his head. It went all the way through his skull and ended up in the headboard.'
'There had to be two shots because we found the other slug in the backyard,' I said. I continued to flip through the book and realized there were no crime-scene or autopsy photos in here at all.
Hitch reached into the box and pulled out the Luger. It was in a plastic evidence bag. The magazine was in a separate pouch. He took an inventory sheet from the box.
'Eight-round magazine. According to this, only one was fired. We'll get ballistics to match the slug we found to this gun.'
I looked in the second box, which was loaded with physical evidence labeled Baggies with hair and fiber, bloody clothes. Then I saw an old book with an ornate spine and pulled it out.
'The Divine Comedy,' I said, reading the cover.
'That's right,' Hitch said. 'By Dante Aligheri. The guy was a great Florentine poet who died in the early thirteen hundreds. The Divine Comedy isn't a comedy like the kind Jim Carrey makes. In Italian literature, a comedy is defined as a story that begins in sorrow and ends in joy.' Hitch was proving to be well read with wide-ranging interests, yet I didn't think he ever went to college.
I was looking for the marked passage. A paper clip pinned the page. I found the underlined paragraph and read it aloud.
''Midway upon the journey of my life, I found myself within a forest dark, for the straightforward pathway had been lost.''
'Kapow,' Hitch said. I looked up and saw that he had made a gun out of his thumb and forefinger and had pointed it at his head.
'It feels like bullshit,' I said.
'Ya think?' He grinned. I'm telling you, Shane, there is a lot more here than a double murder/suicide. When we get it all together, Act One is gonna rock. The movie producer in me feels this fact resonating in my bones.'
As I was closing the book, I happened to see something written on the inside of the front cover up by the top. In light pencil script, somebody had written San Diego.
'San Diego?' I said.
'Vulcuna or his wife probably bought that in a used book shop. These old books go hand to hand. Very few belong to the original owners. This one was published in 1912, probably sold at a bunch of book sales over the years. One was probably down in San Diego. God knows how many people could have owned that before Vulcuna finally got it.'
'I wonder where the crime-scene and autopsy pictures are?' I asked.
'Old case like this, they could be anywhere. Lost even.'
I put The Divine Comedy back in the evidence box.
'Let's eat,' he said.
The galletto alia piastra was delicious. The pasta ripiena was also knockout. The wine was a Louis Jadot pinot noir. For dessert, Crystal brought out two plates of tiramisu.
She set one down in front of Hitch, the other before her own place. She went back into the kitchen and returned a minute later with a small platter of brown gunk with a parsley sprig stuck on the top.
She set it carefully in front of me.
I sniffed it. Smelled like peanut butter.
'What the hell is this?' I said, peering suspiciously down at it.
'Bullshit, prepared in the French style,' Hitch said, grinning.
Chapter 28
I followed Hitch's Carrera into the parking area for the B-Basin 200 Dock at Marina del Rey and parked in front of the boat ramp. As we got out of our cars, Hitch was on his phone. He walked across the pavement toward me as he yakked, then flipped the cell shut and helped me lift the two evidence boxes from my trunk.
'That was McKnight. He's on his way up to let us in.'
We walked to the locked gate, which was about nine feet tall. The dock was further protected by chain-link fencing on either side of the gate.
I saw a hunched-over figure of a man moving through the pools of light that illuminated the 200 Dock. He was lumbering along, limping slightly as he made his way slowly up the ramp to where we were standing.
'Hi,' he said, a little out of breath. 'I'm McKnight. Which one a you guys is Hitchens?'
'That's me,' Hitch said. 'This is my partner, Detective Scully.'
'Hang on a minute while I get this open.' He fiddled with the latch and pulled the gate wide.
We shook hands, which was a little tough because Hitch and I were each carrying an evidence box.
'What's in there?' McKnight asked.
'Vulcuna,' Hitch told him.
'No shit. There's an old one,' he said. 'Come on out to the boat, I'm fucking freezing. You get old, you're always cold.'
We followed him down the ramp onto the dock. He was much thinner and frailer than I remembered. Age was slowly pulling McKnight down as if it were a gnarled hand reaching up from the grave. Back when I was in patrol he'd been one of those robust street gorillas. Brass balls, big shoulders, and plenty of attitude. McKnight was never afraid to go through a door first. He'd morphed from that kick-ass cop into a craggy, wizened old guy whose face seemed arranged in a permanent scowl.
'Watch your step,' he warned as we approached his slip. 'This asshole neighbor of mine never flemishes his mooring lines.'
He pointed at the ropes on the neighboring dock, which secured a thirty-foot Sea Ray and looked like a plate of spaghetti. By contrast McKnight had made neat, tight spirals of his. He mounted the gangplank leading to the beautiful forty-foot Bertram Sport Fisher. The mat on the dock by the boarding steps read: COME BACK WITH A WARRANT.
'Take off your shoes,' he requested as he stepped out of his. 'Saves the teak from getting scuffed.'
Hitch and I shucked our loafers off, left them on the dock and stepped aboard. His boat was white with blue trim and was immaculately cared for.
