appeared to be of rural desert areas. He opened them and saw two towns marked with a circle: Maicao and Culcata. He set the maps back down in the box where he had found them, then continued out of the dining room into the living room.
It was almost completely empty, except for one small camp stool and two Coleman lanterns. A small hibachi for cooking was set into the hearth where the smoke would go up the chimney. There was a corner-hanging lamp. Shane tried the light switch, but the power was also off. Shane kept his gun handy as he moved silently down a dark hallway into the bedroom, where he found a sleeping bag laid out on the threadbare carpet. Nothing else was in the room.
The jackpot was in the bedroom closet.
When Shane slid the mirrored sliding door open, he was looking at an arsenal of illegal weapons propped up against the back wall: an Uzi, complete with a Grumman laser sight, and two Heckler amp; Koch fully automatic machine pistols stacked next to two fully automatic AK47s. On the top shelf were boxes of 9-and 7.62-millimeter ammunition and a collection of thirty-round banana clips. Also in the closet was a black radio identical to the one he'd found at Mark Shephard's house. Shane took it down, set it on the floor and examined it. The dial was set to the same high-band UHF frequency: 367.23.
He switched it on; a whispered voice immediately staccatoed in the small bedroom but was overcome by another takeoff. The jet engines rattled the windows in their frames as the plane screamed overhead. Once it was gone and silence returned, Shane heard:
'Copy, W-6. There's a bird in your attic.' A man's voice, whispery and coarse, followed by a hissing sound. Then a second voice crackled: 'I saw him. Tell Sawdust we're in and watertight. Move the truck to the tip of the triangle. Hot Rod is holding the Alley. Inky Dink, gimme an update.' Then he heard a black-sounding voice, low and resonant: 'Pimp Daddy's in the house. Where's he get the white disco boots and them funky purple hats? Man, I gotta get me some a'dat.'
Then unmistakably, Jody: 'Hey, Inky Dink, cut the cross-talk. Take care of business. We don't take these guys till they come out with the package.'
'Affirmative,' the African American replied.
'Hot Rod, gimme your twenty,' Jody demanded.
This time, a man with a Mexican accent: 'I'm parked in the gas station across from the house.'
'Okay. Till the party moves, stay back. Everybody hold position. Be ready to jam.'
'Roger that… I'm parked and dark and ready to bark.' The black voice again.
Shane had heard this sort of broadcast hundreds of times on police tactical frequencies. It was some kind of field surveillance, probably on a drug deal. This radio, like the one in Shephard's house, looked as though it had some kind of scrambler attached. It weighed almost twenty pounds-too heavy to lug around while he searched the house, so Shane switched it off and put it back in the closet, placing it up on the top shelf with the ammo and banana clips. There he noticed several boxes of earplugs like the ones they handed out at the Academy shooting range, answering his question of how anybody could live in these houses with the constant noise pollution overhead. Shane momentarily debated inserting some to deaden the racket, but he immediately rejected the idea. It was better to have frayed nerves than a deadly surprise.
He took out his small digital camera and photographed the arsenal in the closet. In the back, way down at the end, were two suits of Kevlar body armor. He slid the closet door closed, then moved through the rest of the house, photographing it all. The bathroom contained another jug of bottled water and some toiletries. When he finished, he exited the house and relocked the back door.
Shane darted across the street, where he could see that another set of tire tracks had turned into the driveway of a house there. He walked toward the gray stucco Spanish-style bungalow, again staying off the pavement to avoid leaving footprints in the fine black powder.
The back door was unlocked, so he pushed it open and walked into the pantry, then into the kitchen.
Just as with the first house, it looked to Shane as if only one person was living here. But this place was a mess: paper plates and plastic cups were thrown on the floor; McDonald's wrappers and stale fries were kicked into the corner. Again, no furniture, but another hibachi was in the hearth. It didn't look as if these guys cooked and ate their meals together. The same general setup existed, except in this bathroom Shane found a hand mirror with what looked like a residue of powder on it.
'Shit,' he said softly as he ran a finger over the white dust, touched it to his tongue, experiencing the sharp, bitter taste of cocaine.
Shane left the house and, following more tire tracks deeper into the neighborhood, found another, one block over on Sutter Street. Then he found a fourth and a fifth house. Crystal meth, cocaine, and uppers were in three of the last four bathrooms; more weapons and Kevlar vests were in the closets. He also found one more black UHF radio. Several of the weapons he discovered still had LAPD evidence tags wired to their trigger guards with old case numbers on them, telling him that this ordnance had been stolen from the munitions locker downtown, where confiscated street weapons were held after being used in court prior to being destroyed.
He lost track of time as he wandered through the last house on Dolores Street. Every two minutes, without fail, another plane took off, rattling windows, roofs, and Shane's confidence.
Suddenly, out of the corner of his eye, he saw movement, then heard the sound of a car engine. He looked out the side window of the house and saw a gray van pulling up the street, followed by several cars. One of them was the orange-and-black Charger he'd seen Jody driving on the San Diego Freeway.
'Damn!' he said under his breath, cursing his lack of vigilance, as one of the cars pulled into the driveway of the house where he was hiding. Shane crossed to the front door. Through the small glass eyehole, he saw a tall, muscular African American man wearing a baseball cap get out of a Chevy pool-cleaning truck. He was carrying an assault weapon and a Kevlar vest. The man moved slowly up the walk toward the house. Then he heard somebody yelling from across the street:
'Hey! Somebody's been inside my crib!'
Shane turned and ran toward the back door, flung it open, and sprinted into the backyard.
'Muthafucka's over here!' he heard the African American shout.
Suddenly an assault weapon let loose close behind him, and as Shane darted across the yard, he felt a stream of lead stir the air by his head just as he ducked around the garage. He spun back in time to see the entire rear corner of the wood building turn into chunks of flying debris and stucco dust as more automatic gunfire chewed into it. He fired three shots blindly in the direction of his assailant, to slow him down and give him something to worry about. Then Shane turned and ran between the garage's back wall and a ramshackle grape-stake fence. He leaped up, grabbed the top of the wood rail, and flipped over, landing in another weed-ridden backyard. This one was also deserted, except for a rusting swing set on a cracked concrete patio.
'Cut him off! He went over the back fence!
Block the alley!' the voice behind him yelled. Shane heard footsteps slapping concrete in the driveway of the backyard where he was now trapped. He aimed his Mini-Cougar at a spot where he estimated the running man would appear, and waited. His heart was slamming so hard in his chest, he could see his gun pulsing at the end of his triangled grip.
In a moment a huge man came around the corner of the house. He saw Shane and quickly brought a MAC-10 automatic pistol up to fire, but Shane was ready and got his round off first. The muscle-bound man went down screaming, his right thigh blown open, now firing his MAC-10 wildly, bullets sparking off plaster and concrete.
Shane ran directly at him and kicked the man savagely in the head. Then he snatched the MAC-10 out of his weakened hand and sprinted up the driveway.
Surprisingly, despite the gunfire, there was nobody out on the street. A red Ford Fairlane was at the curb, still idling. The fallen giant must have just left it there.
Shane ran to the car, jumped in, put it in gear, and took off. He accelerated up the street just as three men appeared at the intersection behind him and opened up. The Fairlane bucked and shook as magnum-force weapons fire poured into it. Suddenly, his back window and two rear tires exploded. He spun the wheel, taking the corner at the end of the block, squealing on ruptured rubber and sparking rims. He was now heading toward the padlocked fence at Florence Avenue.
'SHIIIIIIT!' he yelled, flooring it. The car wobbled on blown, flapping tires. As it hit the chain-link fence, Shane was thrown into the dash. The car bowed the metal gate, then the tortured hinges popped free and the gate flew open. The Fairlane rumbled through, coming to a stop on Florence Avenue.
