And it seems, somehow, impossibly, that she knew it would come to this, rooting across sodden earth, cringing against crumbling stone, whispering desperations…
Clutching her belly and declaring love.
Grace is more than immortal. The more the world besieges it, the greater its significance burns. And she can feel it, this very instant, a spark shining in the God's infinite palm.
'The child is yours,' she whispers sobbing. 'Can't you see?
'I bear my mother's child…'
She reaches out with fingers that are steady even as shudders wrack her. She presses them through the matted nest of his hair, sobs aloud when she touches the hot skin of his scalp. For the first time she feels movement in her womb-an infant heel…
'We're here, Akka… Kuniuri. At last we're here!'
The Captain's voice, when it comes, seems to crack all hope asunder.
'Lot of bones in this ground,' he says from the far side of the stone. 'I can feel it.'
Lord Kosoter stands from an unseen crouch, looms over her and the Wizard, testing his aging knees. Her intake of breath is so sharp it sounds like an inverted shriek. An unkind coincidence of angles places the Nail of Heaven just beyond his brow, illumines the rim of his hair, so that he seems more an unholy wraith than a man, a dark god come to punish for mere perversity's sake. He holds a rib in his hands, strips the last remaining rind with his teeth. Grease slicks his beard below his mouth.
'Keep throwing the sticks like this, girl, and you will join them.'
He bends toward her with the leisurely cruelty of a butcher picking his slaughter. He grips the back of her neck, hauls her kicking to her feet. He throws her to the ground in the direction of the others. As she scrambles to find her footing, he kicks her to the ground once again. Weeds claw her cheeks.
'This is my slog!' the Captain growls, unfastening one of his belts.
Suddenly she is a little girl, one sold to foreign slavers by a starving mother. Suddenly she is flinching beneath violent shadows, cringing and cringing until she is scarce a human child at all, but a thing small, blind, and mewling, a thing to be cracked in mercantile jaws, a thing to be tasted…
'Sarl!' the merciless voice bellows. 'What's the Rule?'
'Pleaaase!' she weeps, scuffing backward. 'I'm-I'm sor-!'
'No conniving!' the madman chortles. 'No whispering on the slog!'
She raises a frantic palm in warding. The belt makes small cooing sounds as it whips through the air. It reminds her of the lariats that musicians use performing in the alleyways of Carythusal's slums. And the breathless songs they composed, haunting, as if their instruments were children crying out from sleep.
She looks past the shadows of those who laugh and catcall. She looks to him, the Nonman King. She calls out to the horror she sees in his great eyes. She spits blood and sobs his name, his real name.
But he merely watches…
She knows he will remember.
That night he comes to the little girl. He kneels beside her, offers his blackened fingertip.
'Take him,' he says. 'Cherish him. He will make you strong.'
The little girl clutches his hand, halts its descent. She clasps his finger, then presses the stained tip across his own lips. She rises into his embrace, sucks the magic from his mouth. The strength of it races across her skin, then soaks through her, rinsing away a constellation of pains.
'You could have stopped him…' the little girl wheezes between her sobs.
'I could have stopped him,' he says, dropping his solemn gaze.
He withdraws into the dark.
– | The following morning it is her Judging Eye that opens.
Lashed and bone-sore, she breakfasts with charcoal-scabbed demons. Even the old Wizard sits with his skin blistered, his edges haunted by the shadow of his soul's future thrashing. Galian glances at her and mutters to the others, and laughter jumps through them in small, peevish squalls. And it seems she can see it, the piling on of sin-wickedness in all its bestial diversity. Thievery and betrayal, deceit and gluttony, vanity and cruelty, and murder — murder most of all.
'About your screams…' Galian says to her, his face grave with mockery. 'You really should cross the Captain more often. The boys and I were quite taken.'
Pokwas laughs outright. Xonghis grins while working his bow.
She has wondered at Galian's transformation. He seemed a friend in the beginning, someone who could be trusted, if only because he was wry and sane. But as his beard grew and his clothing and accoutrements rotted, he became ever more remote, ever more difficult to trust. The burdens of the trail, she thought, recalling the way the brothel had embittered so many sweet souls.
But now, seeing him revealed in the light of God, she realizes the months of hardship-or even the Qirri-have changed him very little. He is one of those men who is lovable or despicable depending on the peevish lines of camaraderie. Gracious and generous with those he deems his friends and caring not at all about others.
'A crimson butterfly…' she murmurs, blinking at memories not her own.
The man's grin falters. 'A what?'
'You raped a child,' she tells the former Columnary. 'You killed her trying to stifle her screams… You still dream of the crimson butterfly your bloody palm left on her face…'
All three men go rigid. Pokwas looks to Galian for a laughing dismissal that does not come. A kind of pity wells through her, watching horror and arrogance dual in Galian's eyes.
Henceforth, she knows, his jokes will be furtive and hidden. Fearful.
Of all the Skin Eaters, none are more blasted than Cleric, whose sins run so deep she can scarce glance at him without her eyes rebelling. He is an impossible figure, a heaving motley of monstrosities, angelic beauty marred by sorcerous ugliness, blotted by ages of moral obscenity.
But the Captain is perhaps the most horrifying. She can see the hallow brilliance of the two Chorae burning white through his rag tunic and between the splints of his hauberk-a contradiction that intensifies the hoary imprint of his transgressions. Murder barks his skin, victim chapped across victim. Cruelty smokes from his eyes.
He gives the call to march, and then, inexplicably, the Eye closes. The sins vanish in a kind of inward folding, like wood unburning. The right and wrong of the world is hidden once again.
She has been beaten many times. Beatings were simply the penultimate rite in the flurry of mean and petty ceremonies that composed life in the brothel. As a child she learned that some men could find bliss only in fury, climax in degradation. And as a child she learned to flee her body, to take refuge behind wide-open eyes. A final sip. Her body would weep, moan, even shriek, and yet she would always be there, hidden in plain sight, calmly waiting for the tempest to pass. One sip remaining.
The outrage would come afterward, when she returned to find her body curled and sobbing.
'You are a cunning little slit,' Abbarsallas, her first owner, once told her. 'The others fear the likes of you. They fear you because you are so difficult to see… Your kind lurks and lurks, waiting for opportunities… opportunities you do not even know! A knife forgotten. A shard of glass. A throat bared in a thoughtless moment. I've seen it with my own eyes-oh yes! You don't even know it's happening. You just strike, spit all your poison, and a freeman dies.' He laughed as if at the particulars of some crazed memory. 'That's why the others would keep you shackled, or drown you in the courtyard as a moral for the others. Spare themselves the worry. But me, oh, I see gold in you, my little darling. Hard men take no pleasure in breaking what is already broken. And your kind can be broken a thousand times-a thousand more!'
Five years later they would find him dead, his body jammed into the sewer chute behind the scullery. Apparently Abbarsallas could only be broken once.
Anasurimbor Mimara has been beaten many times, so the coldness she feels as she walks, the numbness of a soul flinching from its own sharp edges, is a familiar one. As is the impulse that draws her to the fore of the slack-eyed company, into the glowering presence of the Captain.
'I will tell him. He will damn you.'
A part of her even laughs, saying such to someone already damned-irrevocably.
She has wondered what he was like in his youth. It seems absurd that he once reclined at heteshiras, the night-long bacchanals of eating and vomiting so popular among the Ainoni nobility, that he plotted with men too fat
